Distant Boat
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary readers interested in opera themes and the fate of performers
- Slow readers who enjoy poetic language, delicate emotion, and ensemble narratives
- Those concerned with local culture, Puxian opera, and the ecology of folk opera troupes
- Readers willing to experience the conflict between art and reality in fiction
Not a good fit for
- Readers who prefer strong plots and fast-paced stories
- Those wholly unfamiliar with opera libretti and local culture and uninterested in them
- Readers expecting a clear ending and a single main storyline
Reading tips
- Read slowly and treat the libretti as part of the narrative rather than interludes; this deepens your sense of the characters' inner lives.
- Note Yuanzhou's stages from child to celebrated female-role actor to his return, and trace the threads of self-alienation and return.
- Readers unfamiliar with Puxian opera may first learn its basic role types and vocal characteristics before entering the text.
- After finishing, revisit each troupe member's fate and see how the author uses the ensemble to write converging paths.
About the publisher
Lijiang Publishing House focuses on Chinese and foreign literature, humanities and social sciences, cultural life, and parent-child education, and is particularly known for translating and introducing foreign literature; its "Nobel Prize in Literature Laureates Series" has had a lasting influence on readers. Judging from the 193 books in the collection, the press publishes modern prose classics such as Lu Xun's Dawn Blossoms Plucked at Dusk, ancient poetry and Eastern philosophy texts including Qu Yuan's The Songs of Chu and the works of Xunzi, educational works such as De Amicis's Cuore, and philosophy titles such as The Origin and Goal of History. Its authors include well-known Chinese and foreign writers and scholars such as Lu Xun, Qu Yuan, Xunzi, Hu Dalei, and Xia Mianzun. Overall, the press balances the organization of classic texts with the introduction of foreign works, forming a publishing profile that gives equal weight to literature, philosophy, and education.
Contents
- 版权信息
- 引子
- 第一部 戏船
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 第二部 静水无痕
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 第三部 百花亭
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 第四部 目连
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
FAQ
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Comments
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About the author
Huang Pixing is an author about whom limited public information is currently available; only one work by this author is held in the collection, the social novel Yuan Zhou (Distant Boat). Based on the existing information, the author's writing focuses on social themes, presenting real life and human relationships in fictional form. The representative work Yuan Zhou is classified as a social novel, suggesting a creative orientation toward observing and writing about social reality. Because the dates of birth and death, nationality, educational background, and writing career are not clearly recorded, it is difficult to describe the author's life and overall body of work in more specific terms. As far as the available work is concerned, Yuan Zhou is the main window through which to understand this author's writing, allowing readers to appreciate the narrative perspective and thematic concerns. Overall, Huang Pixing is a writer with a small number of works and insufficient public information, whose literary profile awaits further materials and works to be presented.