Clothing in Poetry cover

Clothing in Poetry

Rating 3.1
Word count
77K words
Chapters
114
ISBN
9787563074235

Tags

Summary

This series takes "architecture," "plants," "animals," "food," "clothing," and "color" as its themes, selecting poems on these subjects and pairing them with hand-drawn illustrations and popular explanations of the objects named. Through classical poetry, we seek to pierce the gaps of history and bring once-dazzling buildings, unnamed species, the profound Chinese cuisine, and traditional Chinese colors and clothing back before our eyes.

This volume selects classical poems dealing with the subject of traditional Chinese clothing, providing not only annotations to the poems but also related popular explanations of clothing and hand-drawn illustrations, thereby both showcasing the beauty of Chinese dress and helping readers appreciate the unique charm of traditional Chinese clothing.

Editor's review

Clothing in Poetry is a scholarly work that deftly combines literature and clothing culture. Drawing on a deep grounding in classical literature, the author, Wu Xiuli, systematically traces descriptions of clothing in ancient Chinese poetry, from the "blue collar" of the Book of Songs to the rainbow skirts and feather garments of Tang and Song poetry, constructing a clear trajectory of clothing culture's evolution. The book's value lies not only in its survey of source materials but also in its interdisciplinary perspective: through clothing as a material carrier, it reveals shifts in aesthetic taste, the hierarchy of status, and ways of life in ancient society.

What impresses most in reading this book is the author's command of detail. When analyzing Du Fu's "straw sandals to meet the emperor, sleeves baring both elbows," for instance, she not only interprets the straits of scholars amid wartime chaos but also probes the relationship between Tang-dynasty clothing regulations and political identity. This method, combining close reading of texts with cultural history, lifts descriptions of clothing in poetry beyond mere literary imagery to become an important window onto ancient society.

Professional readers will find the book's scholarly value in three respects: it establishes a classification system for clothing descriptions in poetry; it provides a wealth of verifiable historical material on clothing; and it proposes a research framework of "clothing poetics." For general readers, the vivid and engaging details of dress—such as the "fashionable makeup" of Tang-dynasty women's attire or the "Dongpo scarf" of Song-dynasty literati—make classical poetry more approachable and tangible.

One caveat: the book leans scholarly, and some chapters involve a good deal of technical terminology, but the author's clear argumentation and rich examples keep the content highly readable. This is a work that meets the needs of both academic research and cultural popularization, with a distinctive character among studies of its kind.

Who it's for

A good fit for

  • Readers interested in ancient Chinese clothing culture
  • University teachers and students studying classical literature or the history of dress
  • Literature enthusiasts seeking a deeper understanding of poetic imagery
  • Professionals engaged in the dissemination of traditional culture

Not a good fit for

  • General readers expecting a light, fashionable read
  • Beginners seeking simple poetry appreciation

Reading tips

  1. Can be read alongside monographs such as A Study of Ancient Chinese Clothing
  2. Reading in historical order is recommended to grasp the trajectory of clothing's evolution
  3. Focus on chapters on dynasties of particular interest; a complete read-through is not required

About the publisher

Hohai University Press China · Founded in 1986

Hohai University Press specializes in water conservancy science and technology while also publishing university textbooks and academic monographs. In the humanities and social sciences, its catalog covers essays and miscellaneous writings, culture, literary appreciation, history, classical poetry, and classic works. Representative titles include Zheng Zhenduo on Greek Myths and Heroic Legends, Liu Yizheng on the History of Ancient Chinese Culture, Lu Xun on the History of Chinese Fiction, Liu Yizheng on the Essentials of Chinese History, Long Yusheng on Ci and Qu, Lü Simian on the History of the Three Kingdoms, Lei Haizong on the History of Western Culture, and Tong Shuye on the History of the Spring and Autumn Period, written by scholars such as Zheng Zhenduo, Liu Yizheng, Lu Xun, Long Yusheng, Lü Simian, Lei Haizong, Tong Shuye, and Liang Qichao. These books focus on lectures by renowned scholars and the popularization of traditional culture. Public information on other publishing activities of the press is limited.

Contents

  1. 版权信息
  2. 序
  3. 第一篇 首服
  4. 冕冠
  5. 鹊尾冠
  6. 帏帽
  7. 透额罗
  8. 乌纱帽
  9. 凤冠
  10. 幅巾
  11. 幞头
  12. 纶巾
  13. 仙桃巾
  14. 网巾
  15. 爵弁
  16. 皮弁
  17. 东坡巾
  18. 抹额
  19. 忠静冠
  20. 武冠
  21. 笼冠
  22. 梁冠
  23. 鹖冠
  24. 白角冠
  25. 进贤冠
  26. 貂蝉冠
  27. 章甫冠
  28. 法冠
  29. 林宗巾
  30. 第二篇 衣裳
  31. 端衣
  32. 罗裙
  33. 半臂
  34. 深衣
  35. 曲裾
  36. 直裾
  37. 禅衣
  38. 霞帔
  39. 衩衣
  40. 鹤氅
  41. 补服
  42. 襦裙
  43. 襕衫
  44. 仙裙
  45. 留仙裙
  46. 石榴裙
  47. 笼裙
  48. 行縢
  49. 直掇
  50. 蓑衣
  51. 胡服
  52. 赭黄袍
  53. 白衫
  54. 薄罗衫子
  55. 马褂
  56. 号衣
  57. 罩甲
  58. 裲裆
  59. 斩衰
  60. 齐衰
  61. 缌麻
  62. 缟素
  63. 蔽膝
  64. 纁裳
  65. 围裙
  66. 宵衣
  67. 袆衣
  68. 揄狄
  69. 绛纱袍
  70. 青袍
  71. 质孙服
  72. 中单
  73. 龙火衣
  74. 第三篇 足服
  75. 赤舄
  76. 丝履
  77. 组履
  78. 丛头履
  79. 蒲履
  80. 芒鞋
  81. 木屐
  82. 弓鞋
  83. 小头履
  84. 履絇
  85. 重台履
  86. 朝靴
  87. 棕鞋
  88. 罗袜
  89. 第四篇 配饰
  90. 步摇
  91. 扳指
  92. 环佩
  93. 禁步
  94. 花钿
  95. 凤钗
  96. 钿钗
  97. 雀钗
  98. 玉笄
  99. 玉搔头
  100. 璎珞圈
  101. 大佩
  102. 组绶
  103. 印绶
  104. 双绶
  105. 大绶
  106. 绶带
  107. 三绶
  108. 组佩
  109. 香囊
  110. 玉带
  111. 鱼符、鱼袋
  112. 汗巾
  113. 簪花
  114. 耳珰

FAQ

Is this book highly academic? Does it require specialized knowledge to understand?
The book is quite scholarly, but the author lowers the barrier to entry through extensive poetic examples and accessible explanation. Readers with a high-school education or above can follow the main content, and technical terms are explained where they appear.
Which dynasties' clothing descriptions does the book cover?
The book spans the pre-Qin period through the Ming and Qing, with a focus on clothing descriptions in Tang and Song poetry; there are also dedicated chapters discussing the Book of Songs, Han yuefu, and Wei-Jin poetry.
How does this book differ from general studies of clothing history?
Its most distinctive feature is its use of poetic texts as primary sources, emphasizing the cultural meaning and aesthetic expression of clothing rather than mere formal textual research, offering a model of cross-disciplinary study between literature and material culture.

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About the author

吴修丽 Author

Public information about Wu Xiuli is limited. Her writing centers on classical Chinese poetry and traditional culture, and eight of her works are included in this collection. Titles such as Han Yu: Snow Blocks the Pass Ahead, Yan Shu: A New Song and a Cup of Wine, Qu Yuan: Though I Die Nine Times I Do Not Regret, Tao Yuanming: By Nature I Love the Hills, Yan Jidao: How Many Times Can One Drunk See the Falling Flowers, and Wang Changling: A Heart of Ice in a Jade Vase show that she is skilled at using poets' life experiences as a thread, combining classic lines to create literary appreciation and biographical narrative that is both readable and informative. Her books Chinese Solar Terms and Clothing in Poetry broaden the scope to seasonal folk customs and the culture of dress in verse, reflecting attention to details of ancient culture. Overall, her writing addresses general readers in plain language and emphasizes human feeling and cultural context in the interpretation of poetry. Her works are commonly classified under classics, ancient poetry, culture, literary appreciation, and biography.

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