The Source of Ci Poetry cover

The Source of Ci Poetry

Rating 4.5
Word count
15K words
Chapters
32

Tags

Summary

Written by Zhang Yan at the turn of the Song and Yuan dynasties, Ci Yuan is a treatise on ci poetics. By then the Song had fallen, and Zhang, his fortunes adrift, composed the work amid a life of wandering. The upper volume examines ci prosody in detail, analyzing the five tones and twelve pitch-standards, the generation of pitches, and the modes and pipe colors with precise discrimination; the lower volume focuses on composition, with chapters on tune-making, syntax, and qingkong ("clear and empty"). A classic in the field of ci studies, it has exerted a profound influence on later generations.

Editor's review

Ci Yuan is a dedicated treatise on ci poetics by Zhang Yan of the late Song and early Yuan, with the upper volume on prosody and the lower on composition, clearly organized. Its value lies in making technical matters such as tonal rules and modes concrete, while grounding aesthetic ideas like qingkong in syntax and tune-making, so that reading it offers both practical guidance and conceptual illumination. This edition suits ci enthusiasts and students of classical literature as a desk reference; it is not meant to be read straight through as light essays. Readers are advised to compare it with specific ci works to appreciate the interplay between its discussions of prosody and of language. For readers seeking a deeper understanding of Song ci meter and aesthetic standards, it provides a methodological framework for repeated consultation.

Who it's for

A good fit for

  • Ci enthusiasts interested in Song ci prosody, modes, and compositional technique
  • Students of classical literature and researchers needing a reference on ci poetics
  • Serious readers wishing to understand aesthetic concepts such as qingkong

Not a good fit for

  • Casual readers who want only appreciations of famous Song ci and care nothing for prosodic theory
  • Beginners without the habit of reading classical Chinese who seek an easy introduction

Reading tips

  1. Read the lower volume on tune-making, syntax, and qingkong first, then return to the upper volume on prosody
  2. Test each theoretical point against a corresponding ci work rather than merely memorizing concepts
  3. Take notes on the modal sections of the upper volume; there is no need to finish them in one sitting

About the publisher

Nanhai Publication Company China · Founded in 1988

Nanhai Publication Company is a comprehensive publisher known for its literature and arts titles, covering fields such as classical poetry, martial arts fiction, and folk literature. Judging from the more than 1,600 books in the database, the company has released classical poetic works including the Nineteen Old Poems and the Nine Songs, as well as multiple volumes of Huanzhulouzhu's series The Swordsmen of Mount Shu, along with related writings by authors such as Guan Hanqing, Qu Yuan, Zuo Si, and Wang Zhihuan. Its publishing character lies in balancing the organization of classic texts with the dissemination of popular literature, placing poetry anthologies alongside long martial arts novels and presenting a relatively diverse literary profile. Public information is limited, and further details about its editorial practices and series planning remain to be supplemented.

Contents

  1. 版权信息
  2. 词源卷上
  3. 五音相生
  4. 阳律阴吕合声图
  5. 律吕隔八相生图
  6. 律吕隔八相生
  7. 律生八十四调
  8. 古今谱字
  9. 十二律吕
  10. 管色应指字谱
  11. 宫调应指谱
  12. 律吕四犯
  13. 结声正讹
  14. 讴曲旨要
  15. 词源卷下
  16. 音谱
  17. 拍眼
  18. 制曲
  19. 句法
  20. 字面
  21. 虚字
  22. 清空
  23. 意趣
  24. 用事
  25. 咏物
  26. 节序
  27. 赋情
  28. 离情
  29. 令曲
  30. 杂论
  31. 附录
  32. 附后跋

FAQ

Should I read the upper or lower volume of Ci Yuan first?
You may start with the lower volume. It discusses composition—tune-making, syntax, qingkong—and is easier to match to specific ci works. The upper volume treats the five tones, twelve pitch-standards, modes, and pipe colors and is more technical; read it closely after gaining an overall impression, and it will be easier to follow.
Can I read Ci Yuan without knowing music theory?
Yes, though the upper volume will be demanding. Begin with the compositional theory in the lower volume; for the upper volume, use annotations and reference works to work through modal concepts gradually—there is no need to grasp everything at once. The point is to understand the relation between Zhang Yan's discussion of prosody and of language, not to memorize terminology.

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About the author

张炎 Author

Zhang Yan is a Song-dynasty ci poet, though public information about his life and official career is limited; his dates of birth and death, nationality, and English name are not clearly recorded in the available data. The collection contains nine works attributed to him, mainly focused on ci scholarship. These include compilations of his ci poetry such as The Complete Ci of Zhang Yan, The Ci of Zhang Yan, and Ci of the White Clouds in the Mountains, as well as the specialized study Ciyuan. These works show that his writing centers on classical poetry, especially the ci form, and also covers the organization of tonal patterns, compositional methods, and theories of creation, with a refined and restrained style that emphasizes the harmony of sound and mood. The library also classifies related material under social fiction, folk literature, culture, and philosophy, indicating that his editorial writings extend into other subjects. Zhang Yan's works on ci scholarship offer reference texts and theoretical clues for later study of Song ci and hold a certain documentary value.

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