A Complete Book of Misreadings
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers devoted to philosophical speculation and literary experiment who enjoy intellectual challenges
- Enthusiasts interested in Kafka, Borges, Wittgenstein, and other writers as well as postmodern theory
- Readers who like short, incisive texts full of metaphor and allegory
- Writers or creative workers seeking unconventional narrative inspiration and mental training
Not a good fit for
- Novel readers expecting complete, coherent plots and traditional character development
- Readers hoping to systematically understand the original meaning of literary classics or obtain clear knowledge conclusions
Reading tips
- There is no need to read in order; any chapter can be opened at random and treated as an independent spark of thought
- While reading, one may temporarily set aside attachment to the "original text" and focus on the novel situations and metaphors the author constructs
- It is recommended to read in parallel with the classic works mentioned (such as The Castle, The Little Prince) to compare and experience the pleasure of "misreading"
About the publisher
Fujian Straits Literature and Art Publishing House is a Chinese publisher focused on literature and art. Its publishing areas cover documentary literature, literary appreciation, classic works and social novels. Although the library holds only nine of its books, they show a balance between original and translated titles: documentary works such as The Madhouse at the End of the World: The “Belgica” Antarctic Journey, literary appreciation like Terry Eagleton’s The Art of Reading Literature, social novels such as Who Has a Heart Without Scars and Empty Nest, and historical works such as Xiang Yu with Double Pupils. Its representative authors include Julian Sancton, Li Houren, Terry Eagleton, Huang Xiaoyang, Xue Yiwei, Xiao Xiaoshu and Chen Zhongkun, reflecting attention to both Chinese and foreign author resources. The publisher also touches on film and television and otherworldly fantasy categories, but publicly available information is limited, making it difficult to describe its series system and full publishing features in detail.
Contents
- 版权信息
- 图灵
- 图灵Ⅱ
- 达·芬奇
- 芝诺
- 卡申夫
- 图灵Ⅴ
- 海森堡
- 图灵Ⅲ
- 佩雷尔曼
- 格罗滕迪克
- 格罗滕迪克Ⅱ
- 康托尔
- 图灵Ⅳ
- 布兰登·布雷默
- 莱布尼茨
- 奎师那
- 图灵的石头
- 莱卡
- 卡雷
- 米沃什
- 佐杜洛夫斯基Ⅱ
- 佐杜洛夫斯基
- 一
- 二
- 三
- 四
- 五
- 海子
- 一
- 二
- 三
- 韦应物
- 雪莱
- 里尔克
- 古尔蒙
- 保罗·策兰
- 康拉德
- 威廉·布莱克
- 博尔赫斯
- 博尔赫斯Ⅱ
- 博尔赫斯Ⅲ
- 费尔南多·佩索阿
- 塔可夫斯基
- 安哲罗普洛斯
- 三岛由纪夫
- 庄周
- 仓颉
- 尼采
- 一 毁灭
- 二 对称
- 三 悖论
- 四 存在
- 维特根斯坦
- 毕达哥拉斯
- 毕达哥拉斯Ⅱ
- 希伯斯
- 希伯斯Ⅱ
- 阿基米德
- 开普勒
- 陀思妥耶夫斯基
- 上
- 中
- 下
- 卡夫卡
- 塞尚
- 一
- 二
- 三
- 四
- 五
- 卡拉瓦乔
- 一
- 二
- 三
- 四
- 克里姆特
- 高更
- 贝克辛斯基
- 平克·弗洛伊德
- 快乐小分队
- 苔藓
- FATE
- 锈湖
- 独裁者
- 诗人
- 门
- 沙匠
- 上
- 下
- 奥德修斯
- 拉奥孔
- 贝斯特
- 牧豹者
- 贞人的审判
- 上
- 中
- 下
- 贞人的心灵
- 祖珍
- 深思
- 完美结构之书
- 一 进化的链条
- 二 有用的知识
- 三 合理的结构
- 四 自我的完美
- 寺山修司
- 时间
- 时间泡
- 尼安德特人
- 米歇尔·福柯
- 库布里克
- 莱布尼茨Ⅱ
- 叔本华
- 亚伦·斯沃茨
- 荣格
- 哲学之城
- 一
- 二
- 三
- 抑郁鹿
- 仙人掌人Ⅰ
- 抑郁鹿Ⅱ
- 诞生与废弃之岛
- 佐杜洛夫斯基Ⅱ
- π
- Ⅰ 随时的危机
- Ⅱ 承受着快乐
- Ⅲ 自我的分割
- Ⅳ 万物藏密码
- Ⅴ 失败的上帝
- ⅤⅠ 囚困中交流
- ⅤⅡ 游戏的结束
- 彗星(结语)
- 创造误读的宇宙
FAQ
Is this book literary criticism or fiction?
Do I need to have read all the classics mentioned in the book beforehand?
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About the author
Xiao Xiaoshu is a writer about whom limited public information is available. Four of this author's works are included in the collection, spanning biography, film and television, classic works, and social fiction, which suggests a broad interest in writing across genres. Representative works include "A Song Dynasty Youth Journey: Su Shi, Xin Qiji, Li Qingzhao" (3 volumes), "The Complete Engma," "The Complete Misreading," and "The Day the Equilateral Triangle Descended." Judging from the titles and categories, the writing looks back to the literary tradition of the Song Dynasty, using figures such as Su Shi, Xin Qiji, and Li Qingzhao as narrative threads, while also exploring fiction and film-related subjects with elements of suspense and speculation. The style moves between historical writing and contemporary imagination. Because biographical details are unavailable, the author's nationality, dates of birth and death, and English name cannot be confirmed; readers may come to know the work mainly through the titles listed above.