Bei cover

Bei

Rating 4.3
Word count
2K words
Chapters
21

Tags

Summary

Drifting is that cypress boat, Drifting on its way. Sleepless I lie, restless, As if with hidden grief. Not that I have no wine, To roam and ease my heart.

Editor's review

This passage opens with a cypress boat drifting on the current, then turns to sleepless nights and a hidden sorrow; it says there is wine enough for roaming, yet the grief will not lift. In only a few lines the feeling moves from thing to heart, from outer scene to inner sensation—restrained, with much left lingering. Its strength lies in the contrast between “drifting” and “restless”: the boat is borne along, unsettled, while the heart stays awake and uneasy. It suits quiet night reading, and also serves as an entry point for understanding classical lyric expression. Readers need not look for a complete narrative; the point is to feel how tone and rhythm carry the sorrow.

Who it's for

A good fit for

  • Readers who love classical poetry and short lyric passages
  • Writers looking to build skill with the bi-xing device
  • General readers seeking resonance in quiet nighttime reading
  • Students interested in emotional expression and the aesthetics of restraint

Not a good fit for

  • Readers who need a full plot or character-driven story
  • Readers who prefer plain argument and clear conclusions
  • Beginners unfamiliar with classical poetic language who do not wish to use annotations

Reading tips

  1. First read it aloud twice, softly, paying attention to the rhythm of “drifting,” “restless,” and “hidden sorrow”; then read silently and notice how the tone shifts.
  2. Look at the cypress boat separately from the wine and roaming; ask why outer things cannot dispel the sorrow, then put them together to understand the whole passage.
  3. Copy it out once and write one emotion word beside each line; at the end, see how those words join into a whole.
  4. If using an annotated edition, read the original text first before turning to the notes, so the notes do not frame your reading in advance.

About the publisher

Bashu Publishing House China · Founded in 1983

Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.

Contents

  1. 版权信息
  2. 序
  3. 柏舟
  4. 绿衣
  5. 燕燕
  6. 日月
  7. 终风
  8. 击鼓
  9. 凯风
  10. 雄雉
  11. 匏有苦叶
  12. 谷风
  13. 式微
  14. 旄丘
  15. 简兮
  16. 泉水
  17. 北门
  18. 北风
  19. 静女
  20. 新台
  21. 二子乘舟

FAQ

Is this passage suitable for beginners?
The language is not very difficult, but the bi-xing imagery is subtle, and beginners may feel it is not clear “what is being said.” It is best to read it aloud first to feel the tone, then use annotations to understand images such as the cypress boat and hidden sorrow; do not insist on word-for-word translation at the start.
Why use the cypress boat as the opening image?
The cypress boat drifting on the current shows both the unsettled drifting of a thing and the heart’s lack of a place to rest. The opening image lightly links outer scene and inner worry, giving the later “sleepless and restless” a picture and a sense of motion; it is not simply stating sorrow.
What should I focus on while reading?
Focus on the contrast between “drifting” and “restless”: outer things are moving, while the heart stays awake and uneasy. Then notice the turn in “not that I have no wine,” and understand that the sorrow cannot be resolved by roaming. This makes it easier to feel the power of restrained expression.

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About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

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