Prehistory of Daoism
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in Chinese intellectual and religious history
- Students of literature and history who need to trace the origins and development of Daoist philosophy and religion
- Slow readers who prefer to judge for themselves from classical citations
- Readers curious about the relation of fangshu and shamanic practices to the formation of Daoism
Not a good fit for
- Casual readers expecting light stories or popular retellings
- Readers seeking a systematic, complete exposition of Daoist doctrine and liturgy
- Beginners unaccustomed to classical Chinese quotations and scholarly analysis
Reading tips
- Begin with the opening discussion distinguishing “Dao” from Daoist philosophy and Daoist religion to establish the book's framework before reading on.
- When encountering quotations from the Shiji, Hanshu, and other works, skip the details at first, grasp the author's conclusion, then return to check the citations.
- As you read, keep a small table of figures and schools to help clarify the threads of Guan Yin, Yang Zhu, Liezi, and others.
- After finishing, compare with general histories of Daoism to fill in the doctrinal part left unpublished.
Contents
- 版权信息
- 弁言
- 绪说
- 第一章 道底意义
- 第二章 道家思想底建立者老子
- 第三章 老子以后底道家
- 第四章 道家最初底派别
- 第五章 秦汉底道家
- 第六章 神仙底信仰与追求
- 第七章 巫觋道与杂术
FAQ
How does this book differ from general histories of Daoism?
Does the unpublished second part affect the book's completeness?
Can I read it without a foundation in classical Chinese?
Comments
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About the author
Xu Dishan (1893–1941), whose given name was Zan Kun and whose pen name was Luo Huasheng, was born in Tainan, Taiwan, with ancestral roots in Jieyang, Guangdong. A modern writer and scholar, he was one of the founders of the Literary Research Society and taught at Yenching University and the University of Hong Kong. His essays are lucid and understated, while his fiction draws on real life and blends social realism with philosophical reflection. His representative works include the essay "Peanuts" and the novels "The Spider's Web" and "Spring Peach." This collection holds 56 of his works, spanning classics, literary appreciation, essays and miscellaneous writings, and social fiction, including public-domain editions of "Empty Mountain, Spiritual Rain," "The Spider's Web," and "Spring Peach," as well as the scholarly work "A Prehistory of Daoism," reflecting his dual achievement in creative writing and scholarship.