The Unofficial Biography of a Reporter cover

The Unofficial Biography of a Reporter

Rating 3.4
Word count
309K words
Chapters
33
ISBN
9787520500227

Tags

Summary

Originally serialized in 30 chapters in People's Square, the supplement of Shanghai's News Daily, Journalist Extraordinaire views society through the eyes of a newspaper reporter. From major political developments to minor social phenomena and individual lives, its observations are finely detailed and its critique of contemporary ills incisive, making it a novel that combines literary quality with strong readability.

Editor's review

Journalist Extraordinaire is a full-length novel in which Zhang Henshui examines the fabric of society through the perspective of a newspaper reporter. It was originally serialized in 30 chapters in the supplement of News Daily. Its distinctive quality lies in combining the immediacy of news reporting with the narrative tradition of the chapter novel: everything from shifts in the political situation to street gossip and the advances and retreats of characters from every walk of life unfolds layer by layer through the eyes of the reporter as both observer and participant. Zhang Henshui was known for his meticulous depiction of social manners, and in this book he writes of the warmth and coldness of human relations inside and outside the news world with a satirical edge that never loses measure, preserving both readability and considerable value as social-historical material. For readers familiar with Unofficial History of the Spring Capital and The Golden Powder Family, this book offers another Zhang Henshui: less sentimental entanglement, more cool observation and pointed critique. It is best read as a "social history behind the newspaper," with attention to how the author uses everyday details to refract the spirit of the age and how the reporter's identity becomes the narrative hub linking numerous characters and events. The 2024 reissue makes this relatively little-discussed work accessible again to contemporary readers.

Who it's for

A good fit for

  • Readers interested in Zhang Henshui's work who want to explore his non-romance writing
  • Enthusiasts of modern Chinese history and journalism history interested in the Republican-era press and social conditions
  • General readers who enjoy chapter-style novels and can accept a serialized structure
  • Students and researchers studying the relationship between modern popular literature and social criticism

Not a good fit for

  • Readers who prefer a tight, single plot line and strong dramatic conflict
  • Those with little patience for the Republican-era background and old-style chapter narration
  • Journalism professionals hoping for a practical guide to reporting

Reading tips

  1. Read the preface or publishing note first to understand the original serialization context, then enter the main text; this makes the loose connections between chapters easier to grasp
  2. Treat each chapter as an independent cross-section of society and note recurring characters and places as you go, which helps manage the many threads
  3. After several chapters, look back at how the political situation and the stories of ordinary people intertwine, and appreciate how the author structures the book through a reporter's eyes
  4. Read alongside Zhang Henshui's other novels of social manners to compare his satirical and romantic styles

About the publisher

China Culture and History Press China · Founded in 1980

China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.

Contents

  1. 版权信息
  2. 作者简介
  3. 小说大家张恨水(代序)
  4. 第一回 四海为家轮凝今日雨 三星在户鼓乐满城秋
  5. 第二回 老手跌狂夫哄堂大笑 殡灵夸死者隔巷传悲
  6. 第三回 门户闲过内尘名利梦 文章奇耻外报国家愁
  7. 第四回 挤背挨胸歌台观异迹 拔来报往书馆听狂呼
  8. 第五回 见习夜深归依门惜别 成功天半晓购菊还居
  9. 第六回 消息悦同人铜山难产 豪华来晚客金印堪迷
  10. 第七回 惊悉消闲人疑花柳醉 漫言合作我慕布衣交
  11. 第八回 甲骨起奇文少年骇异 佛香烧篆字失主何求
  12. 第九回 白纻舞能宽嬖人献寿 朱门求有术书记采钱
  13. 第十回 帖尚宜春过年原有故 誓将守夜扣值太无聊
  14. 第十一回 纳币引车巧言夸老吏 劝餐敬客妙亨说先生
  15. 第十二回 诗解茶楼人比黄花瘦 财丰赌墅树经绿叶扶
  16. 第十三回 诗句海无边灵槎变幻 乩言虹有影索款浮空
  17. 第十四回 一道网拦客言京路断 几声炮吼人迹古城稀
  18. 第十五回 人涉沉浮请观通电语 社分得失来考巧诗潮
  19. 第十六回 执事数文人论家分帜 谢恩酬太监叩首瞻天
  20. 第十七回 酒约好谈诗陶然亭内 眠迟须痛哭无定河边
  21. 第十八回 部说西厢心惊名姓合 派分学府稿到物情传
  22. 第十九回 闲走雪泥奔车谈古事 督兴林垦复辟恕奸奴
  23. 第二十回 塌屋感园荒梁崩丧燕 深心谈讼事杠结飞龙
  24. 第二十一回 学子耀奇能赠图示艺 良朋笑彻悟屈指拈花
  25. 第二十二回 处士学乎化金为好语 此公行矣微服出名京
  26. 第二十三回 难受鞭挥夕阳作夜遁 怎听电搁水线约横飞
  27. 第二十四回 通信新刊一人传妙手 老拳乱舞十臂结围城
  28. 第二十五回 去舞看衣衫游人历史 来书成锦字学士婚姻
  29. 第二十六回 素履闯高楼新儒嚼蜡 荒街有野寺古版翻书
  30. 第二十七回 破国尚迎亲人空巷看 还家来视疾语比花圆
  31. 第二十八回 辞职事闲妇为牛马走 签名呈搁人等海潮音
  32. 第二十九回 聚赌走卑儒发薪救苦 劫车拦旅客升盗为官
  33. 第三十回 草令不灵专呈伺阁去 索钱无术漫画下台时

FAQ

Is this book related to a guide to journalism practice?
Not directly. It is a novel that uses a reporter's identity to observe the full range of society, focusing on characters, social manners, and critique of the times rather than on interviewing, editing, or other professional skills. Readers who want to learn journalism practice should choose specialized books.
Can I read it without having read other works by Zhang Henshui?
Yes. The characters and plot are relatively self-contained and do not depend on prior events from other works. Still, some familiarity with Zhang Henshui's chapter-novel narrative rhythm and the Republican-era background will make it easier to get into. Try a few chapters that interest you first, then decide whether to read the whole book.
Why does it use a 30-chapter structure?
The work was originally serialized in the supplement of Shanghai's News Daily, and publishing in installments was a common form for newspaper novels at the time. This structure makes each chapter relatively complete but also leaves the threads somewhat diffuse; readers can proceed chapter by chapter and need not finish it in one sitting.

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About the author

Zhang Henshui Author · China · 1895–1967

Zhang Henshui (1895–1967), originally named Xinyuan, was a native of Anhui and a writer of serialized chapter fiction, recognized as a representative author of the Mandarin Ducks and Butterflies school. Over his lifetime he wrote more than a hundred novels, and this library holds as many as 436 of his works. His writing uses the traditional chapter form as its framework, with intricate plots and large casts of characters; he excels at portraying social manners and human feelings amid social change and romantic entanglements, in language that is accessible and fluent, earning him a broad readership. His representative works include Ti Xiao Yin Yuan (A Smile of Woe), Jin Fen Shi Jia (The Golden Family), Chun Ming Wai Shi, and Ba Shi Yi Meng (Eighty-One Dreams), among which the first two have circulated especially widely in many editions. His subjects center on social novels and modern romance, with some allegorical and satirical works, giving him an important place in the history of modern popular literature.

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