On Antiquity cover

On Antiquity

Rating 2.2
Word count
11K words
Chapters
15

Tags

Summary

On Antiquity is a work of religious philosophy. It includes many discussions, such as whether King Wu was a sage and whether the Zhou dynasty's eastward move was a miscalculation.

Editor's review

Titled On Antiquity, this book uses turning points in history—such as whether King Wu was a sage and whether the Zhou court's eastward move was a strategic mistake—as occasions for argument, presenting historical commentary in a religious-philosophical register. Its value lies not in meticulous textual criticism but in using ancient figures and events as entry points to probe the tension between political decision-making and moral judgment: was King Wu's campaign against the Shang a matter of complying with Heaven and responding to the people, or of a subject defying his ruler? Was King Ping's eastward move a way to avoid disaster and preserve the ancestral line, or a abandonment of strategic terrain that weakened the dynasty? These questions are repeatedly examined in the book, producing a speculative pleasure in building arguments through history. This edition is based on the original Republican-era Commercial Press printing; the textual appearance is relatively plain, retaining the tone and structure of old-style argumentative prose, so readers can see how scholars of the time responded to the concerns of their era using traditional classical and historical resources. It suits slow reading in a quiet setting; each piece stands as an independent argument, and there is no need to read straight through. Reading it alongside relevant passages from the Records of the Grand Historian or Zizhi Tongjian will make its arguments clearer. Note that the views in the book carry the coloring of a particular era and standpoint; they are better taken as material for reflection than as settled conclusions.

Who it's for

A good fit for

  • General readers interested in pre-Qin history and classical-historical argument
  • Readers who enjoy using ancient events to think about political ethics
  • Enthusiasts of Republican-era scholarly publishing and its textual appearance
  • Learners who need short classical Chinese historical essays for reading practice

Not a good fit for

  • Readers expecting a systematic general history or rigorous textual criticism
  • Beginners unaccustomed to the pace of classical Chinese argumentative prose
  • Those who want definite historical conclusions rather than a process of reflection

Reading tips

  1. Read the pieces on King Wu and the eastward move first; after each, restate the argument in your own words before judging whether it holds.
  2. Read alongside the relevant annals and hereditary houses in the Records of the Grand Historian, marking where the book's arguments diverge from the historical record.
  3. Do not rush; read one or two pieces a day and note down judgments you disagree with and why.

About the publisher

The Commercial Press China · Founded in 1897

"Republic-era Commercial Press Original Editions" refers to original books printed by The Commercial Press during the Republican period, not a separate publishing house. Judging from the 300 titles held in the collection, its publishing focus centers on classical poetry and lyrics, literary appreciation, classic works, military texts, prose and miscellaneous writings, and Eastern philosophy. Representative titles include Wang Guowei's Renjian Cihua, Zhong Rong's Shipin, the lyric collections of Xin Qiji and Liu Yong, Sun Wu's The Art of War, and Lü Buwei's Xianshi Lan. Its author resources are mainly classical writers, together with modern scholars such as Li Jingbang and Guo Huaruo, whose collations and annotations are also represented, giving the list a character centered on original texts while attending to annotation and appreciation. Public information on the precise Republican-era catalog and printings is limited; this overview is based only on the titles held in the collection.

Contents

  1. 版权信息
  2. 序
  3. 武王非圣人
  4. 周东迁失计
  5. 秦拙取楚
  6. 秦废封建
  7. 论子胥种蠡
  8. 论鲁三桓
  9. 司马迁二大罪
  10. 论范增
  11. 游士失职之祸
  12. 赵高李斯
  13. 摄主
  14. 隐公不幸
  15. 七德八戒

FAQ

Is this book a work of strict historical textual criticism?
No. It is closer to argumentative writing that builds cases from ancient events, focusing on evaluation and reflection rather than item-by-item verification of historical facts. While reading, pay attention to its argumentative method and standpoint; for specific historical facts, consult general histories or textual-critical works.
Can someone without a foundation in classical Chinese read it?
You can try, but there will be obstacles. The argumentative style and sentence patterns are quite old; it is best to start with shorter pieces, use reference works to clarify key names and events, and then grasp the overall argument rather than parsing every character.
Why does the book repeatedly discuss the Zhou eastward move?
The Zhou eastward move is one of the historical turning points the book focuses on; the author uses it to discuss the trade-offs between avoiding disaster and holding strategic terrain, and between conservatism and initiative. Different chapters may approach it from different angles, and readers can compare whether the judgments are consistent.

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About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

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