The Inheritance
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who think deeply about family relationships, generational bonds, and questions of life
- Literature lovers who appreciate a calm, nuanced, unsentimental style of nonfiction narrative
- Those currently caring for aging parents or facing a loved one's illness who seek resonance and understanding
- Readers interested in Philip Roth's work who want to see the more personal side of his writing
Not a good fit for
- Readers expecting a traditional novel with a twisty plot and strong conflict
- Readers hoping for a light, escapist reading experience
Reading tips
- Best read in a quiet setting where you can immerse yourself in thought; the book's dense psychological and detailed passages require patient attention.
- Reading it alongside Roth's other fictional works (such as the American Trilogy) can give a fuller understanding of his recurring themes.
- While reading, you might set the book aside for a moment to recall or jot down memories of your own parents; you may find extra insight there.
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 1.“那么,你怎么想?”
- 2.妈咪,妈咪,你在哪儿啊,妈咪?
- 3.我会变成植物人吗?
- 4.我得重新开始生活
- 5.也许英格丽能永远照顾我
- 6.他们抗争,因为他们是斗士,他们抗争,因为他们是犹太人
- 译后记
FAQ
Is Patrimony a novel or a work of nonfiction?
Is the book's subject too heavy and sad?
Can I understand this book without having read other works by Philip Roth?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Philip Roth (1933–2018) was an American novelist, born into a Jewish family in Newark, New Jersey, and rose to prominence in 1959 with Goodbye, Columbus. His work often centers on the lives of American Jews while probing the tensions between identity, desire, and history, in a style that blends satire with self-examination. His major works include Portnoy's Complaint, American Pastoral, The Human Stain, Sabbath's Theater, and The Plot Against America, as well as nonfiction such as The Facts: A Novelist's Autobiography and Reading Myself and Others. He won the Pulitzer Prize and the National Book Award and died in 2018; the collection holds 33 of his works.
Peng Lun is an author active in the field of Chinese-language book publishing and editing. Publicly available information about him is limited, and details such as his nationality, dates of birth and death, and educational background are not clearly documented. Four of his works are included in the collection: Legacy, Legacy (A True Story), Ordinary People, and The Paris Review: Interviews with Publishers. These works suggest that his writing and editorial interests center on foreign literature and literary appreciation, with particular attention to true stories, personal destinies, and interviews and experiences within the publishing industry. The Paris Review: Interviews with Publishers reflects his sustained engagement with the workings of publishing and the editorial perspective, while works such as Legacy and Ordinary People indicate a tendency toward documentary or narrative treatment of personal and family themes. Overall, Peng Lun's output is limited in quantity, but his work has a certain significance for the translation and introduction of foreign literature and for documenting publishing culture, and it may be of reference value to readers interested in literary documentary writing and publishing practice.