Evidence of Medicines
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Summary
Now, where there are heaven and earth, there are the ten thousand things; where there are the ten thousand things, there is the capacity for toxicity; where there are people, there are disease and freedom from disease—this is the same in ancient and modern times. To correct what differs by following what is the same—who could say it cannot be corrected! The method of Bian Que was to test his formulas; when the drug causes vertigo and disorientation, the disease is then cured. As for whether it is nourishing or not, what the materia medica says ultimately has no verification.
Editor's review
Who it's for
A good fit for
- Those with preliminary understanding of classical materia medica and medicinal property theory who wish to think more deeply
- Clinical practitioners concerned with the approach of matching formulas to patterns and verifying drug efficacy
- Researchers in Chinese medicine literature and medical history examining the argumentative style of Republican-era materia medica
- Chinese medicine enthusiasts who enjoy analyzing medical principles from ancient sayings and classics
Not a good fit for
- Readers seeking quick reference for specific dosages and formula compositions
- Those with no foundation in classical Chinese reading who need line-by-line vernacular translation
- Those expecting content on modern toxicology and safety evaluation
Reading tips
- First clarify the context of "vertigo and disorientation" and "toxic drugs" in ancient medical texts, then enter the main discussion
- When reading each passage of argument, try to summarize its core claim in your own words, avoiding being led astray by elaborate sentences
- Read against the physician section of the Rites of Zhou and the three-grade classification of the Shennong Bencao Jing to understand the author's problem consciousness
- After reading, write a short note recording your new understanding of the classification of toxic and non-toxic medicinal properties
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 序
- 卷上
- 卷中
- 卷下
FAQ
What does the title "Medicinal Verification" mean?
Does the discussion of "toxic drugs" in the book advocate the use of toxic substances?
Can someone without a classical Chinese foundation read this book?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.