Everything Said Is a Meme cover

Everything Said Is a Meme

Rating 3.6
Word count
90K words
Chapters
28
ISBN
9787549639120

Tags

Summary

This book is a methodology guide to the stand-up comedy industry, revealing for the first time its little-known theories, techniques, and experiences. Starting from how to enter the industry, the author walks readers step by step through writing jokes, making the leap from amateur to professional stand-up comedian, and organizing commercial stand-up shows. Written in plain, humorous language, the content progresses from easy to advanced and spans the entire industry chain. With vivid, engaging prose and a rigorous knowledge framework, the author not only gives readers a complete picture of the industry ecosystem but also helps them improve their public speaking and social skills and acquire new life and workplace abilities while learning stand-up methods and techniques.

Editor's review

A highly insightful popular book on contemporary communication, "说的全是梗" sees author 洛宾 draw on his rich media experience and keen observation of society and culture to dissect the nature and operating logic of the "meme" (梗), a core linguistic phenomenon of the internet age. Its value lies not in a simple inventory of internet slang but in its deep exploration of the multiple roles of memes as projections of social psychology, tools of group identity, and vehicles that accelerate information spread. Through a wealth of vivid cases, the author reveals the life cycle of a meme—from birth and explosion to quiet decline—and the complex social emotions and collective unconscious behind it. For editors, the book's professionalism lies in how it deftly weaves theoretical frameworks from communication studies, sociology, psychology, and even linguistics into its reading of everyday internet phenomena, leaving readers both amused and cognitively enriched. It helps us understand why some expressions pierce through social circles in an instant while others go unnoticed, and why the ability to create memes has become a core competitive edge for contemporary content creators. Reading this book is like a thorough checkup of the information environment we inhabit, helping us maintain clear-eyed scrutiny and understanding while we constantly use and receive memes.

Who it's for

A good fit for

  • Observers curious about internet culture and social communication phenomena
  • Professionals in new media operations, content creation, or marketing
  • Teachers or parents who want to understand how younger generations communicate and think
  • Humanities and social science enthusiasts interested in social psychology and group behavior

Not a good fit for

  • Purely theoretical researchers seeking a systematic, rigorous academic treatise
  • People with no interest in internet subcultures and slang who do not wish to learn about them

Reading tips

  1. Read with a relaxed mindset and compare the book's cases with your own daily online experience for deeper resonance
  2. Feel free to skip around rather than follow the chapter order—start with the memes or phenomena that interest you most, then read the related analysis
  3. After reading, try observing and interpreting new memes around you using the book's analytical frameworks—a great way to put it into practice

About the publisher

Shanghai Wenhui Publishing House China · Founded in 1985

Shanghai Wenhui Publishing House focuses on foreign literature, science fiction, and quality fiction. Its catalogue of 218 titles spans literature, mystery and detective fiction, and social novels. Representative books include Middlemarch, The Grapes of Wrath, Snow Country, and The Complete Short Stories of Arthur C. Clarke, as well as Gu Long's Happy Heroes and Remarks on Lyrics in the World. In translation, translators such as Chen Jinhui, Chen Zongchen, Huang Yuesheng, and Qin Peng work alongside authors including George Eliot, John Steinbeck, Yasunari Kawabata, and Arthur C. Clarke, giving the press a profile that balances literary classics and genre fiction. Public information on its other publishing areas is limited.

Contents

  1. 版权信息
  2. 写在前面
  3. 第一部分 成为脱口秀演员
  4. 第1章 什么人可以讲脱口秀
  5. 第2章 第一次讲脱口秀的注意事项
  6. 第3章 如何攒出自己的第一篇5分钟段子
  7. 第4章 如何与脱口秀俱乐部及同行打交道
  8. 第5章 如何走出本地,与外地同行交流
  9. 第6章 如何自己组织开放麦
  10. 第二部分 如何写出高质量的段子
  11. 第7章 段子的秘密1:段子结构
  12. 第8章 段子的秘密2:讲段子就是不好好讲故事
  13. 第9章 如何创作和打磨段子
  14. 第10章 如何写出像职业脱口秀演员一样好的段子
  15. 第11章 如何应对抄袭
  16. 第三部分 如何从业余表演走向职业脱口秀
  17. 第12章 如何从开放麦演员成为商演演员
  18. 第13章 如何应对舞台意外事件
  19. 第14章 如何当好脱口秀演出的主持人
  20. 第15章 讲脱口秀能赚多少钱
  21. 第16章 除了演出,全职脱口秀演员还能做什么
  22. 第17章 脱口秀演员如何上电视和网综
  23. 第四部分 脱口秀的商业化
  24. 第18章 创办脱口秀俱乐部和组织演出
  25. 第19章 脱口秀演员和俱乐部如何承接商务演出
  26. 第20章 脱口秀演员和俱乐部如何经营短视频号和播客
  27. 第21章 如何在你的城市举办大型喜剧节
  28. 后记

FAQ

Is this book just a collection of internet slang?
Not at all. The book's core is analyzing the social-psychological mechanisms, spread pathways, and cultural significance of memes, far beyond listing phenomena. It is better described as an accessible book on the sociology of communication.
Can I understand this book if I don't spend much time online?
Largely yes. The author provides background and explanations for the main cases. Many principles discussed—imitation, simplification, circle identity, and so on—are universal patterns of social communication, so you can follow the analytical logic even without knowing where a specific meme came from.
Will the content of this book quickly become outdated?
Specific meme cases may fade in popularity over time, but the analytical frameworks and perspectives the author offers—on how information is shaped, spread, and consumed in contemporary society—have more lasting value. Understanding the principles matters more than remembering the phenomena.

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About the author

洛宾 Author

Luo Bin is an author writing in the fields of Chinese-language writing and stand-up comedy. Public information about him is limited: his nationality, dates of birth and death, English name, and educational background are not recorded in the available data. Two works are known, with representative titles being A History of Chinese Stand-up Comedy and It's All Punchlines. Judging from the titles and their common categorization under inspirational growth, his writing centers on stand-up comedy as an emerging form of expression, combining humor with themes of personal growth and motivation, and using the framework of performance and jokes to discuss ordinary people's difficulties in expressing themselves and their efforts at self-breakthrough. Stylistically, he tends to approach serious topics in a light, witty language, letting readers enjoy the pleasure of reflection amid laughter. Given the limited materials, his specific creative experience and the influence of his works await further public information, yet these two books already sketch out his direction of writing at the intersection of comic expression and personal growth, suitable for readers interested in stand-up comedy culture and inspirational growth.

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