The Waist-High Gate cover

The Waist-High Gate

Rating 4.3
Word count
89K words
Chapters
23
ISBN
9787514822519

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Summary

Citation for the 8th National Children's Literature Award: With delicate, luminous prose, The Waist Door portrays a young girl's inner world and traces the growth of her spirit. As a novel drawn from childhood experience, the author wisely adopts a dual narrative perspective—child and adult—exploring the rich possibilities of children's literature and endowing the work with abundant artistic tension.

Editor's review

The Waist Door is a childhood novel by Peng Xuejun steeped in the riverside-town atmosphere of the Li River. Through the childhood eyes of the protagonist Sha Ji, it tells the story of her years in the ancient town of Fenghuang, where a low "waist door" becomes her window onto and connection with the wider world. This door is not only a physical divide but a symbol of the boundary between childhood and adulthood, innocence and insight. Written in a delicate, poetic style, the novel weaves a quiet portrait of growth, parting, memory, and nostalgia through Sha Ji's encounters with Granny Yun, Shui, and companions such as the "little adult," the boy Shui, and the girl Qing. Its depiction of western Hunan's customs and manners is more than backdrop—it is a gloss on emotion and fate, revealing the resilience and warmth of ordinary people amid changing times. Peng Xuejun's prose is clear and full of tension; she hides deep reflections on life beneath everyday narration, lifting the work beyond simple children's literature into a literary work for readers of all ages to savor "looking back" and "watching over." It invites us to ask: does everyone carry a "waist door" in their heart, watching over a time that can never return yet remains forever vivid.

Who it's for

A good fit for

  • Readers seeking to lodge nostalgia and childhood memory in literature
  • Fans of Shen Congwen-style riverside-town atmosphere and finely drawn characters
  • Parents who wish to read outstanding growth-themed literature with their children
  • Readers interested in contemporary Chinese literary fiction with a strong sense of place

Not a good fit for

  • Entertainment-oriented readers who want strong plotting, fast pacing, and dramatic conflict
  • Utilitarian readers seeking explicit educational guidance or factual knowledge

Reading tips

  1. Read in a relatively quiet setting to sink into its unhurried pace and poetic atmosphere
  2. Watch for the recurring imagery of the "door," "water," and "stone," and consider their symbolic meaning
  3. After reading, try writing about your own childhood or hometown memories—you may be surprised by what emerges

About the publisher

China Children's Press & Publication Group has classical literature for young readers as an important part of its publishing direction. Its editions of classics such as Romance of the Three Kingdoms and Dream of the Red Chamber in the library are arranged in multiple volumes, with annotations and reading guides to help young readers progress step by step; primers such as Liweng's Rhyme Lessons serve poetry and language initiation. Its author resources include classical writers such as Luo Guanzhong, Cao Xueqin, Gao E, Wu Cheng'en and Li Yu, as well as contributors such as Hezhu Yunlan, Qingxue Manzhu and Lin Guanfu who take part in compilation, annotation or adaptation. Common categories cover classical literature, examinations and foreign literature, showing a balance between popularizing classics and supporting study. As public information is limited, this description focuses on the publishing features reflected in the library's books without further extrapolation.

Contents

  1. 版权信息
  2. 1 叫我沙吉
  3. 2 不会说话的水孩子
  4. 3 夜凉如水
  5. 4 不懂心痛
  6. 5 兔子嘴巴
  7. 6 鬼的歌声
  8. 7 青榴青榴
  9. 8 城墙上的阳光
  10. 9 一个秋天的午后
  11. 10 白猫和草鬼婆
  12. 11 哑蝉
  13. 12 水车和木秋千
  14. 13 信使
  15. 14 漫天飞舞的白蝴蝶
  16. 15 从棺材里爬出来的女孩
  17. 16 木木客栈
  18. 17 “那个人”来了又走了
  19. 18 藤萝上的牵牛花
  20. 19 边边来了
  21. 20 飘落的花瓣
  22. 尾声
  23. 水灵灵的凤凰(代后记)

FAQ

Is this a children's book? Is it suitable for adults?
Though often classified as children's literature and a winner of the National Children's Literature Award, its deep emotional core, beautiful prose, and universal reflections on growth and loss make it entirely suitable for adults. It is a literary work about memory itself, and readers of different ages will find different layers of resonance.
Is the story set in the real ancient town of Fenghuang?
The novel is set in an ancient riverside town on the Li River, steeped in western Hunan atmosphere and easily reminiscent of the border town in Shen Congwen's writing or the real Fenghuang. Author Peng Xuejun was born in Jishou, Hunan, and has deep experience of western Hunan; the settings are artistically distilled literary creations—believable, yet veiled in the soft light of memory.
What is the tone of the book? Is it very sad?
The overall tone is warm, nostalgic, and gently melancholy. It does not heighten tragedy but recounts childhood meetings and partings, births, aging, illness, and death in a calm, restrained voice. The melancholy is clear and poetic, ultimately pointing toward acceptance of life's course and cherishing past beauty—it has a healing power.

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About the author

彭学军 Author

Peng Xuejun is a Chinese-language writer about whom limited public information is available; three of her works are included in this collection. Judging from these titles, her writing spans a range of subjects. The novel Yaomen and You Are My Sister, from the Domestic Award Book Series, lean toward social fiction, focusing on ordinary people's emotions and circumstances, while The Amazing Herbal "Magician": Tu Youyou tells the story of a scientific figure for young readers. Her prose is plain and natural, attentive to inner life and everyday detail, and she is skilled at developing narratives within concrete scenes of daily life, which is why her works are also often grouped under parenting and parent-child reading categories. As her dates, nationality and awards remain unconfirmed, her biography is still unclear, and her profile can currently be grasped only through the themes and style of these three works, which show a writer who combines literary storytelling with the popularization of knowledge.

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