Distant Sound cover

Distant Sound

Rating 2.9
Word count
110K words
Chapters
41
ISBN
9787520535304

Tags

Summary

This book is a collection of prose and essays. It contains more than 40 pieces, about 120,000 characters. Among them are "Today," "From on High, the Voice Carries Far," "Be a Sun-Chaser," "The Addition and Subtraction of Art," "How Splendid, My Youthful China," "The Art of Friction," "Random Notes on Langya Mountain," "The College Entrance Examination: An Important Choice in Life," "The Power of Dignity," "Thoughts on National Day," "The Power of Questioning," "I Am Good at Nurturing My Noble Spirit," "A Brief Discussion of Character," "Teacher, You Have Not Gone Far," "Random Notes on Huanhua Creek," "A Visit to Ma Zhiyuan's Former Residence," "The Body Stays Still, the Heart Has Gone Far," and "On the Construction of Academic Atmosphere." The pieces include the author's reflections on life, insights from reading, travel musings, and fond recollections of relatives, friends, and revered teachers, reflecting the progress of the times and the beauty of life through the effect of a drop of water revealing sunlight.

Editor's review

This book is Wang Mingzhi's collection of prose and essays, containing more than forty pieces and about 120,000 characters, covering reflections on life, insights from reading, travel musings, and fond recollections of relatives, friends, and revered teachers. Judging from the titles, pieces such as "Today," "Be a Sun-Chaser," "The Power of Dignity," and "The Power of Questioning" lean toward inspiration and reflection; "The Addition and Subtraction of Art," "How Splendid, My Youthful China," and "The Art of Friction" touch on art, country, and conduct in the world; "Random Notes on Langya Mountain," "Random Notes on Huanhua Creek," and "A Visit to Ma Zhiyuan's Former Residence" carry the flavor of travel writing and cultural exploration; and "Teacher, You Have Not Gone Far" and "On the Construction of Academic Atmosphere" return to themes of teacher-friend bonds and education. As a whole, the writing uses the method of "a drop of water revealing sunlight," reflecting the progress of the times and the beauty of life through everyday small matters. The pieces are short and the language plain, suitable for reading in fragments and reflecting as you go; they are also suitable as samples for writing enthusiasts to observe "how to draw insights from ordinary subjects." There is no need to read in order; you can group them by theme and jot down one or two thoughts connected to your own experience after reading.

Who it's for

A good fit for

  • Readers who enjoy short prose and essays and are used to fragmented reading
  • Writing enthusiasts seeking reference material for writing and refining insights
  • Ordinary readers interested in life reflections, reading, and travel subjects
  • Working readers seeking plain, inspirational writing amid a busy life

Not a good fit for

  • Readers expecting full-length narrative or strong-plot fiction
  • Researchers seeking systematic academic exposition and rigorous argumentation
  • Literary readers who prefer avant-garde experimental styles and complex rhetoric

Reading tips

  1. There is no need to read in table-of-contents order; first pick pieces close to your own situation, then gradually expand.
  2. After every two or three pieces, write three to five sentences of notes, recording approaches or viewpoints that can be transferred to your own life.
  3. Read the travel pieces and reading-insight pieces separately and compare how the author draws reflections from what he sees and hears.
  4. Read one piece during a commute or ten minutes before bed, maintaining a slow pace and avoiding reading too much at once.

About the publisher

China Culture and History Press China · Founded in 1980

China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.

Contents

  1. 版权信息
  2. 青春叙事曲(序)
  3. 今天
  4. 居高声自远
  5. 做追赶太阳的人
  6. 梦想什么,得到什么
  7. 艺术的加减法
  8. 空袋子是立不起来的
  9. 分科不分家
  10. 读《戒石铭》有感
  11. 美哉,我少年中国
  12. 浅谈青春期之恋
  13. 中国梦,学子的梦
  14. 关注学子,就是关注未来
  15. 摩擦的学问
  16. 尊严
  17. 尊严的力量
  18. 老师,并没有走远
  19. 话说羡慕嫉妒恨
  20. 由国庆节想到的
  21. 说“马”
  22. 欲文明其精神,先自野蛮其体魄
  23. 浅谈性格
  24. 性教育的思考
  25. 弘扬国学,振兴中华
  26. 善养吾浩然之气
  27. 寻觅是成功的先导
  28. 由感恩节想到的
  29. 要保护好你的脊椎
  30. 狼牙山随笔
  31. 浣花溪随笔
  32. 游马致远故居
  33. 身未动,心已远
  34. 中国最后一个状元是谁?
  35. 高考,人生的重要选择
  36. 写在《待到山花烂漫时》前面的话
  37. 质疑的思考
  38. 质疑的力量
  39. 质疑的哲学
  40. 学风建设谈
  41. 后记

FAQ

What type of work is this book?
It is a collection of prose and essays, containing more than forty pieces and about 120,000 characters. The content covers reflections on life, insights from reading, travel musings, and fond recollections of relatives, friends, and revered teachers. It belongs to essay writing that starts from everyday experience and reflects on life and the times through short pieces.
Is it suitable to read in one sitting?
Not really recommended. The pieces are relatively independent and short, better suited to reading in installments by theme or by mood. Reading too much at once can make reflective essays seem repetitive; reading slowly in installments and leaving time for thought between pieces better captures the "drop of water revealing sunlight" approach.
Is it helpful for writing practice?
It has reference value. Many pieces in the book start from specific observations or everyday small matters and then draw out reflections, allowing observation of how the author selects material, moves from event to principle, and concludes. Writing enthusiasts can imitate the structure for short practice pieces, but should not copy the viewpoints; they should find their own material based on personal experience.
Are there many travel pieces in the book?
Judging from the titles, pieces such as "Random Notes on Langya Mountain," "Random Notes on Huanhua Creek," and "A Visit to Ma Zhiyuan's Former Residence" have the flavor of travel observations and cultural exploration, but the book as a whole is not primarily travel writing; it is more about life reflections, reading insights, and recollections of teachers and friends. Readers can group the travel pieces separately for reading.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

王明志 Author

Wang Mingzhi: available public information is limited, and his nationality, dates of birth and death, and full writing career cannot yet be confirmed. According to the library's holdings, only one work by him, Distant Voices (Yuan Sheng), is included, classified under prose and miscellaneous writings. This suggests that his writing falls roughly within the field of prose and essays, focusing on personal feeling and the recording of everyday experience rather than fiction or specialized academic work. The title Distant Voices itself carries a sense of remembrance and looking back, evoking the listening to and writing about past events, old acquaintances, or messages from afar; because of insufficient material, its specific contents should not be guessed at. On the present evidence, Wang Mingzhi's literary profile remains incomplete, and readers seeking to understand his style and thought can only begin with Distant Voices. Should more works or biographical material come to light, a clearer picture of the author may emerge.

Top rated in the same category