Song of Setting Out Wine
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers currently reading Li Yi's frontier poems who want to see his other subjects
- Readers interested in short works from The Complete Tang Poems and fond of browsing at random
- Students of Tang poetry who need short samples for close-reading practice
Not a good fit for
- Readers hoping for a full-length narrative or detailed background story
- Beginners who need extensive annotations, parsing, and line-by-line commentary
Reading tips
- Read once without annotations, note your first impression, then check each line against the annotations.
- After finishing, read it alongside Li Yi's famous frontier poems and compare subject and tone.
- Mark descriptive lines and lyric lines separately, and observe their placement and shifts within the poem.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【渔具诗?沪(吴人今谓之簖)】陆龟蒙
- 卷620_11【渔具诗?qF(吴人今谓之丛)】陆龟蒙
- 卷620_12【渔具诗?种鱼】陆龟蒙
- 卷620_13【渔具诗?药鱼】陆龟蒙
- 卷620_14【渔具诗?舴艋】陆龟蒙
- 卷620_15【渔具诗?笭箵】陆龟蒙
- 卷620_16【奉和袭美添渔具五篇?渔庵】陆龟蒙
- 卷620_17【奉和袭美添渔具五篇?钓矶】陆龟蒙
- 卷620_18【奉和袭美添渔具五篇?蓑衣】陆龟蒙
- 卷620_19【奉和袭美添渔具五篇?箬笠】陆龟蒙
- 卷620_20【奉和袭美添渔具五篇?背蓬】陆龟蒙
- 卷620_21【樵人十咏?樵谿】陆龟蒙
- 卷620_22【樵人十咏?樵家】陆龟蒙
- 卷620_23【樵人十咏?樵叟】陆龟蒙
- 卷620_24【樵人十咏?樵子】陆龟蒙
- 卷620_25【樵人十咏?樵径】陆龟蒙
- 卷620_26【樵人十咏?樵斧】陆龟蒙
- 卷620_27【樵人十咏?樵担】陆龟蒙
- 卷620_28【樵人十咏?樵风】陆龟蒙
- 卷620_29【樵人十咏?樵火】陆龟蒙
- 卷620_30【樵人十咏?樵歌】陆龟蒙
- 卷620_31【奉和袭美酒中十咏?酒星】陆龟蒙
- 卷620_32【奉和袭美酒中十咏?酒泉】陆龟蒙
- 卷620_33【奉和袭美酒中十咏?酒篘】陆龟蒙
- 卷620_34【奉和袭美酒中十咏?酒床】陆龟蒙
- 卷620_35【奉和袭美酒中十咏?酒垆】陆龟蒙
- 卷620_36【奉和袭美酒中十咏?酒楼】陆龟蒙
- 卷620_37【奉和袭美酒中十咏?酒旗】陆龟蒙
- 卷620_38【奉和袭美酒中十咏?酒尊】陆龟蒙
- 卷620_39【奉和袭美酒中十咏?酒城】陆龟蒙
- 卷620_40【奉和袭美酒中十咏?酒乡】陆龟蒙
- 卷620_41【添酒中六咏?酒池】陆龟蒙
- 卷620_42【添酒中六咏?酒龙】陆龟蒙
- 卷620_43【添酒中六咏?酒瓮】陆龟蒙
- 卷620_44【添酒中六咏?酒船】陆龟蒙
- 卷620_45【添酒中六咏?酒枪】陆龟蒙
- 卷620_46【添酒中六咏?酒杯】陆龟蒙
- 卷620_47【奉和袭美茶具十咏?茶坞】陆龟蒙
- 卷620_48【奉和袭美茶具十咏?茶人】陆龟蒙
- 卷620_49【奉和袭美茶具十咏?茶笋】陆龟蒙
- 卷620_50【奉和袭美茶具十咏?茶籝】陆龟蒙
- 卷620_51【奉和袭美茶具十咏?茶舍】陆龟蒙
- 卷620_52【奉和袭美茶具十咏?茶灶(《经》云茶灶无突)】陆龟蒙
- 卷620_53【奉和袭美茶具十咏?茶焙】陆龟蒙
- 卷620_54【奉和袭美茶具十咏?茶鼎】陆龟蒙
- 卷620_55【奉和袭美茶具十咏?茶瓯】陆龟蒙
- 卷620_56【奉和袭美茶具十咏?煮茶】陆龟蒙
- 卷六百二十一
FAQ
Which category of Li Yi's subjects does this poem belong to?
What background material should I consult while reading?
Is such a short poem worth reading closely on its own?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Li Yi is an author whose biographical information remains quite limited: his nationality, dates of birth and death, and English name are not clearly recorded in the available sources. Judging from the seven works held in the collection, his writing spans several fields. Alongside classical-flavored pieces such as "Southern Temple on Mount Hua," "Sent to Daoist Xu," "Passing by Zhang Bo's Place in the Rain on the Tenth Day of the Ninth Month," "Setting Out the Wine," and "Delighted to Enter Lanling and Gaze at Purple Pavilion Peak," he also addresses topics such as "A Human-Centered Logic of Urban Walking," which concerns the experience of cities and pedestrian movement. The works are commonly classified under ancient poetry, Eastern philosophy, architecture, and culture, suggesting a broad interest in traditional verse, philosophical reflection, and architectural and urban space. His writing tends to center on landscapes, visits with friends, banquets, and travel, with a restrained and elegant style that balances classical imagery with observation of the real world. Although his specific experiences are difficult to verify, these works still offer readers clues to his areas of concern.