Chen cover

Chen

Rating 2.7
Word count
704 words
Chapters
2

Tags

Summary

Zhi zi tang xi, wan qiu zhi shang xi. Xun you qing xi, er wu wang xi. Kan qi ji gu, wan qiu zhi xia. Wu dong wu xia, zhi qi lu yu. Kan qi ji fou, wan qiu zhi dao. Wu dong wu xia, zhi qi lu shen.

Editor's review

This poem, "Chen," is set against "Wanqiu" and repeatedly uses images such as drumming, striking the fou, and egret feathers, with a clear rhythm and a strong air of folk song and dance. The line "Xun you qing xi, er wu wang xi" places fervent spectacle side by side with hopeless longing, creating a tension that rewards reflection. Bashu Press's inclusion of this piece gives readers a brief but flavorful text for encountering early song-poetry. It is not long, yet it bears repeated chanting to appreciate the musicality created by repeated stanzas and lines, and it also offers a way to observe how ancient songs conveyed emotion with spare language. When reading, do not rush to pin down the specific events; feel the rhythm and mood first, then consider the relationship between "you qing" and "wu wang," and you will gain more.

Who it's for

A good fit for

  • General readers interested in pre-Qin song-poetry and ancient ballads
  • Readers who like short classical poems and are willing to chant them repeatedly to feel the rhythm
  • Chinese teachers who need classroom extension materials to guide students in sensing the musicality of poetry

Not a good fit for

  • Readers expecting complete annotations, translations, and detailed background research
  • Readers who prefer narrative works with complete plots and greater length

Reading tips

  1. Read aloud several times first to feel the rhythm created by drumming and striking the fou, then savor the images and moods line by line.
  2. Focus on "Xun you qing xi, er wu wang xi," and consider its turn of meaning in light of the poem's lively scenes.
  3. Read alongside other early song-poems with repeated stanzas and lines to observe how similar structures produce different expressive effects.

About the publisher

Bashu Publishing House China · Founded in 1983

Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.

Contents

  1. 版权信息
  2. 陈风

FAQ

Who is the author of this poem?
The source lists the author as "Anonymous," meaning the author is unknown. It is a surviving early song-poetry text whose exact date and author are difficult to verify; it is best read as a product of collective transmission.
What does "Wanqiu" refer to in the poem?
From the lines, "Wanqiu" is the place where song and dance take place, with drumming, fou-striking, and dancers holding egret feathers. It is both a geographical setting and a way of creating an atmosphere of unceasing song and dance through winter and summer; for its specific location, consult the relevant annotations.
It is so short—is it worth reading on its own?
Yes. Short works bear repeated chanting, and its structure of repeated stanzas and lines and the contrast between "you qing" and "wu wang" are typical of how early song-poetry conveys much with little. Close reading reveals its flavor better than broad reading.

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About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

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