Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who love classical poetry and short lyric passages
- Writers looking to build skill with the bi-xing device
- General readers seeking resonance in quiet nighttime reading
- Students interested in emotional expression and the aesthetics of restraint
Not a good fit for
- Readers who need a full plot or character-driven story
- Readers who prefer plain argument and clear conclusions
- Beginners unfamiliar with classical poetic language who do not wish to use annotations
Reading tips
- First read it aloud twice, softly, paying attention to the rhythm of “drifting,” “restless,” and “hidden sorrow”; then read silently and notice how the tone shifts.
- Look at the cypress boat separately from the wine and roaming; ask why outer things cannot dispel the sorrow, then put them together to understand the whole passage.
- Copy it out once and write one emotion word beside each line; at the end, see how those words join into a whole.
- If using an annotated edition, read the original text first before turning to the notes, so the notes do not frame your reading in advance.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 序
- 柏舟
- 绿衣
- 燕燕
- 日月
- 终风
- 击鼓
- 凯风
- 雄雉
- 匏有苦叶
- 谷风
- 式微
- 旄丘
- 简兮
- 泉水
- 北门
- 北风
- 静女
- 新台
- 二子乘舟
FAQ
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.