Reading Zhengzhou
Tags
Summary
To read Zhengzhou, begin with "Reading Zhengzhou." Open the book's pages of the city, trace its cultural landscape in words and recover Zhengzhou's memories in ink. Writers, publishers, readers, collectors, booksellers and guardians of books together form a rich and pure picture of "Reading Zhengzhou" in this ancient capital, presenting one facet of "Scholarly Henan, Reading for All," as the fragrance of books suffuses the Central Plains.
Editor's review
As a veteran cultural worker, Qi Anqing's writing combines a journalist's acuity with a writer's warmth. In the name of "reading," he in fact measures the city with his steps and decodes its hidden texts with his mind. The book offers reinterpretations of landmarks such as the Erqi Tower and Dehua Street, as well as delicate captures of street life, dialect and custom, displaying the historical weight Zhengzhou carries as a hub of the Central Plains and the pains and rebirth of its modern transformation.
From a professional standpoint, the book's distinctiveness lies in its avoidance of the usual promotional tone of city writing; instead, through plain and restrained narrative, it presents a three-dimensional, authentic Zhengzhou with warmth. Through the intertextuality of the author's personal growth and the city's changes, it explores the tension among local identity, the construction of memory and the process of modernization. This approach, which grounds grand narrative in fine detail, lifts the book beyond the category of regional literature to become a universal work about how to understand "hometown" and "change."
For readers, "Reading Zhengzhou" offers a double perspective: a window onto Zhengzhou's history and culture, and a mirror for reflecting on one's own relationship with the city one lives in. Its accounts of vanished streets, time-honored shops and old days are full of concern over cultural loss in the course of urbanization, an emotional resonance that can move any modern person with complex feelings about "hometown."
Who it's for
A good fit for
- History and humanities enthusiasts interested in urban culture and local chronicles
- Readers who live or work in Zhengzhou, or have ties to the city, and hope to find emotional resonance
- Social observers concerned with urbanization, memory and identity
- Literary readers who appreciate plain, profound, documentary-style essays
Not a good fit for
- Readers seeking strong plot, fiction or light entertainment
- Researchers expecting a systematic, academic urban development report
Reading tips
- Read slowly, follow the author's steps in wandering through the text, and savor the history and emotion in the details.
- Read alongside a map or old photographs to better appreciate the spatial changes and past-present contrasts described in the book.
- While reading, think of a city or neighborhood you know well and project your own emotions and reflections across regions.
About the publisher
Founded in 1996, Henan Literature and Art Publishing House mainly publishes books on literature and art, social sciences and broadly cultural subjects, and also edits and publishes the journal Celebrity Biography, gradually forming a publishing style characterized by full-length historical novels and biographical literature. Judging from the 269 titles in the database, its publishing scope also covers mystery and detective fiction, foreign literature, classic works and world classics. Representative books include Ellery Queen's four tragedies, Slaughterhouse-Five, Blindness, The Siege of Lisbon, The History of the Siege of Lisbon, the ten-volume Collected Works of Wang Zengqi, Old Tales Retold and the two-volume Classic Short Stories of Stanisław Lem, the God of Science Fiction. In terms of authors, it includes foreign masters such as Kurt Vonnegut, José Saramago and Ellery Queen, as well as translators such as Yang Xi, Yu Jianhua and Fan Weixin.
Contents
- 版权信息
- 序
- 引子
- 李伯谦:行走的阅读者
- 孙荪:“资深读者”
- 李红岩:城市的眼睛
- 马国强:无为斋
- 张宇:半闲书屋半闲人
- 张广智:龙子湖“左岸”
- 王澄:流落人间者,太山一毫芒
- 李佩甫:读书改变的人生轨迹
- 周俊杰:好酒喝到微醺时
- 刘先琴:琴鸣大声
- 耿相新:书是生活和生命
- 谢冰毅:光影浮尘中的精神之旅
- 邵丽:岁月光影里的美丽
- 董林:诗书可养神
- 王守国:万卷都从一卷来
- 齐岸青:书院里的书生
- 景柱:行者书院
- 范强:阅读与书写并合的本质
- 赵曼:寻找艺术的“天地之中”
- 曹亚瑟:“小鲜馆”
- 何频:亦文亦画,草木人生
- 李韬:风雅堂的风雅事
- 刘世尧:赏心乐事谁家院
- 杨舸:难有同类的人
- 樊响:克制与隐藏
- 黄珂:泥釉的水火
- 尾声
- 写作者简介
- 拍摄手记
FAQ
Is this book strictly a history of Zhengzhou or a travel guide?
Will non-locals feel alienated reading this book?
What is the writing style of this book?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Qi Anqing is a Chinese author known for his prose and miscellaneous writings. Public information about him is currently limited: his dates of birth and death, place of origin, and professional career are not clearly recorded, so a full picture of his life cannot be drawn. Two of his works are held in the collection, Zhengzhou Reading and Originally a Scholar. Judging from the titles and their classification, the former appears to center on the city of Zhengzhou and on reading and writing about it, with the flavor of a local cultural essay; the latter suggests a scholar's self-portrait and may touch on themes such as reading, writing, and personal reflection. His writing generally belongs to the essay tradition, emphasizing personal experience and everyday observation in a plain, restrained style. Owing to limited material, it is not yet possible to assess the overall scale of his work or its specific influence among readers; only a preliminary introduction based on these two works can be offered, and further information remains to be verified.