Written Impromptu on Seeing a Guest Off cover

Written Impromptu on Seeing a Guest Off

Rating 4.4
Word count
3.1K words
Chapters
48

Tags

Summary

"Improvised on Seeing a Guest Off" is one of the poems by the Tang dynasty poet Wen Tingyun.

Editor's review

Wen Tingyun is known chiefly for his ci lyrics, yet his poems also have a style of their own. "Improvised on Seeing a Guest Off" begins from the scene of a farewell and carries the delicate sensibility and laments over personal circumstance common in late Tang poetry. This edition, printed by Shanghai Jinzhang Book Company, offers readers a text close to the form of traditional woodblock publication. The farewell scene in the poem is not elaborate; it emphasizes instead the coloring of emotion and the catching of detail, and is suited to slow, attentive reading. For readers familiar with Wen Tingyun's ci, this poem helps illuminate his habits of expression in the shi form and how late Tang men of letters folded personal feeling into everyday occasional verse. In reading, attend to the shifts of time and space and to the choice of scenery, and savor the meaning beyond the farewell itself. The volume is limited in scope and is better used as a sample piece within a study of Wen Tingyun's work or of late Tang farewell poetry than as a comprehensive introduction to his writing. It may be read alongside his ci to observe how one author handles language and emotion in different genres.

Who it's for

A good fit for

  • Readers of classical literature familiar with Wen Tingyun's ci who wish to understand his poetry
  • Research-minded enthusiasts interested in late Tang farewell poems and literati occasional verse
  • Readers needing a single poem as a sample for classroom teaching or reading-group discussion

Not a good fit for

  • Readers seeking a complete poetry collection or systematic study of Wen Tingyun
  • General readers who prefer long narrative or modern novelistic reading experiences

Reading tips

  1. First establish whom the guest is and which way the journey leads, then savor the emotional hints in the scenery line by line.
  2. Read this poem alongside Wen Tingyun's ci and note the differences in verbal rhythm between shi and ci.
  3. Take brief notes on the late Tang social background to understand the travel and personal lament common in farewell poems.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 【赠隐者】温庭筠
  3. 【渚宫晚春寄秦地友人】温庭筠
  4. 【碧涧驿晓思】温庭筠
  5. 【送并州郭书记】温庭筠
  6. 【赠越僧岳云二首】温庭筠
  7. 【咏山鸡】温庭筠
  8. 【清旦题采药翁草堂】温庭筠
  9. 【商山早行】温庭筠
  10. 【题竹谷神祠(一作谷神庙)】温庭筠
  11. 【途中有怀】温庭筠
  12. 【经李处士杜城别业】温庭筠
  13. 【登李羽士东楼】温庭筠
  14. 【题僧泰恭院二首】温庭筠
  15. 【西游书怀】温庭筠
  16. 【送人东游】温庭筠
  17. 【寄山中友人】温庭筠
  18. 【偶题】温庭筠
  19. 【赠考功卢郎中】温庭筠
  20. 【题萧山庙】温庭筠
  21. 【春日寄岳州从事李员外二首】温庭筠
  22. 【和段少常柯古】温庭筠
  23. 【海榴】温庭筠
  24. 【李先生别墅望僧舍宝刹,因作双韵声】温庭筠
  25. 【敷水小桃盛开因作】温庭筠
  26. 【寄山中人】温庭筠
  27. 【送淮阴孙令之官】温庭筠
  28. 【宿辉公精舍】温庭筠
  29. 【旅泊新津却寄一二知己】温庭筠
  30. 【赠僧云栖】温庭筠
  31. 【雪夜与友生同宿晓寄近邻】温庭筠
  32. 【题造微禅师院】温庭筠
  33. 【正见寺晓别生公】温庭筠
  34. 【旅次盱眙县】温庭筠
  35. 【鄠郊别墅寄所知】温庭筠
  36. 【京兆公池上作】温庭筠
  37. 【卢氏池上遇雨赠同游者】温庭筠
  38. 【题薛昌之所居】温庭筠
  39. 【东归有怀】温庭筠
  40. 【休浣日西掖谒所知】温庭筠
  41. 【博山】温庭筠
  42. 【送卢处士游吴越】温庭筠
  43. 【过新丰】温庭筠
  44. 【过潼关】温庭筠
  45. 【题西平王旧赐屏风】温庭筠
  46. 【河中陪帅游亭(一作陪河中节度使游河亭)】温庭筠
  47. 【和赵嘏题岳寺】温庭筠
  48. 【苏武庙】温庭筠

FAQ

Wen Tingyun is known for his ci; what is the value of reading his poems?
Reading his poems complements a fuller understanding of Wen Tingyun's work. Shi and ci differ in subject matter, syntax, and emotional expression; reading them together helps readers see the choices one author makes across genres and gives a more concrete sense of late Tang poetry.
Is this poem suitable for classroom teaching?
It works well as a single sample poem. Its brevity makes close reading in class easy; discussion can center on the farewell scene, the choice of scenery, and emotional expression, and it can be compared with Wen Tingyun's ci or other farewell poems for thematic study.
Can I understand it without a background in late Tang literature?
You can begin with the literal sense and the scene to grasp the basic mood of farewell. For deeper understanding, supplement with brief background on late Tang society and literati circles, then attend to how scenery corresponds to emotion; reading will go more smoothly.

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About the author

温庭筠 Author

Wen Tingyun was a poet and ci lyricist of the Tang dynasty. Public sources offer limited information about his life, and details such as his birth and death dates and native place cannot be reliably established. The library holds 17 related works, including Wen Tingyun Ci Collection, Wen Tingyun Ci Collection and Wei Zhuang Ci Collection, and Among the Flowers, as well as appearances in anthologies such as the Ci Series and Essential Records of Ci Masters Through the Ages; they are generally classified under classical poetry, literary appreciation, and classic works. Wen Tingyun's ci are known for their gentle, ornate style; he excelled at layering imagery and depicting moods in polished, restrained language, and he had a profound influence on the development of the Among the Flowers style. His poetry also has merit, touching on travel, farewell, and personal reflection. Overall, he is regarded as an important figure in the development of the ci genre in the late Tang, and his works are frequently mentioned in later anthologies and ci scholarship.

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