Ci Poems of Retreat into Zen cover

Ci Poems of Retreat into Zen

Rating 4.0
Word count
15K words
Chapters
173

Tags

Summary

172 ci in total. The author is Yang Wujiu, courtesy name Buzhi, styled the Old Man of Escaping Chan, also known as the Venerable Qingyi and the Layman of Ziyang. He enjoyed great renown for his poetry, painting, and calligraphy, yet never sought fame or profit through them. History records: "Qin Hui sought his work, but he would not give it." Beyond painting, he was also skilled in ci, often writing of love between men and women, in ornate language and delicate description. Because he was accomplished in poetry, calligraphy, and painting alike, his contemporaries called him the "Three Perfections of Escaping Chan."

Editor's review

Escape Chan Ci collects 172 ci by Yang Wujiu and offers a concrete text for understanding the ci scene of the early Southern Song. Yang Wujiu was renowned for the three perfections of poetry, calligraphy, and painting; his ci mostly treat love between men and women, in ornate language and delicate description, with a clear and graceful quality within the restrained and tender tradition. Readers can find both the refined portrayal of emotion and scene characteristic of the traditional ci form and the aloof stance implied by the author's style name "Escaping Chan"—history records that Qin Hui sought his work and could not obtain it, an indifference to fame and gain that mirrors his ci style. This edition gives modern readers the convenience of reading Yang Wujiu's ci together, suited to careful reading in quiet hours to appreciate his wordcraft and scene-making. For readers interested in the evolution of the Song ci form and the interplay of literati painting, calligraphy, and literary exchange, this book also serves as a case study to be read against contemporary collections, revealing the continuity and change of the restrained and tender style around the time of the southward crossing.

Who it's for

A good fit for

  • Readers interested in Song ci who wish to broaden their reading of the restrained and tender style
  • Students of literature and history studying the relationship between literati ci and painting and calligraphy in the Song
  • Literature lovers who enjoy ornate language and delicate emotional description
  • University Chinese majors needing case material on a Song ci collection

Not a good fit for

  • Readers who prefer grand narrative or strong plot conflict
  • Beginners hoping to gain a systematic understanding of Song historical background from this book

Reading tips

  1. Read through once to sense the overall style, then select landscape or romantic pieces for close reading and annotation.
  2. While reading, compare the author's style name "Escaping Chan" with the record that he refused Qin Hui's request for a painting, and consider the relationship between his character and his ci style.
  3. Read alongside contemporary restrained and tender ci poets, noting similarities and differences in subject matter and diction.

Contents

  1. 版权信息
  2. 水龙吟
  3. 水龙吟
  4. 水龙吟
  5. 水龙吟
  6. 水龙吟
  7. 水龙吟
  8. 念奴娇
  9. 扫花游
  10. 隔浦莲
  11. 品令
  12. 阳春
  13. 白雪
  14. 垂丝钓
  15. 垂丝钓
  16. 解蝶躞
  17. 醉落魄
  18. 青玉案
  19. 青玉案
  20. 青玉案
  21. 青玉案
  22. 望江南
  23. 望江南
  24. 望江南
  25. 望江南
  26. 选冠子
  27. 满庭芳
  28. 二郎神
  29. 水调歌头
  30. 水调歌头
  31. 水调歌头
  32. 水调歌头
  33. 传言玉女
  34. 传言玉女
  35. 于中好
  36. 于中好
  37. 于中好
  38. 瑞云浓
  39. 一丛花
  40. 好事近
  41. 殢人娇
  42. 殢人娇
  43. 蝶恋花
  44. 蝶恋花
  45. 蝶恋花
  46. 蝶恋花
  47. 锯解令
  48. 忆秦娥
  49. 倾杯
  50. 望海潮
  51. 齐天乐
  52. 齐天乐
  53. 蓦山溪
  54. 蓦山溪
  55. 蓦山溪
  56. 蓦山溪
  57. 醉蓬莱
  58. 醉蓬莱
  59. 醉蓬莱
  60. 朝中措
  61. 朝中措
  62. 点绛唇
  63. 点绛唇
  64. 点绛唇
  65. 点绛唇
  66. 卜算子
  67. 卜算子
  68. 卜算子
  69. 滴滴金
  70. 滴滴金
  71. 上林春令
  72. 瑞鹤仙
  73. 瑞鹤仙
  74. 瑞鹤仙
  75. 瑞鹤仙
  76. 雨中花
  77. 雨中花
  78. 雨中花
  79. 鹊桥仙
  80. 洞仙歌
  81. 多丽
  82. 卓牌子慢
  83. 倒垂柳
  84. 惜黄花慢
  85. 醉花阴
  86. 醉花阴
  87. 醉花阴
  88. 醉花阴
  89. 醉花阴
  90. 解蹀躞
  91. 琐窗寒
  92. 玉楼春
  93. 玉楼春
  94. 玉楼春
  95. 清平乐
  96. 清平乐
  97. 渔家傲
  98. 渔家傲
  99. 渔家傲
  100. 渔家傲
  101. 双雁儿
  102. 双雁儿
  103. 迎春乐
  104. 永遇乐
  105. 永遇乐
  106. 永遇乐
  107. 玉烛新
  108. 御街行
  109. 柳梢青
  110. 柳梢青
  111. 柳梢青
  112. 柳梢青
  113. 柳梢青
  114. 柳梢青
  115. 柳梢青
  116. 柳梢青
  117. 柳梢青
  118. 柳梢青
  119. 柳梢青
  120. 柳梢青
  121. 柳梢青
  122. 柳梢青
  123. 柳梢青
  124. 柳梢青
  125. 解连环
  126. 踏莎行
  127. 探春令
  128. 探春令
  129. 探春令
  130. 探春令
  131. 人月圆
  132. 人月圆
  133. 眼儿媚
  134. 倒垂柳
  135. 南歌子
  136. 南歌子
  137. 南歌子
  138. 南歌子
  139. 南歌子
  140. 南歌子
  141. 西江月
  142. 西江月
  143. 生查子
  144. 生查子
  145. 生查子
  146. 甘草子
  147. 鹧鸪天
  148. 鹧鸪天
  149. 鹧鸪天
  150. 鹧鸪天
  151. 天下乐
  152. 玉抱肚
  153. 雨中花令
  154. 雨中花令
  155. 雨中花令
  156. 夜行船
  157. 夜行船
  158. 夜行船
  159. 夜行船
  160. 夜行船
  161. 两同心
  162. 两同心
  163. 两同心
  164. 两同心
  165. 乌夜啼
  166. 朝天子
  167. 步蟾宫
  168. 步蟾宫
  169. 长相思
  170. 曲江秋
  171. 曲江秋
  172. 曲江秋
  173. 点绛唇

FAQ

What are Yang Wujiu's "Three Perfections of Escaping Chan"?
According to records, Yang Wujiu was accomplished in poetry, calligraphy, and painting alike, and his contemporaries called this the "Three Perfections of Escaping Chan." This book collects only his ci, through which readers can glimpse one facet of his literary talent; understood against his background in painting and calligraphy, it further illuminates the versatility of Song literati.
What subjects does Escape Chan Ci mainly treat?
Records show his ci mostly treat love between men and women, in ornate language and delicate description. While reading, note how the author crafts words and scenes within the traditional romantic subject, and the tension between the aloof stance of the "Old Man of Escaping Chan" and the tenderness in his ci.
What is the significance of the record that he refused Qin Hui's request for a painting?
History records that "Qin Hui sought his work, but he would not give it," showing that Yang Wujiu did not seek fame or profit through poetry, ci, painting, or calligraphy. This attitude echoes his style name "Escaping Chan"; while reading his ci, it can serve as a reference for understanding his spiritual orientation, though one should not over-read it into every individual piece.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

扬无咎 Author

Yang Wujiu is an ancient ci poet about whom relatively limited information survives. Publicly available sources contain no definite record of his native place, dates of birth and death, or official career; the only confirmed item is his collection of ci poems, _Taochan Ci_ (Escape into Chan). Judging from the works gathered in _Taochan Ci_, Yang Wujiu wrote mainly ci, with themes centered on personal feelings and daily life. His language is clear and natural, seldom weighed down by ornate diction, and his overall style tends toward restraint and understatement, carrying a certain sense of withdrawing from the world and finding ease in it, which echoes the title _Taochan_. His writing was not a prominent school within the tradition of ancient poetry, but the survival of his collection offers a concrete sample for later readers to understand ci writing of this period. Given the limited historical sources, details of his life and his literary standing still await further investigation.

Top rated in the same category