At the Bow
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in Tang poetry who wish to broaden their reading
- Students who need short texts for practicing the close reading of classical poetry
- Readers who enjoy close textual reading and attention to diction and imagery
Not a good fit for
- Specialist researchers requiring detailed annotations and textual collation
- Readers expecting long narrative poems or systematic poetic theory
Reading tips
- First read through without consulting references, noting your most direct impressions and questions.
- On the second reading, read poem by poem, marking key verbs and images and sensing how the imagery unfolds.
- Read alongside works by other late Tang poets, comparing similarities and differences in subject matter and tone.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【登南神光寺塔院(一本题作登南台僧寺)】韩偓
- 卷680_49【两贤】韩偓
- 卷680_50【再思】韩偓
- 卷680_51【有瞩】韩偓
- 卷680_52【秋深闲兴】韩偓
- 卷680_53【故都】韩偓
- 卷680_54【梦仙】韩偓
- 卷680_55【赠吴颠尊师(丙寅年作)】韩偓
- 卷680_56【送人弃官入道】韩偓
- 卷六百八十一
- 卷681_1【感事三十四韵(丁卯已后)】韩偓
- 卷681_2【向隅】韩偓
- 卷681_3【社后】韩偓
- 卷681_4【息虑】韩偓
- 卷681_5【早起探春】韩偓
- 卷681_6【味道】韩偓
- 卷681_7【秋郊闲望有感】韩偓
- 卷681_8【李太舍池上玩红薇醉题】韩偓
- 卷681_9【余寓汀州沙县,病中闻前郑左丞璘随外镇举荐…感悟也】韩偓
- 卷681_10【又一绝请为申达京洛亲交知余病废】韩偓
- 卷681_11【梦中作】韩偓
- 卷681_12【己巳年正月十二日自沙县抵邵武军将谋抚…偶成一篇】韩偓
- 卷681_13【建谿滩波心目惊眩余平生溺奇境今则畏怯不暇因书…八字】韩偓
- 卷681_14【自沙县抵龙溪县值泉州军过后村落皆空因有一绝】韩偓
- 卷681_15【此翁(此后在桃林场)】韩偓
- 卷681_16【失鹤】韩偓
- 卷681_17【卜隐】韩偓
- 卷681_18【晨兴】韩偓
- 卷681_19【暴雨】韩偓
- 卷681_20【山院避暑】韩偓
- 卷681_21【闲兴】韩偓
- 卷681_22【漫作二首】韩偓
- 卷681_23【腾腾】韩偓
- 卷681_24【寄隐者】韩偓
- 卷681_25【闲居】韩偓
- 卷681_26【僧影】韩偓
- 卷681_27【洞庭玩月】韩偓
- 卷681_28【赠隐逸】韩偓
- 卷681_29【南浦】韩偓
- 卷681_30【桃林场客舍之前有池半亩木槿栉比阏水遮山…五言八韵】韩偓
- 卷681_31【中秋寄杨学士(一作中秋永夕奉寄杨学士兄弟)】韩偓
- 卷681_32【寄禅师】韩偓
- 卷681_33【清兴】韩偓
- 卷681_34【深院】韩偓
- 卷681_35【凄凄】韩偓
- 卷681_36【火蛾】韩偓
- 卷681_37【信笔】韩偓
- 卷681_38【雷公】韩偓
FAQ
Is this book suitable for readers with no foundation in classical poetry?
Do I need to know Han Wo's biography in advance to read this book?
Is this book suitable for reading group discussion?
Comments
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.