Everything Said Is a Meme
Tags
Summary
Editor's review
Who it's for
A good fit for
- Observers curious about internet culture and social communication phenomena
- Professionals in new media operations, content creation, or marketing
- Teachers or parents who want to understand how younger generations communicate and think
- Humanities and social science enthusiasts interested in social psychology and group behavior
Not a good fit for
- Purely theoretical researchers seeking a systematic, rigorous academic treatise
- People with no interest in internet subcultures and slang who do not wish to learn about them
Reading tips
- Read with a relaxed mindset and compare the book's cases with your own daily online experience for deeper resonance
- Feel free to skip around rather than follow the chapter order—start with the memes or phenomena that interest you most, then read the related analysis
- After reading, try observing and interpreting new memes around you using the book's analytical frameworks—a great way to put it into practice
About the publisher
Shanghai Wenhui Publishing House focuses on foreign literature, science fiction, and quality fiction. Its catalogue of 218 titles spans literature, mystery and detective fiction, and social novels. Representative books include Middlemarch, The Grapes of Wrath, Snow Country, and The Complete Short Stories of Arthur C. Clarke, as well as Gu Long's Happy Heroes and Remarks on Lyrics in the World. In translation, translators such as Chen Jinhui, Chen Zongchen, Huang Yuesheng, and Qin Peng work alongside authors including George Eliot, John Steinbeck, Yasunari Kawabata, and Arthur C. Clarke, giving the press a profile that balances literary classics and genre fiction. Public information on its other publishing areas is limited.
Contents
- 版权信息
- 写在前面
- 第一部分 成为脱口秀演员
- 第1章 什么人可以讲脱口秀
- 第2章 第一次讲脱口秀的注意事项
- 第3章 如何攒出自己的第一篇5分钟段子
- 第4章 如何与脱口秀俱乐部及同行打交道
- 第5章 如何走出本地,与外地同行交流
- 第6章 如何自己组织开放麦
- 第二部分 如何写出高质量的段子
- 第7章 段子的秘密1:段子结构
- 第8章 段子的秘密2:讲段子就是不好好讲故事
- 第9章 如何创作和打磨段子
- 第10章 如何写出像职业脱口秀演员一样好的段子
- 第11章 如何应对抄袭
- 第三部分 如何从业余表演走向职业脱口秀
- 第12章 如何从开放麦演员成为商演演员
- 第13章 如何应对舞台意外事件
- 第14章 如何当好脱口秀演出的主持人
- 第15章 讲脱口秀能赚多少钱
- 第16章 除了演出,全职脱口秀演员还能做什么
- 第17章 脱口秀演员如何上电视和网综
- 第四部分 脱口秀的商业化
- 第18章 创办脱口秀俱乐部和组织演出
- 第19章 脱口秀演员和俱乐部如何承接商务演出
- 第20章 脱口秀演员和俱乐部如何经营短视频号和播客
- 第21章 如何在你的城市举办大型喜剧节
- 后记
FAQ
Is this book just a collection of internet slang?
Can I understand this book if I don't spend much time online?
Will the content of this book quickly become outdated?
Comments
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About the author
Luo Bin is an author writing in the fields of Chinese-language writing and stand-up comedy. Public information about him is limited: his nationality, dates of birth and death, English name, and educational background are not recorded in the available data. Two works are known, with representative titles being A History of Chinese Stand-up Comedy and It's All Punchlines. Judging from the titles and their common categorization under inspirational growth, his writing centers on stand-up comedy as an emerging form of expression, combining humor with themes of personal growth and motivation, and using the framework of performance and jokes to discuss ordinary people's difficulties in expressing themselves and their efforts at self-breakthrough. Stylistically, he tends to approach serious topics in a light, witty language, letting readers enjoy the pleasure of reflection amid laughter. Given the limited materials, his specific creative experience and the influence of his works await further public information, yet these two books already sketch out his direction of writing at the intersection of comic expression and personal growth, suitable for readers interested in stand-up comedy culture and inspirational growth.