Bloodline
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy family sagas and modern Chinese history narratives
- Readers interested in how individual lives intersect with the sweep of historical change
- Readers who prefer full-length serious fiction and are willing to commit time to following the story
- Those interested in the historical backdrop from the Republic of China era to the eve of the founding of New China
Not a good fit for
- Readers who prefer light, breezy subject matter
- Readers looking for short, fragmented reading
- Readers with little patience for multi-generational family portraits and multi-threaded character relationships
Reading tips
- Before reading, briefly review the four generations of the Ou family to avoid confusion over character threads.
- Read in chronological order and note how each historical turning point affects the fate of family members.
- After reading, compare with a chronology of modern Chinese history to understand how the fiction echoes its historical background.
- Jot down impressions when moved by a character's fate, so you can look back on the inheritance and changes across four generations.
About the publisher
Founded in 1984, Anhui Literature and Art Publishing House is a professional literary and art publisher. Its collection of 389 titles spans classic works, essays and miscellaneous writings, Eastern philosophy, folk literature, classical literature and design. Representative books include Lao She's Camel Xiangzi, Laozi's Dao De Jing, Luo Guanzhong's Romance of the Three Kingdoms, and the Shakespeare drama collection featuring Hamlet, King Lear, Macbeth and Othello, with Zhu Shenghao's translations adding luster to the series. Its author resources range from classic Chinese and foreign writers such as Lao She, Laozi, Luo Guanzhong and William Shakespeare to translators and authors including Zhu Shenghao, Li Chensen and Liang Sicheng. The publisher is characterized by its balance of Chinese and foreign literary classics with traditional culture titles, combining scholarly value with popular reading. Public information is limited, and the above is based mainly on the books in the collection.
Contents
- 版权信息
- 上部(1909~1929)
- 1 1909 竖旗杆
- 2 1912 兴学堂
- 3 1916 贺新郎
- 4 1919 人之初
- 5 1921 生与死
- 6 1923 中兴梦断
- 7 1927 拔贡之殇
- 8 1929 国仇家恨
- 下部(1930~1949)
- 9 1931 情何以堪
- 10 1933 而立知难
- 11 1937 国破家难圆(上)
- 12 1939 国破家难圆(下)
- 13 1942 兄弟反目
- 14 1945 偶思过之死
- 15 1947 乱世图存
- 16 1949 各奔前程
FAQ
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About the author
Public information about Chen Pei is limited, and his nationality, dates of birth and death, and educational background cannot currently be confirmed. Judging from the six works held in the collection, his writing spans several fields, including popular science, introductions to classical literature, social fiction, and educational research, showing considerable breadth of subject matter. In popular science, he focuses on new discoveries at the frontiers of science and tries to convey scientific knowledge in an accessible way. In popularizing traditional culture, he interprets Guwen Guanzhi in comic form, using categories such as scenic wonders, fables and strange tales, and argumentative essays to lower the threshold for reading classical texts. He has also ventured into social fiction and research on educational issues, exploring the impact of the university effect on the educational returns of corporate executives. Overall, Chen Pei is a writer who addresses general readers and values readability and cross-disciplinary expression.