The Complete Annotated Lyrics of Nalan Xingde
Tags
Summary
Editor's review
Who it's for
A good fit for
- Classical literature enthusiasts interested in Qing literature or the graceful and restrained ci school
- Readers who wish to read all of Nalan Xingde's ci systematically and understand their background
- Creators seeking inspiration from classical poetic imagery and expression in their writing
- Literary readers who appreciate tender, delicate language rich in musical beauty
Not a good fit for
- Readers seeking light entertainment or merely wanting to skim famous lines
- Beginners with neither patience nor foundation for classical poetic forms and annotations
Reading tips
- Begin with the biographical sketch of Nalan Xingde to understand his life and emotional experience, then compare it against the poems
- Reading need not follow order; start with familiar pieces and read closely with annotations on allusions and commentary
- Try reading the poems aloud to feel their musicality; the metrical notes in the annotations help understand this musical quality
About the publisher
Hunan Literature and Art Publishing House is a publisher known for its literary titles, with a catalogue spanning foreign literature, world classics, classical Chinese literature, essays and miscellaneous writings, and mystery and detective fiction. Judging from the more than 1,100 books in the database, the press publishes foreign classics such as Crime and Punishment, Snow Country, The Complete Sherlock Holmes and Letter from an Unknown Woman, as well as Chinese classical and modern literary works including Lu Xun's Wandering and A Madman's Diary and Wu Jingzi's The Scholars. In terms of translators and authors, translations by Cao Guowei and Tan Jinghua appear in its foreign literature titles, and the authors involved include Dostoevsky, Kawabata Yasunari, Conan Doyle and Zweig. Its publishing character lies in introducing Chinese and foreign literary classics side by side, balancing popular and serious works and attending to both readability and literary value. Public information is limited; the above is a brief overview based solely on the books in the database.
Contents
- 版权信息
- 序之 一
- 序之 二
- ·卷 一
- 梦江南
- 江城子 咏史①
- 如梦令
- 采桑子
- 台城路 洗妆台①怀古
- 玉连环影
- 洛阳春 雪
- 谒金门
- 四和香
- 海棠月 瓶梅
- 金菊对芙蓉 上元
- 浣溪沙
- 风流子 秋郊即事
- 画堂春
- 蝶恋花
- 河传
- 河渎神
- 落花时
- ·卷二
- 金缕曲 赠梁汾①
- 踏莎美人 清明
- 红窗月
- 南歌子
- 一络索
- 赤枣子
- 眼儿媚
- 荷叶杯
- 梅梢雪 元夜月蚀
- 木兰花令 拟古决绝词①
- 长相思
- 朝中措
- 寻芳草 萧寺①记梦
- 遐方怨
- 秋千索 渌水亭①春望
- 茶瓶儿
- 好事近
- 太常引 自题小照
- 转应曲
- 山花子
- 菩萨蛮
- 醉桃源
- ·卷三
- 琵琶仙 中秋
- 清平乐
- 一丛花 咏并蒂莲
- 菊花新 用韵送张见阳令江华①
- 淡黄柳 咏柳
- 满宫花
- 洞仙歌 咏黄葵①
- 唐多令 雨夜
- 秋水 听雨
- 虞美人
- 潇湘雨 送西溟归慈溪
- 雨中花 送徐艺初①归昆山
- 鬓云松令
- 于中好
- 南乡子 捣衣①
- 鹊桥仙
- 踏莎行
- 翦湘云 送友
- 鹊桥仙 七夕
- 御带花 重九①夜
- 疏影 芭蕉
- 添字采桑子
- 望江南 宿双林禅院①有感
- 木兰花慢 立秋夜雨,送梁汾南行
- ·卷 四
- 百字令 废园有感
- 沁园春 代悼亡①
- 东风齐着力
- 摸鱼儿 送座主德清蔡先生①
- 相见欢
- 锦堂春 秋海棠
- 忆秦蛾 龙潭口①
- 减字木兰花
- 海棠春
- 少年游
- 大酺寄梁汾①
- 满庭芳 题元人《芦洲聚雁图》①
- 忆王孙
- 卜算子 塞梦
- 金人捧露盘 净业寺①观莲,有怀荪友②
- 青玉案 人日①
- 月上海棠 中元塞外
- 雨霖铃 种柳
- 满江红 茅屋新成却赋①
- 诉衷情
- 水调歌头 题《西山秋爽图》①
- 天仙子 渌水亭秋夜
- 浪淘沙
- 南楼令
- 生查子
- 忆桃源慢
- 青衫湿遍 悼亡①
- 酒泉子
- 凤凰台上忆吹箫 守岁①
- 翦梧桐 自度曲①
- ·卷 五
- 浣溪沙 寄严荪友
- 渔父
- 明月棹孤舟 海淀①
- 东风第一枝 桃花
- 望海潮 宝珠洞①
- 瑞鹤仙 丙辰生日自寿, 起用《弹指词》句,并呈见阳①
- 菩萨蛮 过张见阳山居①,赋赠
- 于中好 咏史
- 满江红 为曹子清题其先人所构楝亭,亭在金陵署中①
- 南乡子 秋莫①村居
- 雨中花 纪梦
- 浣溪沙
- 菩萨蛮
- 摊破浣溪沙
- 水龙吟 再送荪友南还①
- 相见欢
- 昭君怨
- 霜天晓角
- 减字木兰花
- 忆秦娥
- 青衫湿 悼亡
- 忆江南 宿双林禅院①有感
- 鹊桥仙
- 临江仙 孤雁
- 水龙吟 题文图①
- 金缕曲
- 望江南 咏弦月
- 鹧鸪天 离恨
- 临江仙 无题
- 忆江南
- 赤枣子
- 玉连环影
- 如梦令
- 天仙子
- 浣溪沙
- 采桑子 居庸关①
- 清平乐 发汉儿村①题壁
- 秋千索
- 浪淘沙 秋思
- 虞美人 秋夕信步
- 浣溪沙 郊游联句
- 罗敷媚 赠蒋京少①
- 附 录
- 《饮水词》序
- 《饮水词》序
- 《今词初集》题词
FAQ
Does this edition include the complete ci of Nalan?
Is the depth of annotation suitable for ordinary readers?
What distinguishes this book from other anthologies of Nalan's ci?
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About the author
Nalan Xingde (1655–1685), of the Yehe Nara clan, originally named Chengde, courtesy name Rongruo, style name Lengjia Shanren, was a Manchu of the Plain Yellow Banner and the eldest son of Mingzhu, a grand secretary during the Kangxi reign. A renowned Qing dynasty ci poet, he is known together with Chen Weisong and Zhu Yizun as one of the "Three Great Masters of Qing Ci." His style is clear and graceful, sorrowful and intensely moving; he excelled at using natural imagery to express parting sorrow and reflections on life, in a language both sincere and affecting. His works include Yin Shui Ci, Ce Mao Ji, and Tong Zhi Tang Ji. This library holds 26 of his works, including various editions of Yin Shui Ci and Nalan Ci as well as annotated and selected versions, showing the wide circulation and rich editorial history of his ci. Beyond classical poetry, related readings are often classified under literary appreciation and Eastern philosophy, reflecting readers' interest in the emotion and thought in his work.