Sincere Dedication (Part Two)
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who have read the first volume and wish to grasp the book's full arc
- Homeroom teachers and moral education practitioners concerned with the family and social factors behind student growth
- Community and nonprofit practitioners concerned with young people's growth environments
- Parent readers who enjoy understanding education from a mother's perspective
Not a good fit for
- Readers of practical handbooks seeking specific teaching methods or classroom management plans
- Research-oriented readers who prefer rigorous academic argument and data support
- Readers with fragmented time who wish only to read short standalone stories; this book is better read continuously
Reading tips
- Review the characters and situations from the first volume before entering this one, to keep the reading thread continuous
- Focus on the growth passages of representative students and sort out the respective roles of family and school
- After reading, write a passage of your own educational observations to cross-check with the book's record
- Hold small discussions with colleagues or parents around the book's cases to exchange different perspectives
Contents
- 版权信息
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 十二
- 十三
- 十四
- 十五
- 十六
- 十七
- 后记
FAQ
Can this second volume be read on its own, or does it matter if I skip the first?
What are the features of the book's portrayal of students?
What practical reference value does this volume offer educators?
Is this book suitable as shared reading material for teacher training?
Comments
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About the author
Wang Liju is an author for whom little public information is currently available; details such as her nationality, dates of birth and death, and educational background have not been clearly recorded. According to the library's holdings, she has two works, Chengxian (Part One) and Chengxian (Part Two), published in two volumes. Their subjects involve social fiction and youth literature, suggesting that her writing attends both to social reality and to the experiences of youth and coming of age. On the basis of the available information, the works tend to follow characters' experiences within specific circumstances of daily life, using narrative to explore relationships between individuals and society and among people themselves. The language is plain and the emotional expression relatively delicate, with attention to presenting the situations and choices of young people. Because background materials on the author have not yet been made public, more information is still needed regarding her creative career and literary influence; readers may form their own understanding through the works themselves.