Wildfire
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy stories of the Anti-Japanese War in Northeast China and care about ordinary people's coming-of-age stories
- History enthusiasts who want to understand 1940s county-town society through fiction
- Readers who prefer female protagonists who take responsibility and act in adversity
- Suitable for middle-school students and above as extracurricular reading on revolutionary history
Not a good fit for
- Readers expecting grand battle scenes or military strategy details
- Readers who prefer light fare such as urban romance or comedy
- Readers who find the pace of rural narrative and dialect flavor hard to adjust to
Reading tips
- First sort out the timeline: from autumn 1944 to spring 1946, noting the change in the nature of the conflict before and after Japan's surrender.
- Read Wang Shuqing's family-responsibility thread alongside her underground-work thread to appreciate the motives behind her choices.
- When encountering terms such as "huzi," self-defense corps, and Kuomintang special commissioner, look up the historical background as needed.
- After finishing, discuss with family or fellow readers: why could an ordinary girl become a key figure at a liaison station?
About the publisher
Northern Literature and Art Publishing House focuses on contemporary and modern literary and artistic works, literary theory, and translations of foreign literature, while also covering categories such as history, popular science, Eastern philosophy, and world classics. Its collection includes 737 titles, with representative publications ranging from traditional Chinese classics such as Records of the Grand Historian, The Exploitation of the Works of Nature, and The Analects to foreign literary works including the complete classic plays of Shakespeare, Balzac's Old Goriot and Eugénie Grandet (in celebrated translations by Fu Lei), and The Complete Sherlock Holmes. Its author resources span classical figures such as Sima Qian, Song Yingxing, and Confucius, foreign writers such as Shakespeare and Balzac, and translators such as Zhu Shenghao and Fu Lei. The press combines the transmission of classics with an orientation toward general reading, developing a distinctive profile in both the editing of traditional texts and the translation of foreign literature. Public information is limited, so the above emphasizes the publishing profile reflected in the books held in the collection.
Contents
- 版权信息
- 向坚持致敬 ——长篇小说《荒火》序
- 楔 子
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 十二
- 十三
- 十四
- 十五
- 十六
- 十七
- 十八
- 十九
- 二十
- 二十一
- 二十二
- 二十三
- 二十四
- 二十五
- 二十六
- 二十七
- 二十八
- 二十九
- 三十
- 三十一
- 三十二
- 三十三
- 三十四
- 三十五
- 三十六
- 三十七
- 三十八
- 三十九
- 四十
- 四十一
- 四十二
- 四十三
- 四十四
- 四十五
- 四十六
- 四十七
- 四十八
- 四十九
- 五十
- 五十一
- 五十二
- 五十三
- 五十四
- 五十五
- 后 记
FAQ
Is this book suitable for middle-school students?
Can I understand it without a background in War of Resistance history?
What are Wang Shuqing's characteristics?
Comments
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About the author
Public information about Gu Bowen is currently limited, and his creative profile can only be glimpsed through his signed work Huang Huo (Wild Fire). Only one work by him is held in the collection, classified under the war and military category. The title, together with its category, suggests that his writing may center on battlefields, soldiers, or people and events in turbulent times, carrying the tension and immediacy typical of military fiction. Because no reliable information is available about his life, nationality, dates of birth and death, or English name, it is not possible to judge his education, creative career, or literary standing, nor should one speculate about the plot from the title alone. What can be confirmed is that Gu Bowen has entered the field of war and military writing with Huang Huo, a writing practice within that category. Readers who wish to know more about this author will need to wait for further works and reliable sources before a fuller assessment can be formed.