The Way of Passing cover

The Way of Passing

Rating 2.9
Word count
205K words
Chapters
37
ISBN
9787516663424

Tags

Summary

Peng Shanshan holds a Master of Arts. She studied in the Department of Arts at Beijing Normal University and the Department of Art Studies at Peking University (now the School of Arts, Peking University), and later pursued graduate studies at the Graduate School of the Chinese National Academy of Arts, where she stayed on after graduation to engage in ethnomusicology research for many years. She is currently a columnist for Xinhua Publishing House. In her early years she studied film and television screenwriting and directing, and worked in film, television, and stage production. After moving to Melbourne, Australia in 2013, she served as Executive Chair of the Australian Association for Intangible Cultural Heritage and Contemporary Cultural and Artistic Exchange, expert committee member on intangible cultural heritage of the Australia-China Cultural Research Society at RMIT University Melbourne, expert advisor to the Australian Guqin Education Research Association, and member of the Australian Society of Authors (ASA).

Literary representative works: the novels Zhuan Shen, Chong Lai, and Guo Fa, among which Guo Fa won the Second World Chinese Literature Fiction Award. Her essays and poetry have appeared in journals and online. Her poem "China on the Other Shore—My Mother" won an Excellence Award in the 2020 national poetry, calligraphy, and painting competition on fighting the pandemic. Her new novel He Qu He Cong is expected to be published by Xinhua Publishing House in 2024.

Representative academic papers include "Investigation and Research on the First National Folk Music and Dance Festival Performance," "Impressions of the First 'China Intangible Cultural Heritage Protection Achievements Exhibition' and Its Special Performances," "The Transmission of Guangzong Daoist Rituals in Folk Belief," and "A Study of Daoist Rituals in Guangzong, Hebei—The Case of the Funeral of Ma Zengshun's Mother in Xiangjiazhuang," among others.

Editor's review

Published by Xinhua Publishing House, Guo Fa is a work of nonfiction by Peng Shanshan centered on contemporary Chinese rule-of-law practice and individual lived experience. Rather than a strict parsing of legal statutes, the book draws on the author's distinctive perspective as a legal practitioner to weave together a series of cases and stories—some true, others grounded in real events—exploring the warmth behind legal provisions, the complexity of human nature, and the wavering and choices between rules and reason.

In content, the book's value lies in its distinctive narrative perspective. Peng Shanshan does not portray law as cold, rigid dogma but places it within concrete social relationships and life situations, showing how law intersects with the joys and sorrows of ordinary people. The book likely touches on common areas such as marriage and family, inheritance, neighbor disputes, and contract conflicts, yet the author's touch leans toward uncovering people's motives, emotions, and predicaments, prompting readers to think deeply about "legal principle" and "human feeling," "rules" and "exceptions." This approach elevates the book beyond mere popularization of legal knowledge into an observation and reflection on social ethics and individual fate.

For readers, the experience of reading Guo Fa is twofold. On one hand, it offers a window into the现场 of legal practice, satisfying readers curious about how the law operates and about real-world social cases; on the other, it is a collection of essays imbued with humanistic care, whose empathy and attentiveness to ordinary people offer insights on life, choice, and responsibility even to readers without a legal background. The book currently has no substantial public rating data on Douban, but its publication by an authoritative press and the author's professional background offer some assurance of its substance and readability. Overall, this is a sincere work that seeks a balance between professional depth and broad accessibility, guiding readers to reflect on the relationship between law and life.

Who it's for

A good fit for

  • General readers interested in the social practice of law and the human dimension, but wary of dry legal provisions
  • Readers engaged in humanities and social science research or writing who seek authentic material for social observation
  • Readers at a crossroads in life, facing complex choices, who hope to draw inspiration from others' stories
  • Readers who enjoy narrative and reflective nonfiction

Not a good fit for

  • Legal novices seeking systematic, textbook-style instruction in legal knowledge
  • Readers of pure entertainment who expect intense dramatic conflict or suspenseful fiction

Reading tips

  1. Approach the book as a collection of independent yet interconnected stories; read the chapters in any order that suits your interest
  2. As you read, relate the cases to your own life experience and consider what you would do in a similar situation, making the reading more interactive and reflective
  3. After each case or story, pause to reflect on the author's views and arguments and form your own judgment and understanding

About the publisher

Xinhua Publishing House China · Founded in 1979

Xinhua Publishing House is known for books on politics, journalism, biography and the social sciences. Its 519 titles in the catalog cover world history, social culture, history reading, military affairs, language and writing, and applied psychology. Representative books include Winston Churchill's multi-volume A History of the English-Speaking Peoples, John Dewey's Art as Experience, Wayne Booth's The Craft of Research, and The Chicago Guide to Writing About Research, as well as military history such as Defeat into Victory: The Decisive Campaign in Burma and India, 1942–1945. Its authors range from international figures such as Churchill, Dewey and Booth to Chinese writers including Wu Hao, Luo Dingzi, Li Xuehua and Zhao Hong, giving the press a distinctive profile that balances classic translation with practical writing and emphasizes both history and the social sciences.

Contents

  1. 版权信息
  2. 作者简介
  3. 第一卷
  4. 第一章 家宴
  5. 第二章 金发女孩
  6. 第三章 启程
  7. 第四章 蓝花楹树下
  8. 第二卷
  9. 第五章 姐仨
  10. 第六章 春节
  11. 第七章 赴澳大利亚
  12. 第八章 曼丽公司
  13. 第三卷
  14. 第九章 辞职
  15. 第十章 旅游签证
  16. 第十一章 接到北京
  17. 第十二章 好友
  18. 第四卷
  19. 第十三章 我的决定
  20. 第十四章 小院儿
  21. 第十五章 两边跑
  22. 第十六章 不违法
  23. 第五卷
  24. 第十七章 婚房
  25. 第十八章 周末见
  26. 第十九章 健康家庭
  27. 第二十章 幸福生活
  28. 第六卷
  29. 第二十一章 花儿养老院
  30. 第二十二章 两个妹妹
  31. 第二十三章 洋孙儿
  32. 第二十四章 贷款买房
  33. 第七卷
  34. 第二十五章 自己的家
  35. 第二十六章 陪伴
  36. 第二十七章 不认不行
  37. 第二十八章 海豹湾

FAQ

Can this book help me solve specific legal problems?
This book primarily uses stories to provoke thought and is not a practical legal guide. It helps readers understand the spirit of the law and the complexity of society, but for advice on a specific case, you should still consult a professional lawyer.
Can I understand this book without a legal background?
Absolutely. The author explores deep issues through accessible storytelling, focusing on the clash between human feeling and legal principle rather than piling up technical terms. It is suitable for general readers.
Is the content of this book fictional or factual?
The cases are largely based on real social phenomena and the author's professional observations. Although they have been literarily adapted to protect privacy and enhance readability, their core reflects universal dilemmas and reflections in real life.

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About the author

彭闪闪 Author

Peng Shanshan is an author about whom relatively limited information is publicly available. What can be confirmed is that she has published three works, represented by Guofa (Ways of Living), Chonglai (Starting Over), and Zhuanshen (Turning Around). Her works are commonly classified as social fiction, suggesting that her writing tends to be set against the backdrop of real society and to focus on the circumstances and choices of ordinary people. The titles alone hint at a narrative interest in life's turning points: Guofa points to the ways people get by from day to day, Chonglai implies the possibility of beginning again, and Zhuanshen concerns leaving and change. Because public information is limited, details of Peng Shanshan's life, education, and writing career remain unclear, and the available material comes mainly from the works themselves. Readers who wish to understand her writing may begin with these three social novels and consider her perspective on reality and her narrative style.

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