Stopping on the Han River
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who admire Jia Dao's style and his painstaking craftsmanship
- Readers interested in Tang travel poetry and the theme of wandering
- Readers who want classical poems to dip into during short trips
- Literature lovers who wish to train an awareness of wordcraft through short poems
Not a good fit for
- Readers expecting a full poet's biography or detailed background research
- Readers who prefer long works and continuous narrative
- First-time readers who find the spare, understated style hard to enter
Reading tips
- Read the title first to clarify what "xingci" and "Hanshang" refer to, then enter the text to feel the travel situation.
- Identify line by line the words describing scenery and those describing the mind, and observe how the two alternate to advance the emotion.
- Read it aloud once, focusing on the arrangement of light and heavy words and the resonance at line endings.
- If familiar with other works by Jia Dao, read them alongside to compare his habits of scene-selection in travel poems.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【欲游嵩岳留别李少尹益】贾岛
- 卷574_55【病鹘吟】贾岛
- 卷574_56【赠僧】贾岛
- 卷574_57【赠翰林】贾岛
- 卷574_58【颂德上贾常侍】贾岛
- 卷574_59【田将军书院】贾岛
- 卷574_60【投庞少尹】贾岛
- 卷574_61【夏夜登南楼】贾岛
- 卷574_62【题青龙寺】贾岛
- 卷574_63【赠李文通】贾岛
- 卷574_64【题虢州三堂赠吴郎中(一作题虢州吴郎中三堂)】贾岛
- 卷574_65【送僧】贾岛
- 卷574_66【三月晦日赠刘评事】贾岛
- 卷574_67【送张道者】贾岛
- 卷574_68【题鱼尊师院】贾岛
- 卷574_69【宿村家亭子(一作宿杜司空东亭,或题杜司户亭子)】贾岛
- 卷574_70【送称上人】贾岛
- 卷574_71【杨秘书新居】贾岛
- 卷574_72【听乐山人弹易水】贾岛
- 卷574_73【经苏秦墓】贾岛
- 卷574_74【题戴胜】贾岛
- 卷574_75【题隐者居】贾岛
- 卷574_76【哭孟东野】贾岛
- 卷574_77【过京索先生坟】贾岛
- 卷574_78【客思】贾岛
- 卷574_79【盐池院观鹿】贾岛
- 卷574_80【黄鹄下太液池】贾岛
- 卷574_81【代旧将】贾岛
- 卷574_82【老将】贾岛
- 卷574_83【春行】贾岛
- 卷574_84【题郑常侍厅前竹】贾岛
- 卷574_85【早行】贾岛
- 卷574_86【送人南归】贾岛
- 卷574_87【送人南游】贾岛
- 卷574_88【送道者】贾岛
- 卷574_89【风蝉】贾岛
- 卷574_90【清明日园林寄友人】贾岛
- 卷574_91【上杜驸马】贾岛
- 卷574_92【莲峰歌】贾岛
- 卷574_93【壮士吟】贾岛
- 卷574_94【题兴化园亭】贾岛
- 卷574_95【竹】贾岛
- 卷574_96【李斯井】贾岛
- 卷574_97【题诗后】贾岛
- 卷574_98【送友人之南陵】贾岛
- 卷574_99【寻人不遇】贾岛
- 卷574_100【寻隐者不遇(一作孙革访羊尊师诗)】贾岛
FAQ
How should the title "Xingci Hanshang" be understood?
How is Jia Dao's style reflected in this poem?
Can I read this poem without knowing Jia Dao's life?
Comments
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About the author
Jia Dao was a well-known poet of the Tang dynasty. Public information about his life and official career is limited, and the year of his birth and death and his native place are not recorded in the available sources. According to the existing data, eleven of his works are collected here, including the Jia Dao Collection, the Annotated Changjiang Collection, and poems such as "Passing Hanzhong," "Delight at Venerable Wuke's Return from the Mountains," "Seeing the Zhongnan Peaks on a Clear Evening," and "Sent to Vice Minister Li Zhou." These works show that Jia Dao often wrote about journeys, visits to mountain temples, natural scenery, and exchanges with friends, polishing his wording among ordinary images and producing a clear, austere, and secluded style; later generations often summed up his creative attitude as "bitter chanting." His works are classified under ancient poetry, classic works, literary appreciation, and philosophical reading, indicating that beyond literary aesthetics his poems are also read for their insights into life and thought, giving them enduring value for readers.