Continued Publication of Shanghai Bamboo Branch Songs
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in bamboo branch lyrics and old-style folk songs who wish to understand traditional writing on local customs
- Those concerned with historical material on Shanghai local customs and urban life, and who enjoy fragmented reading
- General readers who wish to encounter original classics of Chinese learning and prefer editions that preserve the original appearance
- Reference users engaged in popularizing folklore, local gazetteers, or local culture
Not a good fit for
- Beginners who need detailed modern annotations, vernacular translations, and scholarly introductions
- Professional readers who expect a systematic study of modern Shanghai history and require a rigorous framework of textual criticism
Reading tips
- First read through the table of contents and the titles of the pieces, classify them by theme—customs, urban life, names of things, and so on—and then select pieces to read.
- Read ten to twenty lyrics at a time, jotting down unfamiliar dialect terms and names of things, and look them up together.
- Read alongside Shanghai local gazetteers or works on customs to deepen understanding of the textual background.
- Treat the bamboo branch lyrics as material that is both historical and literary, appreciating their language while also noting social details.
Contents
- 版权信息
- 续刊上海竹枝词
- 洋场杂咏
- 西人
- 青楼
- 女伶
- 沪北十景
- 新年
- 元夜踏灯
- 姑苏山塘
- 苏台
- 葛兰生女史
FAQ
Is this book suitable for readers with no foundation in classical Chinese?
How does reading bamboo branch lyrics help in understanding Shanghai?
How does this book's positioning differ from ordinary anthologies of bamboo branch lyrics?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.