Excerpts from Records of What Was Heard cover

Excerpts from Records of What Was Heard

Rating 4.0
Word count
61K words
Chapters
16
ISBN
9787532778362

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Summary

The Mōshōgami is a collection of short stories from the mature artistic period of Jun'ichirō Tanizaki. Set against the decline of the Toyotomi clan, it recounts the life of Toyotomi Hidetsugu—nephew and adopted son of Toyotomi Hideyoshi—through the narration of a blind monk to Ishida Mitsunari's daughter. Legend has it that he was bloodthirsty and cruel beyond measure, earning him the name "Sesshō Kanpaku," the Regent Who Kills. His life unfolds like a dazzling yet brutal scroll of hell. The work's distinctive Tanizaki feature lies in depicting feminine beauty solely through smell and touch from the blind monk's perspective. In addition to the title story, the volume includes "Three Monks," "The Fox Possession of the Lacquerer of Kii Province," and "The Ascetic Kakukai Becomes a Tengu."

Editor's review

The Mōshōgami is not Jun'ichirō Tanizaki's best-known work, yet it is like a fine piece of amber, preserving the profound reflections of this master of Japanese aestheticism on classical literature, traditional aesthetics, and the clash of Eastern and Western civilizations. The book gathers several of the author's essays and reviews on reading, literature, and art, and its core value lies in offering an introspective, highly personal "reading map." Here Tanizaki's prose sheds the sensual gorgeousness of Naomi and differs from the poignant resolve of A Portrait of Shunkin, taking on instead a scholar's calm and wisdom. He discusses the mysterious beauty of The Tale of Genji, compares Japanese and Chinese classical literature, and appraises Western writers' styles, with his unique aesthetic system permeating every line—the praise of "shadows," the worship of the "eternal feminine," and an infinite nostalgia for a vanishing classical world. Reading this book is like sitting beside a learned connoisseur as he explains what truly constitutes "fūryū" and "iki." For understanding Tanizaki's creative motifs and aesthetic roots, this book is an indispensable key. It will not suit readers seeking plot-driven excitement, but it can bring lasting and abundant intellectual pleasure to those willing to stroll through words and dive deep into thought.

Who it's for

A good fit for

  • Readers with a strong interest in Japanese classical literature and aesthetics (such as mono no aware and yūgen)
  • Enthusiasts who wish to understand the literary world of Jun'ichirō Tanizaki from its creative source
  • Readers who enjoy "slow reading" genres such as essays, book talk, and literary criticism
  • Intellectuals who reflect on comparative and dialogic issues between Eastern and Western cultures

Not a good fit for

  • Readers expecting Tanizaki's typical fictional style (intense, sensual, dramatic)
  • Casual readers seeking light entertainment or quick information

Reading tips

  1. It is advisable to first acquire a basic understanding of several of Tanizaki's representative works (such as A Portrait of Shunkin and In Praise of Shadows) before reading this book, to better appreciate the threads of thought in his essays.
  2. The chapters are independent and well suited to quiet reading in fragmented time; readers may jump around according to interest without adhering to order.
  3. Keep pen and paper at hand while reading to note Tanizaki's exquisite comments on particular writers or works; these are themselves excellent models of literary appreciation.

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 闻书抄
  3. 其一
  4. 其二
  5. 其三
  6. 其四
  7. 其五
  8. 其六
  9. 其七
  10. 其八
  11. 三个法师
  12. 上
  13. 中
  14. 下
  15. 纪伊国采漆工狐狸附体之事
  16. 觉海上人成天狗之事

FAQ

What is the main content of The Mōshōgami?
This book is a collection of Tanizaki's essays and reviews, mainly gathering his reading notes, comparative studies, and aesthetic reflections on literature and art East and West, ancient and modern; it is an important text for understanding his literary views and aesthetic tastes.
How does this book compare with In Praise of Shadows?
Both belong to the essence of Tanizaki's essays and embody his distinctive aesthetic thought. In Praise of Shadows expounds his philosophy of "shadow aesthetics" more systematically and concentratedly, while The Mōshōgami ranges more widely, using "books" as its medium, with more scattered topics and a stronger focus on specific literary appraisal and the sharing of personal reading experience.
Can readers without a foundation in Japanese literature understand this book?
It is somewhat challenging but not inaccessible. The book involves a great deal of Japanese classical literature (such as The Tale of Genji and The Pillow Book) and allusions to Western literature; relevant knowledge allows for deeper appreciation. Yet Tanizaki's discussion is itself insightful and eloquent, so even readers unfamiliar with the specific works he mentions can still grasp the brilliance of his thought and the charm of his prose—and may even follow the clues into new reading territory.

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About the author

Jun'ichirō Tanizaki Author · Japanese · 1886–1965

Jun'ichirō Tanizaki was a modern Japanese novelist and a leading representative of aestheticist literature. Born in 1886 into a rice-merchant family in Tokyo, he studied in the Japanese literature department of Tokyo Imperial University before dropping out. In 1910 he made his name with the story "The Tattooer," which brought him attention in literary circles. After the Great Kanto Earthquake, he moved to the Kansai region, and his focus gradually shifted toward classical aesthetics. He left important works in both fiction and prose, including "The Makioka Sisters," "Naomi," "In Praise of Shadows," and "A Portrait of Shunkin." He also translated "The Tale of Genji" into modern Japanese, helping to spread the classical work. He died of kidney disease in 1965. His writing is delicate and refined, and he had a profound influence on modern Japanese aestheticist literature.

谈谦 Author

Tan Qian is an author about whom very little public information is available. Three works are known under this name: Roaming China, Notes on Books Heard, and Floating Boat. These titles are often classified as foreign literature, which suggests that Tan Qian's writing is closely connected with that field, or that the subjects and style carry a noticeable cross-cultural quality. The title Roaming China implies travel writing or cultural essays centered on journeys and observations across the country, while Notes on Books Heard and Floating Boat have a more elegant and understated ring, resembling essays or reading notes that may dwell on books, experiences, and personal reflection. Because the author's dates, nationality, and life history remain unknown, a full picture of the works and their development is difficult to trace; readers wishing to understand Tan Qian should begin with the existing texts themselves and discern their themes and prose style there.

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