Hearsay cover

Hearsay

Rating 3.0
Word count
158K words
Chapters
121

Tags

Summary

Traditional Chinese culture has a long intellectual lineage, marked by a high degree of originality, inventiveness, and literary quality. Early forms of thought are highly distinctive: religious theology, classical texts of Chinese medicine, ancient military strategy, Confucian, Daoist, Buddhist, and Hundred Schools thought, feng shui and metaphysics, the Twenty-Four Histories, customs and local gazetteers—all are vast and profound. This "Essence of Classical Chinese Culture: Original Texts" series preserves the appearance of the original books, with the aim of conserving and transmitting traditional Chinese thought and culture. By reading the literary essence left by ancient sages, readers cultivate character and quietly absorb the classics of Chinese learning.

Editor's review

This book belongs to the "Essence of Classical Chinese Culture: Original Texts" series and has been compiled in a manner that preserves the appearance of the original book. The title Da Ting Tu Shuo itself carries the sense of miscellaneous notes and hearsay records; the content draws on the broad background of traditional Chinese culture and touches on religious theology, classical texts of Chinese medicine, ancient military strategy, Confucian, Daoist, Buddhist, and various schools of thought, feng shui and metaphysics, the Twenty-Four Histories, customs and local gazetteers, and other categories. Its value lies not in providing systematic textbook-style knowledge, but in giving readers access to the original tone and editorial manner of ancient texts and allowing them to feel how traditional thought appears in concrete accounts. It is best read as a cultural volume to browse at leisure rather than something to finish in one sitting; when encountering unfamiliar allusions or terms, consult annotations and reference works. It suits readers interested in Chinese learning who are willing to read slowly and savour the text, and also those seeking traditional material for writing or teaching. Those expecting rigorous argument or a modern academic introduction should choose a specialist work instead.

Who it's for

A good fit for

  • General readers with a broad interest in traditional Chinese culture who like to browse at leisure
  • People who need traditional material for writing, teaching, or cultural activities
  • Readers willing to read slowly through classical or old vernacular Chinese and patient enough to check allusions
  • Enthusiasts of Chinese learning who want to learn about ancient thought, customs, local gazetteers, and other miscellaneous knowledge

Not a good fit for

  • Students hoping for a systematic textbook of Chinese learning or a modern academic introduction
  • Readers of pure literature who prefer tightly plotted, fully narrated works
  • Readers without the patience to check terms and expecting easy, fast reading

Reading tips

  1. Begin with the table of contents and notes on editorial format to understand the book's categories and arrangement, then skip-read the sections that interest you.
  2. Keep a notebook to jot down unfamiliar allusions, terms, and figures, and check them together after finishing a unit.
  3. Read a short passage at a fixed time each day; do not chase speed. If something is hard to understand, skip it for the moment and keep your reading rhythm.
  4. Read alongside comparable anthologies of Chinese learning and note the differences between the original appearance of the text and later editorial work.

Contents

  1. 版权信息
  2. 原序
  3. 卷一
  4. 屠钤
  5. 鬼报
  6. 骆安道
  7. 孙新泰
  8. 董琳
  9. 祝蔼
  10. 蛇妖
  11. 旅店冤鬼
  12. 卷二
  13. 狐母
  14. 董子龙
  15. 江本直
  16. 李二妈
  17. 干支国
  18. 卢裁缝
  19. 何永寿
  20. 钟和尚
  21. 蓝山过客
  22. 戒牛肉
  23. 卷三
  24. 葛浒
  25. 王货郎
  26. 祈兰娘
  27. 殷蓬头
  28. 丁欢喜
  29. 李德姑
  30. 铁脚和尚
  31. 桃园怪
  32. 卷四
  33. 盗僧
  34. 赵南中
  35. 张百顺
  36. 王祚
  37. 董世球
  38. 蓬头婢
  39. 吕四娘娘
  40. 姚崇恺
  41. 卷五
  42. 洪大生
  43. 盗婆
  44. 马秀清
  45. 张黄狗
  46. 唐金之
  47. 陈定缘
  48. 卷六
  49. 金陵骗
  50. 焦德新
  51. 曹良贵
  52. 韩宝儿
  53. 李二高之
  54. 玩城头
  55. 孙巧儿
  56. 卷七
  57. 金大姑
  58. 养毛须
  59. 霍老生
  60. 岑幕
  61. 鲍端儿
  62. 卢用复
  63. 小骗
  64. 赌骗
  65. 洪乡老
  66. 杨小么儿
  67. 鸡医
  68. 火劫
  69. 卷八
  70. 枕干庵
  71. 黠贼
  72. 奇盗
  73. 走无常
  74. 鬼伴
  75. 潘封
  76. 巴嫣嫣
  77. 唐待诏
  78. 卷九
  79. 刘二
  80. 纤纤
  81. 朱大善
  82. 谋代鬼
  83. 查大嫂
  84. 巨蛇
  85. 乳媪
  86. 彭意之
  87. 闹房
  88. 咒盗
  89. 卷十
  90. 江昌奇
  91. 喜儿
  92. 灵鹫孽僧
  93. 徐延赞
  94. 异炉
  95. 逆子
  96. 雷殛三则
  97. 卷十一
  98. 荆襄客
  99. 白衣蓝
  100. 三足蟾
  101. 龟异
  102. 何东雅
  103. 季鸦头
  104. 晁妇
  105. 斯斯
  106. 龙潭
  107. 蚁王
  108. 避劫
  109. 卷十二
  110. 祖师
  111. 王灵官
  112. 朱方富民
  113. 干季香
  114. 准提尼
  115. 玉桂
  116. 异鸟
  117. 猫怪
  118. 虎二则
  119. 蜈蚣三则
  120. 梦异
  121. 风霾

FAQ

Is this book suitable for readers with no foundation in classical Chinese?
It can be read, but it requires some patience. The book preserves the appearance of the original, and some expressions have a classical or old vernacular flavour. Start with a category you know or are interested in, use annotations and reference works to help you understand, and do not feel obliged to read every word.
What does the title Da Ting Tu Shuo mean?
The title suggests miscellaneous notes and records of things heard; the content is not limited to a single theme but unfolds against the background of traditional culture. Readers may understand it as a Chinese-learning volume of a miscellaneous nature rather than a systematic monograph.
Do I need to read this book in order from beginning to end?
No. The book covers many categories and is better read by interest or by topic. Browse the table of contents first, choose the sections you care about—religion, military strategy, customs, and so on—and then gradually expand to other content.
Can this book be used as an introductory textbook to Chinese learning?
It can serve as supplementary reading for approaching traditional texts, but it should not replace a systematic textbook. The book focuses on preserving and transmitting traditional thought and culture and on keeping the original appearance of the text; if you need a clear knowledge framework, read it together with works introducing Chinese learning.

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About the author

Jing Shang Yun Ping Lao Ren, whose real name, native place, dates of birth and death, and life story are not clearly recorded, is known only by this sobriquet. Public information about the author is limited. The name carries a distinct local flavor and the character of a literary self-chosen style name, possibly adopted by a man of letters in his later years, though the lack of sources makes verification impossible. Within the library, only one work is confirmed under this name, namely Daoting Tushuo (Heard on the Road). Classified as a classic work, the book, judging from its title, draws on street talk, rumors, and anecdotes, and has the character of miscellaneous notes or storytellers' tales. It tends to record social observations and hearsay in short pieces, combining historical value with literary interest. Works of this kind were traditionally placed in the xiaoshuojia category of the zi section in Chinese bibliography, reflecting the old literati tradition of collecting hearsay and embedding instruction in narrative. Because sources on the author are scarce, the author's place and influence in literary history cannot be described in detail, yet Daoting Tushuo, as the surviving work, remains a reference text for examining bygone social manners and popular narrative. Readers should consult editions and publication background and treat its anecdotal elements with caution.

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