Honest Street
Tags
Summary
On Laoshi Street live honest people; the bustling market households have for generations taken "honesty" as their moral aspiration and conscience system. Objects, crafts, and human nature and morality intertwine; old words, old rhymes, old flavors, old principles, and old sayings present themselves in turn. A myriad of lives and endless worldly scenes reflect the richness and uniqueness of a traditional moral society. The quality of "honesty," as a cultural gene or unconscious psychological accumulation, has not only brought Laoshi Street residents "moral confidence" and a simple, beautiful ancient ethos, permeating deeply into their daily life of food and shelter, but also completely governs their attitudes and ways of dealing with the outside world, era changes, and individual life.
Editor's review
Who it's for
A good fit for
- Readers who enjoy realist long novels and are drawn to the theme of urban change
- Readers interested in Jinan's regional culture and everyday street life
- Humanistic readers concerned with the place of traditional morality in the process of modernization
- Literary enthusiasts willing to read slowly and appreciate ensemble-style characterization
Not a good fit for
- Casual readers who prefer light, fast-paced stories with strong suspense
- Nonfiction readers expecting explicit discussion of demolition policy or social proposals
Reading tips
- First sort out the spatial layout of Laoshi Street and the relationships among the main households, then move into the unfolding events
- Note the recurring appearances of objects, crafts, and old words at turning points in the characters' fates
- Slow down when reading the sections on the alley's demise, and feel the shifts in narrative rhythm
- After reading, compare it with memories of old streets in your own city and write a few pages of observational notes
About the publisher
Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.
Contents
- 版权信息
- 作者简介
- 序 写出有质地的生活
- 第一章 大马士革剃刀
- 第二章 化燕记
- 第三章 鹅
- 第四章 世界的幽微
- 第五章 阿基米德的一天
- 第六章 歪脖子病不好治
- 第七章 弃的烟火
- 第八章 八百米下水声大作
- 第九章 花事了
- 第十章 竹器店
- 第十一章 大宴
- 附录 主要人物信息览表
- 后记 城里的地老天荒
FAQ
The novel is mainly about demolition—will it feel heavy to read?
What exactly does "laoshi" (honesty) mean in the book?
I have never been to Jinan—will I feel alienated reading this novel?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Wang Fangchen is a Chinese writer known mainly for social fiction. Public information about him is limited, and details such as his birthplace, year of birth, education, and personal experience are unknown. The library currently holds four of his works, including Earth Howl (Dixiao), Laoshi Street (Laoshijie), The Extraordinary Mirror (Bufan zhi jing), and Behind (Beihou). These works are often classified as social fiction, suggesting that his writing focuses on social reality and the ways of the world, using characters and stories to present the conflicts and predicaments of ordinary people's lives. Because direct materials such as interviews and prefaces are lacking, it is difficult to describe his narrative techniques and language accurately, but the titles and classification suggest that he deals mostly with realistic themes in a largely realistic style. His works have so far received limited attention, and responses from readers and critics remain to be seen, with related research still scarce. Overall, Wang Fangchen is a Chinese author about whom information is still insufficient and whose writing centers on social themes; a fuller picture of him awaits more public information and closer reading of his works.