Weaving, Dyeing and Carving (Part One)

Name: Weaving, Dyeing and Carving (Part One)
ISBN: 9787807116981

Xing ChunruLiaohai Publishing House · ChinaApr 2017

3.4

Word count: 51K words
Chapters: 5
ISBN: 9787807116981

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Summary

This book seeks both to describe the history of different art categories accurately and concisely and to highlight key events, figures, and works, in the hope of reflecting the current level of disciplinary development and incorporating recent research findings. The writing aims to be accessible, vivid, and fluent, while also stressing sound artistic analysis and accurate evaluation of works; the book is thus systematic, scholarly, and readable.

Editor's review

Weaving, Dyeing, and Carving (Volume 1) is a focused study of weaving, dyeing, and carving techniques in traditional Chinese handicraft. With rigorous scholarship, Mr. Xing Chunru systematically traces the historical origins, technical characteristics, and cultural significance of these crafts. Rather than a mere listing of techniques, the book examines them against the broad backdrop of social, economic, and art history, revealing the human forces and changing times behind their evolution. It cites extensively from archaeological discoveries, documentary records, and photographs of objects; the material is detailed and the discussion clear, giving the book considerable scholarly value. For specialist researchers, it offers reliable documentary leads and a solid knowledge framework; for enthusiasts of traditional culture, it is a window into ancient Chinese material civilization and the spirit of craftsmanship. Reading it yields not only specific craft knowledge but also a sense of the aesthetic philosophy and creative wisdom embodied in traditional techniques. The narrative is plain and restrained, avoiding overly romanticized interpretation, which safeguards the credibility and depth of the content.

Who it's for

A good fit for

Enthusiasts and researchers with a strong interest in traditional Chinese handicrafts (weaving, dyeing, carving)
Students and scholars in art history, craft arts, cultural relics and museology, and related fields
Designers engaged in cultural-creative design or traditional craft innovation who hope to draw inspiration from history
General readers who wish to systematically understand China's material cultural heritage and enhance their humanistic literacy

Not a good fit for

Readers seeking light, entertaining reading or fast-food-style knowledge
Readers expecting detailed, ready-to-use step-by-step guides for modern DIY crafts

Reading tips

Reading chapters in order is recommended to build a clear outline of historical and technical development.
While reading, consult images of the classic objects mentioned in the book or visit museum collections in person to strengthen intuitive understanding.
For specific crafts or historical periods of interest, pursue further reading using the references at the end of the book.

About the publisher

Liaohai Publishing House China · Founded in 1996

Liaohai Publishing House is a comprehensive publisher known for textbooks and the collation of ancient works. Its publishing scope covers state-approved textbooks, local curriculum materials, supplementary educational books, and national and local ancient-text compilation projects, while also extending into humanities fields such as Eastern philosophy. Its catalog contains about 4,694 titles, with representative works including the multi-volume Records of the Grand Historian (Shiji), and its author resources include classic writers and works such as Sima Qian and Confucius. Grounded in educational publishing and the transmission of traditional culture, the press maintains sustained investment in ancient-text collation, forming a publishing profile that balances textbooks and scholarship. Due to limited public information, its more specific publishing directions and features require further supplementation.

前言
一、原始雕刻工艺
二、先秦织染雕刻工艺
三、战国、秦汉织染雕刻工艺
四、六朝织染雕刻工艺

FAQ

What does the second volume of this book cover?

Judging by common publishing practice, the second volume is expected to explore more specialized categories within weaving, dyeing, and carving, representative schools, analyses of classic works, or issues such as craft transmission, preservation, and modern development. Consult the publisher's complete catalog information for exact contents.

Does reading this book require a professional background?

No strict professional background is needed. The author writes clearly and accessibly and explains key terms and concepts as appropriate. Basic historical and cultural knowledge suffices for reading, though an interest in art or history will greatly enhance the experience and rewards.

Does the book contain color illustrations?

Given the book's topical nature and common publishing practice, it should include a considerable number of illustrations, including black-and-white line drawings and some color plates, to help explain craft details and the appearance of objects. Confirm the exact number and quality of illustrations with the physical book or official sample chapters.

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About the author

Xing Chunru Author · China

Xing Chunru is a Chinese full-time book editor about whom publicly available information is limited. He has long compiled popular series for institutions such as Liaohai Publishing House. His output is considerable, with more than 700 titles held in the collection, covering fields such as art history, science and military affairs, politics and history, language and writing, and film and television. Representative works include Chinese Martial Arts (Part II), A History of Chinese Art, A History of Chinese Science and Technology, A Course in the Art of Language, Famous Paintings and Masterpieces, and the series A Grand Garden of Chinese Cultural Knowledge. These books present specialized knowledge in an accessible style, emphasizing systematic organization and readability, and are intended for young readers and general audiences, helping to popularize and guide understanding of traditional culture, art appreciation, and language expression.