Honest Street cover

Honest Street

Rating 3.9
Word count
159K words
Chapters
16
ISBN
9787506398763

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Summary

The novel *Laoshi Street* begins with the nationwide wave of urban demolition, taking this social process of modernization, urbanization, and internationalization in China as its broad backdrop. Consistently and closely centered on this landmark historical event, it calmly and quietly recounts the collapse and disappearance of an old street in Jinan, the transformation of the city's old residents, and the end of an era. It depicts the changing city and people of Jinan—or the complex relationship between all changing cities and people—and constitutes a linked series of elegies for city and people, conveying the significant contemporary theme of moral demolition and reconstruction.

On Laoshi Street live honest people; the bustling market households have for generations taken "honesty" as their moral aspiration and conscience system. Objects, crafts, and human nature and morality intertwine; old words, old rhymes, old flavors, old principles, and old sayings present themselves in turn. A myriad of lives and endless worldly scenes reflect the richness and uniqueness of a traditional moral society. The quality of "honesty," as a cultural gene or unconscious psychological accumulation, has not only brought Laoshi Street residents "moral confidence" and a simple, beautiful ancient ethos, permeating deeply into their daily life of food and shelter, but also completely governs their attitudes and ways of dealing with the outside world, era changes, and individual life.

Editor's review

LaoShi Street turns its lens on urban demolition, a social process that has swept the whole country, yet it does not rush to grand judgments. Instead it sinks into the daily life of a single alley in old Jinan and calmly chronicles the process of collapse and extinction. The novel's greatest strength lies in weaving together objects, crafts, old words and old rhymes, and the morality of human relations, so that the quality of "honesty" (laoshi) is at once the moral self-assurance on which the neighbors ground their lives and an invisible rope binding them as they face the changes of the times. This duality is rendered solidly, neither beautified nor mocked, presenting the richness and complexity of a traditional moral society. Wang Fangchen's narrative rhythm is quiet and composed, thick with the bustle of everyday life, and the myriad forms of human existence unfold layer by layer against the backdrop of demolition; reading it carries the feel of an elegy, yet it does not stop at sorrow, for it also harbors reflection on the demolition and rebuilding of morality. Suitable for readers willing to settle in for a long novel and moved by urban change and the human texture of everyday life. As you read, watch for the correspondences between the spatial layout of the alley and the fates of the characters—that is precisely where the novel's structural care lies.

Who it's for

A good fit for

  • Readers who enjoy realist long novels and are drawn to the theme of urban change
  • Readers interested in Jinan's regional culture and everyday street life
  • Humanistic readers concerned with the place of traditional morality in the process of modernization
  • Literary enthusiasts willing to read slowly and appreciate ensemble-style characterization

Not a good fit for

  • Casual readers who prefer light, fast-paced stories with strong suspense
  • Nonfiction readers expecting explicit discussion of demolition policy or social proposals

Reading tips

  1. First sort out the spatial layout of Laoshi Street and the relationships among the main households, then move into the unfolding events
  2. Note the recurring appearances of objects, crafts, and old words at turning points in the characters' fates
  3. Slow down when reading the sections on the alley's demise, and feel the shifts in narrative rhythm
  4. After reading, compare it with memories of old streets in your own city and write a few pages of observational notes

About the publisher

Writers Publishing House China · Founded in 1953

Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.

Contents

  1. 版权信息
  2. 作者简介
  3. 序 写出有质地的生活
  4. 第一章 大马士革剃刀
  5. 第二章 化燕记
  6. 第三章 鹅
  7. 第四章 世界的幽微
  8. 第五章 阿基米德的一天
  9. 第六章 歪脖子病不好治
  10. 第七章 弃的烟火
  11. 第八章 八百米下水声大作
  12. 第九章 花事了
  13. 第十章 竹器店
  14. 第十一章 大宴
  15. 附录 主要人物信息览表
  16. 后记 城里的地老天荒

FAQ

The novel is mainly about demolition—will it feel heavy to read?
A sense of heaviness is indeed present, because the novel writes about the demise of an alley and the end of an era, carrying the tone of an elegy. But the author's style is composed and quiet, the everyday bustle is vivid, the characters are alive, and the myriad forms of human existence interweave, so it does not read as oppressive. Beyond the sorrow, it offers above all a meticulous presentation of human feeling and morality, suited to readers willing to settle in and take it in.
What exactly does "laoshi" (honesty) mean in the book?
"Laoshi" is both the moral expectation and conscience system passed down through generations among the residents of Laoshi Street, bringing them a plain, honest ethos and moral self-assurance; and, in the face of the changes of the times, it also governs their attitude toward the outside world and their individual fates, becoming a kind of constraint. The novel captures this duality of the quality without simple praise or blame—this is precisely where the work's depth lies.
I have never been to Jinan—will I feel alienated reading this novel?
There will be no obvious alienation. The novel's regional flavor is embodied in objects, crafts, old words and old rhymes, and the human texture of everyday life; these details are compelling in themselves and do not depend on the reader's prior knowledge of Jinan. The relationship between city and people, and the predicament of traditional morality amid demolition, are universal contemporary issues with which readers everywhere can find resonance.

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About the author

王方晨 Author

Wang Fangchen is a Chinese writer known mainly for social fiction. Public information about him is limited, and details such as his birthplace, year of birth, education, and personal experience are unknown. The library currently holds four of his works, including Earth Howl (Dixiao), Laoshi Street (Laoshijie), The Extraordinary Mirror (Bufan zhi jing), and Behind (Beihou). These works are often classified as social fiction, suggesting that his writing focuses on social reality and the ways of the world, using characters and stories to present the conflicts and predicaments of ordinary people's lives. Because direct materials such as interviews and prefaces are lacking, it is difficult to describe his narrative techniques and language accurately, but the titles and classification suggest that he deals mostly with realistic themes in a largely realistic style. His works have so far received limited attention, and responses from readers and critics remain to be seen, with related research still scarce. Overall, Wang Fangchen is a Chinese author about whom information is still insufficient and whose writing centers on social themes; a fuller picture of him awaits more public information and closer reading of his works.

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