Poetry and Loss cover

Poetry and Loss

Rating 3.5
Word count
22K words
Chapters
137
ISBN
9787567569362

Tags

Summary

This poetry collection gathers the author's latest work from 2014 to 2016. It contains over a hundred poems in widely varied styles; their themes remain faithful to the author's enduring concern with, and interrogation of, personal emotion and ultimate matters. The style is ardent and impassioned, everywhere revealing the hesitancy of a soul that keeps itself clean in a contemporary commercial society and seeks a beauty and sorrow that defy articulation.

Editor's review

Poetry and Loss is a collection of scholarly essays by Professor Wang Lixin that explores in depth the themes of loss and seeking in classical Chinese poetry. It is not a conventional work of poetic appreciation or literary history; rather, drawing on the author's deep erudition and keen sensibility, it probes the spiritual core of works by poets such as Du Fu, Li Shangyin, and Su Shi, analyzing their inner trajectories and artistic expression amid dramatic changes of era and personal circumstance. Bringing his long engagement with classical literature to bear, Professor Wang combines rigorous scholarly inquiry with warm personal experience of life, so that the discussion possesses both historical depth and a contemporary humanistic care. His interpretation of "loss" is especially incisive—it refers not only to concrete deprivations such as setbacks in official career or the death of relatives and friends, but also touches on the inherent sense of impermanence in life, the eternal tension between ideal and reality, and the creative process by which poets transformed such "loss" into imperishable verse. Reading this book, readers can move beyond surface appreciation of imagery in classical poetry into a level richer in philosophical meaning and emotional resonance, and arrive at a new understanding of the somber yet resilient power in the spiritual tradition of Chinese literati. For readers who hope to find consolation and wisdom in literature, this book offers a rare path to depth.

Who it's for

A good fit for

  • Readers with a strong interest in classical Chinese poetry who wish to go beyond literal understanding and explore its deeper spiritual core.
  • Thinkers interested in the humanities, especially the intersections of literature with philosophy and psychology.
  • Readers at a transitional or reflective stage of life who long for resonance and insight from traditional wisdom.
  • University humanities students, teachers, and literary researchers, for whom it can serve as supplementary reading that broadens research perspectives.

Not a good fit for

  • Readers seeking light entertainment, strong storytelling, or practical skill guidance.
  • Readers entirely unfamiliar with classical Chinese literature and without basic interest in it, or those seeking only quick summaries.

Reading tips

  1. It is not necessary to read straight through; begin with the poet you know best or the chapter that interests you most.
  2. It is helpful to read alongside the original poems and experience for yourself the subtlety of the author's analysis.
  3. The discussion is quite thought-provoking and suits slow, careful reading in a quiet setting, with appropriate notes.

About the publisher

East China Normal University Press China · Founded in 1957

Adhering to the publishing purpose of "broad education," East China Normal University Press extends beyond its three main areas of textbooks, academic works and general-interest books, and its catalogue clearly reflects a vision that bridges Chinese and foreign humanities and social sciences. In foreign literature it offers classics such as Yasunari Kawabata's Snow Country and The Old Capital (translated by Chen Dewen), Jane Austen's Pride and Prejudice, and Rilke's annotated edition of The Notebooks of Malte Laurids Brigge (translated by Chen Zao); in architecture, Chen Congzhou's two-volume Appreciation Dictionary of Chinese Gardens; in social psychology, The Social Animal: 12th Edition; and it also includes philosophy titles, traditional-culture works such as the six-volume Paintings for the Protection of Life, and education books. Its authors include renowned Chinese and foreign writers and skilled translators, showing a publishing profile that balances classic translation, scholarly accumulation and public reading. Public information is limited; the above is based only on the books in the catalogue.

Contents

  1. 版权信息
  2. 题记
  3. 序 “被收割的热爱”
  4. 自序 失私思诗
  5. 爱
  6. 幻影
  7. 抱
  8. 相信
  9. 夸赞
  10. 春天来了
  11. 霓裳
  12. 中药
  13. 保罗·策兰
  14. 生与活
  15. 那里!哪里?
  16. 信誓旦旦
  17. 云影
  18. 照
  19. 缘
  20. 无法面对
  21. 交代
  22. 小时候
  23. 亲爱的敌人
  24. 纽约
  25. 假装
  26. 为什么离开你
  27. 我没什么可失去的了
  28. 幸福比喻
  29. 写诗
  30. 悲哀
  31. 天
  32. 捐书
  33. 石头记
  34. 倒春寒
  35. 橡皮筋
  36. 如果不爱你
  37. 对话
  38. 命?令!
  39. 读
  40. 光明
  41. 枯
  42. 细微
  43. 幸福,不能强求
  44. 夜
  45. 城市
  46. 堵车
  47. 哭笑
  48. 寺
  49. 利刃
  50. 大数据
  51. 颜色
  52. 月亮在照耀
  53. 认识
  54. 深浅
  55. 解
  56. 单双
  57. 茨维塔耶娃
  58. 假戏真做
  59. 空
  60. 肉身
  61. 世界
  62. 讲
  63. 怎样写诗
  64. 穿过
  65. 澳大利亚
  66. 哀
  67. 九月香
  68. 树
  69. 叶
  70. 结
  71. 戏
  72. 以为
  73. 沙
  74. 原谅
  75. 神圣
  76. 冥想
  77. 祖国
  78. 美国行
  79. 苗条
  80. 镜像
  81. 诗
  82. 分裂
  83. 黑马
  84. 色
  85. 痛苦
  86. 我以为
  87. 相对而言
  88. 演说
  89. 词语
  90. 倾述
  91. 断句
  92. 礼物
  93. 哈尔滨
  94. 怕
  95. 装
  96. 改朝换代
  97. 凡是
  98. 失
  99. 心
  100. 追思
  101. 油菜花开
  102. 春梦
  103. 江雪
  104. 醉汉
  105. 鱼
  106. 馆
  107. 醉
  108. 画
  109. 读书
  110. 立新说
  111. 倾城
  112. 捏
  113. 预感
  114. 喻言
  115. 看
  116. 季
  117. 碑
  118. 钓
  119. 舍利子
  120. 火烧云
  121. 理由
  122. 有病
  123. 下凡
  124. 吃苦
  125. 因为你
  126. 差异
  127. 躲
  128. 不知道
  129. 辞海
  130. 韩国烧烤
  131. 忆
  132. 海
  133. 失忆
  134. 由头
  135. 相对论
  136. 爱
  137. 后记

FAQ

Is this book a scholarly work or a popular one?
It falls somewhere between the two. The author has a rigorous scholarly background, but the style is that of an accessible essay aimed at connecting academic research with the aesthetic experience of general readers; it has a certain threshold but is not forbidding.
Do I need a lot of prior knowledge of classical poetry?
A familiarity with the Tang and Song poetry covered in high school Chinese textbooks is enough to begin. The author clearly explains the poems and background he cites; the key is to follow his line of thought and feel and analyze along with him.
What are the main features and value of this book?
Its main feature is to use "loss," a universal human emotion, as a key to systematically interpret classical poetry, revealing the transformative relationship between artistic creation and life's predicaments. Its value lies in offering a novel and profound emotional-philosophical dimension for understanding classical poetry.

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About the author

王立新 Author

Wang Lixin: publicly available information about this author is limited, and details of his identity and life remain unclear. Judging from the eight works held in the library, his writing and editing span several fields. Some titles, such as A History of Sino-American Cultural Exchange and Ideology and American Foreign Policy, explore Sino-American relations and U.S. policy toward China; others, including Practical Guidelines for Commercial Bank Restructuring, Capital Introduction and Listing, and Hospital Development and Reform, are practical in nature. He also addresses medical and health topics in Neonatal Tuina and a video book on pediatric health tuina, as well as modern poetry in Poetry and Loss and Eastern philosophy in The Wisdom of Confucius. His wide-ranging works combine academic discussion with practical guidance, tending toward careful compilation of materials and summary of experience, and are suitable for readers in the relevant fields.

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