Tea Manual
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in ancient tea culture and the evolution of tea-drinking methods
- Readers who enjoy Ming literati aesthetic life and elegant occasional prose
- General readers hoping to experience self-cultivation through tea matters
- Beginners in Chinese classics who prefer short topical books
Not a good fit for
- Readers expecting modern tea-ceremony tutorials or brewing recipes
- Deep researchers needing detailed annotation, vernacular translation and academic textual criticism
Reading tips
- First read through the whole book to grasp Zhu Quan's core advocacy of simple drinking and his opposition to elaborate whisked tea
- While reading, refer to Ming historical background to understand the connection between changing tea customs and literati taste
- Read alongside other tea books to compare differences in tea-drinking methods across eras
- Jot down passages on tea utensils and character to use as references for daily tea drinking
Contents
- 版权信息
- 序
- 茶略
- 茶品
- 艺茶
- 采茶
- 藏茶
- 制荼诸法
- 煎茶四要
- 点茶三要
- 茶效
- 苦节君铭锡山盛颙著
- 建城
- 云屯
- 乌府
- 水曹
- 器局
- 品司
- 茶谱后序
FAQ
What is Chapu mainly about?
Is this book suitable for readers with no background in tea culture at all?
What supplementary materials should I prepare for reading this book?
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About the author
Public information about Zhu Quan's life and nationality is limited. What can be confirmed at present is that two of his works survive, dealing respectively with the music and prosody of drama and with tea. His representative work, The Correct Rhymes of Great Harmony (Taihe Zhengyin Pu), is a classical treatise on drama theory that covers musical notation, phonology and evaluations of dramatists, and is an important source for the study of northern drama's prosody and of Yuan and Ming drama. His Tea Manual (Cha Pu) is a specialized work on tea culture, describing the picking and processing of tea leaves, tasting and drinking, and related utensils. Judging from the works available, Zhu Quan's writing focuses on organizing and standardizing specialized knowledge; it is clearly structured and combines the compilation of materials with critical appreciation. In the library he is classified under social sciences and literary appreciation, which matches the way his works span both drama and tea culture. Because details of his life remain to be verified, no speculation is offered here; his profile and influence are presented solely on the basis of his works.