Seeing Off Liu Yuxi
Tags
Summary
Editor's review
Who it's for
A good fit for
- Classical literature readers interested in mid-Tang poets' social circles and farewell poetry
- Tang poetry enthusiasts who know the basics of Liu Yuxi's life and wish to expand their reading
- Readers interested in Republican-era old-format printings and the physical forms of ancient books
- Language teachers needing short Tang poetry material for classroom enrichment
Not a good fit for
- Specialist scholars expecting a systematic study of Liu Yuxi's life and works
- Beginner readers unfamiliar with classical Chinese who need line-by-line vernacular translation
- Readers hoping to obtain a complete chronological biography or poetry collection of Yao He from this book
Reading tips
- First learn about Liu Yuxi's experiences of demotion and relocation; the farewell context will then be clearer.
- After working through the poem line by line, sort out how much weight is given to scenery, narrative, and good wishes.
- Read it alongside Yao He's other farewell poems to appreciate his crisp, spare, and quietly understated language habits.
- If used in class, have students compare how different poets write about seeing off the same person.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【赠刘大兄院长】窦群
- 【假日寻花】窦群
- 【自京将赴黔南】窦群
- 【留守府酬皇甫曙侍御弹琴之什】窦庠
- 【金山行(润州金山寺,寺在江心)】窦庠
- 【于阗钟歌送灵彻上人归越(钟在越灵嘉寺,从天竺飞来)】窦庠
- 【太原送穆质南游】窦庠
- 【四皓驿听琴送王师简归湖南使幕】窦庠
- 【夜行古战场】窦庠
- 【奉和王侍郎春日喜李侍郎崔给谏张舍人…因命觞观乐之什】窦庠
- 【酬谢韦卿二十五兄俯赠辄敢书情】窦庠
- 【奉酬侍御家兄东洛闲居夜晴观雪之什】窦庠
- 【敕目至家兄蒙淮南仆射杜公奏授秘校兼节度参谋同书寄上】窦庠
- 【酬韩愈侍郎登岳阳楼见赠(时予权知岳州事)】窦庠
- 【东都嘉量亭献留守韩仆射】窦庠
- 【段都尉别业】窦庠
- 【灵台镇赠丘岑中丞】窦庠
- 【赠道芬上人(善画松石)】窦庠
- 【金山寺】窦庠
- 【冬夜寓怀寄王翰林(一作翰林王补阙)】窦庠
- 【醉中赠符载】窦庠
- 【龙门看花】窦庠
- 【陪留守韩仆射巡内至上阳宫感兴二首】窦庠
- 【老将行(一作吟)】窦巩
- 【赠萧都官】窦巩
- 【忝职武昌,初至夏口,书事献府主相公】窦巩
- 【早秋江行】窦巩
- 【题任处士幽居】窦巩
- 【汉阴驿与宇文十相遇,旋归西川,因以赠别】窦巩
- 【早春松江野望】窦巩
- 【少妇词】窦巩
- 【岁晚喜远兄弟至书情】窦巩
- 【登玉钩亭奉献淮南李相公】窦巩
- 【南阳道中作】窦巩
- 【哭吕衡州八郎中】窦巩
- 【江陵遇元九李六二侍御纪事书情呈十二韵】窦巩
- 【游仙词】窦巩
- 【赠阿史那都尉】窦巩
- 【陕府宾堂览房杜二公仁寿年中题纪手迹】窦巩
- 【早春送宇文十归吴】窦巩
- 【经窦车骑故城】窦巩
- 【赠王氏小儿】窦巩
- 【唐州东途作】窦巩
- 【新罗进白鹰】窦巩
- 【秋夕】窦巩
- 【襄阳寒食寄宇文籍】窦巩
- 【奉使蓟门】窦巩
FAQ
Do I need to know about Liu Yuxi before reading this poem?
Does this printing have modern annotations?
Can Yao He's poetic style be seen in this poem?
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About the author
Yao He was a poet of the Tang dynasty; public sources offer limited information about his dates and birthplace, which remain to be verified. Ten of his works are collected here, including "Cicadas Heard: Sent to Jia Dao," "Sent to Administrator Wang of Shanzhou," "Seeing off Secretary Wang Jian to Weinan Manor," "To General Lu," "Seeing off Liu Yuxi," "Seeing off the Monk Qingjing on His Return to Western Zhejiang," "Harmonizing with a Friend on His New Garden Home," and "Inscribing the New Pond in My Garden." Judging from these titles, his writing centers on poems of gift and reply, farewells for journeys, and inscriptions on gardens and dwellings, addressing both fellow officials and men of letters and monks and recluse friends; his subjects stay close to everyday social exchange and observed life. His style tends toward the clear and natural, using ordinary scenes and human affairs to convey feeling, with language plain and restrained. His works circulate in the categories of classical poetry and literary appreciation, offering later readers a reference for understanding Tang literati exchange and poetic manners.