Transparent Things
Tags
Summary
Editor's review
Who it's for
A good fit for
- Dedicated Nabokov readers eager to explore the evolution of his late style
- Literary enthusiasts interested in experimental short fiction forms
- Readers drawn to philosophical questions of time, memory, and the ontology of art
- Writers seeking to learn how complex meaning can be carried by spare prose
Not a good fit for
- Readers of popular fiction expecting strong plot and fast-paced narrative
- Newcomers to Nabokov who have not yet read his major works
Reading tips
- It is advisable to read a major novel such as Lolita or Pnin first to establish a sense of Nabokov's basic style before approaching this collection
- Reading alongside Nabokov's lectures, Lectures on Literature and Lectures on Russian Literature, can help clarify his artistic views
- These short pieces are best read slowly, with a pause for reflection between each, noting the recurring natural imagery and temporal metaphors
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 一〇
- 一一
- 一二
- 一三
- 一四
- 一五
- 一六
- 一七
- 一八
- 一九
- 二〇
- 二一
- 二二
- 二三
- 二四
- 二五
- 二六
FAQ
How does this book differ from Nabokov's other short story collections, such as Spring in Fialta?
Are there difficult literary allusions in the book?
Do these short stories contain autobiographical elements?
Comments
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About the author
Vladimir Nabokov was a Russian-born American novelist, poet, translator, and lepidopterist. Born in 1899 into a noble family in St. Petersburg, he went into exile in Europe in 1919, later graduated from Cambridge University, became a U.S. citizen in 1945, and taught at Cornell University; he died in Montreux, Switzerland, in 1977. His work spans novels, short stories, essays, and literary criticism, with major titles including Lolita, Pale Fire, Pnin, and Speak, Memory. His prose is intricate and ornate, marked by irony, wordplay, and unreliable narration, and has deeply influenced modern fictional technique; annotated and guided editions of Lolita and his correspondence collections attest to the continued reach of his work in the Chinese-speaking world.
Chen Anquan is a Chinese book author about whom limited public information is available; his nationality, dates of birth and death, and personal background are not recorded in public sources. Five works by him are currently held in the library, all in the field of foreign literature. His representative translations or edited selections include the five-volume Nabokov Selected Works II, as well as Invitation to a Beheading and Transparent Things. These works indicate that Chen Anquan's writing and translation focus on the Russian-American writer Vladimir Nabokov, presenting his novels and shorter works in Chinese. The style of the translations presumably follows the delicacy, subtlety, and irony of the originals, with attention to preserving narrative layers and linguistic playfulness. Although public information is limited and a full biography cannot be outlined, Chen Anquan's contribution, judged by the existing works, lies in bringing Nabokov's less widely known or stylistically distinctive texts to Chinese readers, offering reference translations for enthusiasts and scholars of foreign literature.