Walking Through the World cover

Walking Through the World

Rating 3.9
Word count
122K words
Chapters
37
ISBN
9787229146337

Tags

Summary

Chen Zhongshi's personal experiences and growth, encompassing his attitudes, experiences, and reflections on the myriad details of life. From White Deer Plain to the world of everyday life, he came, he gave, he loved, and he felt deeply enough. The good and the bad alike are scenery along life's journey. Walking in solitude, some roads can only be walked alone. Forge a resolute heart through the tempering of solitude; life needs blank space—learn to choose and let go, to act and to refrain from acting. Amid life's bustle, leave yourself blank space, do what seems useless, and fill your allotted years; live with composure, and feel deeply enough. Rivers and mountains, years and months are long; may life be composed and unflustered, deeply felt enough, and worthy of the past……

Editor's review

In Chen Zhongshi's literary world, White Deer Plain is undoubtedly the towering main peak, but Walking the Human World, a collection of essays, is like a clear stream flowing down from that peak, mirroring the truest and most intimate inner landscape of a literary master. This book collects essays and sketches written by the author in different periods and moods. It lacks the grand epic architecture of his novels, yet with plain and sincere strokes, it sketches a literary soul's deep gaze and warm perception of his native soil, of life, and of fate.

Reading Walking the Human World, one first feels a sense of "truth." This "truth" comes from the author's sincerity toward the yellow earth beneath his feet. Whether recalling the people and customs of his hometown or recording what he saw and felt on his travels, the lines are steeped in deep concern for the culture of the Qin region and the fate of ordinary people. When he writes of rural figures, he neither deliberately elevates them nor arbitrarily judges them; he uses plain, descriptive language to restore the resilience of their lives, and this very technique carries great compassion and respect. The second quality is "thought." Chen Zhongshi's essays are never merely records of events or scenery; at their core they are the monologues of a thinker. Often, within seemingly plain narration, he inserts sharp insights into history, culture, human nature, and even literary creation. These thoughts dissolve like salt in water, giving the essays a weighty substance.

For readers, the value of this book lies in the excellent window it provides for understanding Chen Zhongshi the man. You can see the literary source of the historical weight and sense of fate's vicissitudes found in White Deer Plain, and you can also see a more vivid, sensitive individual life after the halo of "famous writer" has been removed. His perplexities, his persistence, his warmth, and his loneliness are all candidly laid out in the text. This is not only a reading of literary works, but a sincere dialogue with a profound soul. It lets us believe that great literature is ultimately rooted in the deepest love for, and the clearest understanding of, the world of everyday life.

Who it's for

A good fit for

  • Readers who admire Chen Zhongshi's work and wish to understand his thought and character more deeply through his essays
  • Literature lovers with a strong interest in Chinese rural literature and regional culture
  • Readers who appreciate plain, profound, and thoughtful prose
  • Wayfarers seeking spiritual resonance and comfort on life's journey

Not a good fit for

  • Readers in pursuit of strong plot, fast pace, and entertainment-driven reading
  • Readers interested only in novels like White Deer Plain and indifferent to the essay form

Reading tips

  1. Approach it as a side door into Chen Zhongshi's literary and spiritual world, reading it alongside White Deer Plain and his other major works
  2. No need to read it in one sitting; dip into a piece or two in spare moments and savor the flavor and thought in the prose
  3. Reading it alongside your own memories of and feelings for the countryside and hometown will deepen the resonance

About the publisher

Chongqing Publishing House China · Founded in 1950

Chongqing Publishing House is a comprehensive publisher known for its titles in the humanities, social sciences, literature and arts, with about 940 books in its catalogue. Its publishing areas cover world history, science fiction, foreign literature, architecture and philosophy. Representative titles include Xiang Da's A History of Communications Between China and the West, Liang Sicheng's Rules of Qing-Style Construction, Liu Cixin's The Three-Body Problem II: The Dark Forest and III: Death's End, Ann Rand's The Fountainhead (25th Anniversary Edition), and Brandon Sanderson's Stormlight Archive series. Its authors include Xiang Da, Liu Cixin, Liang Sicheng and Ann Rand. The press has developed distinctive strengths in historical source editing, the introduction and creation of science fiction, the translation of foreign literature, and architecture and philosophy titles, balancing scholarly value with general readership. As public information is limited, this profile outlines its publishing directions based only on the books in the catalogue.

Contents

  1. 版权信息
  2. 孤独中行走
  3. 晶莹的泪珠
  4. 原下的日子
  5. 回家折枣
  6. 父亲的树
  7. 与军徽擦肩而过
  8. 生命之雨
  9. 我的第一次投稿
  10. 三九的雨
  11. 汽笛·布鞋·红腰带
  12. 拥有一方绿荫
  13. 别路遥
  14. 人生,需要留白
  15. 我的文学生涯
  16. 六十岁说
  17. 皮鞋·鳝丝·花点衬衫
  18. 黄帝陵,不可言说
  19. 最初的晚餐
  20. 三十年,感知与体验——与邢小利对话
  21. 重读《家》,一个时代的标志——写在巴金百岁华诞
  22. 种菊小记
  23. 最初的操练
  24. 活着,只相信诚实——怀念胡采
  25. 《白鹿原》的创作经过
  26. 从容生活,足够深情
  27. 火晶柿子
  28. 一九八〇年夏天的一顿午餐
  29. 也说中国人的情感
  30. 借助巨人的肩膀——外国小说阅读记忆
  31. 白鹿回到白鹿原
  32. 突破自己
  33. 文学的信念与理想
  34. 再说死亡
  35. “非典”不是虎烈拉
  36. 深入生活浅议
  37. 白鸽向我飞来

FAQ

Is this book very different in style from White Deer Plain?
Markedly so. White Deer Plain is a grandly structured novel with a large cast and an epic quality; Walking the Human World is a collection of short, flexible, directly expressive essays. The former is an imagined artistic world, the latter a real inner monologue and record of life; together they complement each other and form the complete map of Chen Zhongshi's literature.
What does the book mainly cover?
A wide range: fond recollections of the customs and landscapes of the Guanzhong region of Shaanxi, candid accounts of his writing career and literary views, impressions and reflections from travels, and keen observations and commentary on history, culture, and social change—a full view of the "human world" through one writer's eyes.
What is the literary value of this book?
As one of Chen Zhongshi's representative essay collections, its value lies in three things: the plain yet tensile beauty of the prose itself; the firsthand material it offers for studying the author's thought and creative development; and its sincere record of the culture of a particular time and region, which gives it considerable documentary and humanistic value. It is a concentrated expression of a serious literary writer's achievement in the essay form.

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About the author

Chen Zhongshi Author · Chinese · 1942–2016

Chen Zhongshi (1942–2016) was a renowned contemporary Chinese writer from Xi'an, Shaanxi. He served as vice chairman of the Chinese Writers Association and chairman of the Shaanxi Writers Association. He began publishing in 1965; his major novel White Deer Plain won the fourth Mao Dun Literature Prize, and his works have been translated into several languages. He died in Xi'an on April 29, 2016. The library holds seven of his works, including the Chen Zhongshi Life Series, Four Girls, Finding Your Own Sentences: Chen Zhongshi's Own Account, Just Keep Walking, Cutting the Years Together, Walking the Human World, and A Scenery of One's Own, spanning inspirational growth, social fiction, biography, classics, and essays. His autobiographical and essayistic writings often revisit personal experience and creative reflection, while his social fiction concerns the fate and feelings of rural figures. His prose is plain and steady, with a distinct Guanzhong regional flavor. Given limited public information, this introduction focuses on subject matter and style rather than biographical detail.

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