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Summary
Editor's review
Who it's for
A good fit for
- General readers who enjoy light, humorous writing and seek a fragmented reading experience
- Readers interested in Chen Hengqing's work who wish to understand his style
- People who want undemanding reading for commutes or before bed
Not a good fit for
- Readers of fiction who expect a tightly structured plot or sustained long-form narrative
- Research-oriented readers seeking clear thematic depth and scholarly value
Reading tips
- Read the table of contents and the first two pieces first to judge whether the language style suits your taste before deciding on a reading pace.
- Keep it within reach for casual dipping, reading one or two pieces at a time rather than forcing yourself to finish it in one go.
- Make brief notes on passages that interest you so you can return to them later.
About the publisher
Nanhai Publication Company is a comprehensive publisher known for its literature and arts titles, covering fields such as classical poetry, martial arts fiction, and folk literature. Judging from the more than 1,600 books in the database, the company has released classical poetic works including the Nineteen Old Poems and the Nine Songs, as well as multiple volumes of Huanzhulouzhu's series The Swordsmen of Mount Shu, along with related writings by authors such as Guan Hanqing, Qu Yuan, Zuo Si, and Wang Zhihuan. Its publishing character lies in balancing the organization of classic texts with the dissemination of popular literature, placing poetry anthologies alongside long martial arts novels and presenting a relatively diverse literary profile. Public information is limited, and further details about its editorial practices and series planning remain to be supplemented.
Contents
- 版权信息
- 诙谐
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About the author
Chen Hengqing (1844–1920), courtesy name Zijiu, was a native of Weixian in Shandong (present-day Weicheng District, Weifang). A late Qing official and scholar, he passed the provincial examination in 1873 and the metropolitan examination in 1886. He served successively as a secretary in the Ministry of Works, rising through the Waterways, Construction, and Colonization Departments, and later held posts as Supervising Censor of the Ministry of War, Investigating Censor of the Henan Circuit, and Chief Supervising Censor. In 1908 he was appointed prefect of Jinzhou. He retired at sixty and wrote works including Jianshu Xian Notes (also known as Jili Qingtan) and Unofficial Gleanings of the Late Qing. His extant writings are considerable, with 154 titles held in our collection, many drawing on folk literature and Eastern philosophy. They touch on modern upheavals such as the militia conflicts, the Boxer movement, and the Nian rebels, as well as rural tales and social types like foxes and swindlers, and social issues such as Manchu-Han differences, bearing the documentary flavor of note-style historiography. Public information is limited, and his literary standing and influence await further study.
