Bitter Chanting cover

Bitter Chanting

Rating 3.8
Word count
2.4K words
Chapters
49

Tags

Summary

A poem by Tang dynasty poet Lu Yanrang.

Editor's review

Lu Yanrang was known for "bitter chanting," the painstaking polishing of verse; though this collection is brief, it shows his devotion to honing words and phrases and the poetic world of a poor scholar of the late Tang. The lines mostly concern travel, poverty and illness, and failure in the examinations; the language is lean and hard, the imagery clear and bitter, and one can feel the traces of the poet's repeated labor over words. For understanding the late Tang style of bitter chanting and observing the daily writing conditions of Tang poets, this small collection offers a concrete, detailed sample. The works suit slow reading: do not seek plot or grand vistas, but savor the syntax, parallelism, and word choice. Read alongside bitter-chanting poets such as Jia Dao and Meng Jiao, and the inheritance and variation of this poetic line become clearer. Note that the collection contains only part of Lu Yanrang's poetry; it is an entry point for focused study, not the sole basis for a full understanding of his work.

Who it's for

A good fit for

  • Literature lovers interested in late Tang poetry and the bitter-chanting style
  • University students studying Tang poets' writing conditions and poetics
  • Readers who enjoy close reading of short pieces and lingering over words
  • Language teachers who need samples of late Tang poor-scholar verse as teaching supplements

Not a good fit for

  • Readers expecting a complete collected works or a systematic biography
  • General readers who prefer grand narrative and plot-driven reading
  • Beginners unfamiliar with classical poetic language who need word-by-word annotation

Reading tips

  1. First read through once to feel the language, then mark in each poem the striking or repeatedly polished words to sense the bitter-chanting trait.
  2. Read alongside short poems by Jia Dao and Meng Jiao, comparing imagery and syntax when they too write of poverty, illness, and travel.
  3. You may read with the background of late Tang examinations and scholars' survival, but avoid over-allegorizing; keep close reading of the text primary.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 【元日有题】崔道融
  3. 卷714_23【古树】崔道融
  4. 卷714_24【春题二首】崔道融
  5. 卷714_25【长安春】崔道融
  6. 卷714_26【病起二首】崔道融
  7. 卷714_27【峡路】崔道融
  8. 卷714_28【长门怨】崔道融
  9. 卷714_29【月夕有怀】崔道融
  10. 卷714_30【夜泊九江】崔道融
  11. 卷714_31【寒食夜】崔道融
  12. 卷714_32【归燕】崔道融
  13. 卷714_33【长安春】崔道融
  14. 卷714_34【銮驾东回】崔道融
  15. 卷714_35【钓鱼】崔道融
  16. 卷714_36【西施】崔道融
  17. 卷714_37【马嵬】崔道融
  18. 卷714_38【羯鼓】崔道融
  19. 卷714_39【寄李左司】崔道融
  20. 卷714_40【梅】崔道融
  21. 卷714_41【天台陈逸人】崔道融
  22. 卷714_42【雪窦禅师】崔道融
  23. 卷714_43【溪上遇雨二首】崔道融
  24. 卷714_44【长门怨】崔道融
  25. 卷714_45【秋夕】崔道融
  26. 卷714_46【过隆中】崔道融
  27. 卷714_47【关下】崔道融
  28. 卷714_48【寒食客中有怀】崔道融
  29. 卷714_49【溪夜】崔道融
  30. 卷714_50【山居卧疾,广利大师见访】崔道融
  31. 卷714_51【村墅】崔道融
  32. 卷714_52【悲李拾遗二首】崔道融
  33. 卷714_53【题《李将军传》】崔道融
  34. 卷714_54【酒醒】崔道融
  35. 卷714_55【郊居友人相访】崔道融
  36. 卷714_56【镜湖雪霁贻方干】崔道融
  37. 卷714_57【秋霁】崔道融
  38. 卷714_58【谢朱常侍寄贶蜀茶、剡纸二首】崔道融
  39. 卷714_59【读杜紫微集】崔道融
  40. 卷714_60【寓题】崔道融
  41. 卷714_61【寓吟集】崔道融
  42. 卷714_62【溪居即事】崔道融
  43. 卷714_63【鸡】崔道融
  44. 卷714_64【献浙东柳大夫】崔道融
  45. 卷714_65【杨柳枝词】崔道融
  46. 卷714_66【楚怀王】崔道融
  47. 卷714_67【对早梅寄友人二首】崔道融
  48. 卷714_68【句】崔道融
  49. 卷七百一十五

FAQ

Does this book contain all of Lu Yanrang's works?
No. The material indicates that this book is part of Lu Yanrang's poetry, a selection from his works. It serves as an entry sample for understanding the bitter-chanting style and should not be used as a complete collection.
Can I understand this collection without a foundation in classical poetry?
You can read it, but there is a threshold. Lu Yanrang's lines are lean and bitter, his word choice deliberate; beginners had best read with reliable annotation or a selected edition, first grasping the general sense and then examining the words closely.
How do I recognize the so-called bitter-chanting quality?
Focus on how the poet repeatedly hones verbs, adjectives, and parallelism within a limited space, note the dense use of clear and bitter imagery, and observe places where the syntax is deliberately crafted and even slightly raw; these are common signs of the bitter-chanting style.

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About the author

卢延让 Author

Lu Yanrang was a poet in ancient China. His life, including his birth and death years, remains very limited in publicly available sources, and his native place and official career cannot be reliably ascertained. What can be confirmed is that one work by him, titled Kum Yin (Bitter Chanting), has survived and is classified among ancient Chinese poetry. Judging from the title, the poem concerns the hardship of composing poetry and the toil of polishing lines and choosing words, a common subject in which ancient poets describe their creative state of mind and discuss the art of poetry, reflecting an attitude that values deliberation and painstaking thought. As only this one work survives, Lu Yanrang's overall poetic output, stylistic development, and place in literary history are difficult to assess fully, and scholarly attention to him has been limited. Further understanding of this author would depend on more ancient texts and related research; this note offers only a brief introduction based on his extant work.

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