Fracture
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy contemporary novellas and regularly read literary journals
- Readers concerned with women's fate and grassroots survival narratives
- Readers who can accept painful narratives and hope to see glimmers of light in writing about hardship
- Literary enthusiasts who want to understand the creative landscape of the post-80s generation's core writers
Not a good fit for
- Readers who prefer light, healing stories with brisk plots
- Readers sensitive to intense emotion and depictions of suffering
- Readers who only read full-length novels and are unused to standalone novella structures
Reading tips
- Read one or two pieces at a time, pausing between them to let the emotions settle before entering the next story.
- At moments of characters' hardship, notice how the author plants seeds of hope rather than merely following the plot.
- Read alongside Pain and Salt to observe how Sun Pin's writing of pain continues and changes.
- Keep a pen handy to mark sentences that unsettle or move you, and revisit your reactions after finishing.
Contents
- 版权信息
- 自由故
- 杀生三种
- 九渡
- 不速之客
- 异香
- 掮客
- 后记
FAQ
Is this book a novel or a short story collection?
Can I read Crack without having read Pain and Salt?
Are the stories all very bleak?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Sun Pin is a contemporary Chinese fiction writer whose work focuses on lived experience and the complex terrain of human nature; public information about her remains limited. Nine of her works are included in the collection, spanning novellas and boxed sets. Representative titles include On the Wasteland, The Mermaid at the Center of the Water: Selected Novellas (Harvest Five-Year Collection 2018–2022), Yesterday's Ark, Pain, The Sailor Bound for Australia, Crack, the three-volume "Sun Pin Pain Trilogy" (Pain, Salt, Crack), and The Covenant of the Berrya. These works are often classified as social fiction and classic works, suggesting that her writing starts from concrete situations and, within the novella form, explores her characters' emotions and fates under the pressure of reality in a steady, pain-inflected style. Available materials are insufficient to confirm biographical details; readers may approach her narrative orientation and thematic concerns through the works listed above.