Approximately Equal to Fiction cover

Approximately Equal to Fiction

Rating 3.7
Word count
29K words
Chapters
164
ISBN
9787559826886

Tags

Summary

This book is a key title in the "Poetry Thinkers · Poetry Library" series, collecting about 180 short poems selected by the renowned poet Chen Qunzhou as his representative works.

Chen Qunzhou is a poet who has always possessed his own thought and innovative spirit. His works find poetry in everyday life and elevate it, discovering the pain within life; they abandon stiff technique and increasingly pursue a naturally arising poetic quality; they return more from external impressions to his own inner world, rising from the expression of personal feeling to reveal the universal in life and human nature.

His poetic language carries the typical warmth of a southerner, yet has details that comfort and fit, the agility and Zen-like contemplation of the Xiang River, and bright yet tender lines.

Editor's review

This is a collection of short poems Chen Qunzhou selected as his representative works, about 180 in all, with an overall temperament inclined to distill poetry from the everyday and then return to the inner world. Its strength lies in not relying on stiff technique but pursuing naturally arising expression; the language carries a southerner's particular warmth and comforting details, along with the agility and Zen-like contemplation of the Xiang River, bright yet not lacking tenderness. Reading it, one feels the poet turning from external impressions toward the inner, and rising from personal feeling to a universal revelation of life and human nature, with pain hidden in plain sentences. It suits slow reading in quiet hours, a few poems at a time, letting the rhythm of the short poems settle naturally; it also serves as a reference for poets observing "how to find poetry in life." This is not a collection that wins through dense rhetoric; readers need to be willing to pause and savor the details and the blank spaces to catch those gentle yet weighty lines.

Who it's for

A good fit for

  • Poetry readers who enjoy short poems and prefer natural, plain language
  • General readers hoping to find poetry and emotional resonance in everyday life
  • Writers interested in contemporary Chinese-language poetry who want to observe naturally arising poetic quality
  • Literature lovers who need quiet short-form reading and can read slowly in fragments of time

Not a good fit for

  • Readers who prefer strong narrative, long-form works, or densely rhetorical writing
  • Academic readers expecting systematic discussion of poetic theory or critical analysis
  • Readers seeking fast-paced plots who lack patience for blank spaces and understated expression

Reading tips

  1. Read three to five poems at a time, leaving pauses to let the warmth and blank spaces of the short poems settle naturally.
  2. Keep a pen ready to mark lines that turn from everyday details toward the inner world, and revisit them after finishing.
  3. Read through in the book's order once, then flip through at random, comparing the southern temperament and Zen-like contemplation across different poems.
  4. If you write poetry yourself, choose a few poems to imitate their path of "finding poetry in life" and experience naturally arising expression.

About the publisher

Guangxi Normal University Press China · Founded in 1986

Guangxi Normal University Press is a publisher known for literature, foreign literature and history titles. Its 1,175 books in the database show a solid accumulation in classics and prose collections, including foreign literary works such as Les Fleurs du mal: Annotated Poems of Baudelaire, Snow Country, Dubliners and The Wild Palms, as well as modern prose compilations like The Complete Prose of Zhou Zuoren. History and philosophy also hold a notable share, with titles such as Running Dogs: Clerks and Runners in Qing County Yamen and The History and Thought of the Taiping Heavenly Kingdom reflecting attention to Qing local administration and modern history. In art literature there is the 16-volume Ten Bamboo Studio Painting and Calligraphy Manual. Its author resources include foreign writers Charles Baudelaire and Yasunari Kawabata, translators and annotators Liu Nanqi and Zou Bo, and scholars such as Zhong Shuhe, Bradly W. Reed and You Chenjun. As public information is limited, this characterization is based only on the books in the database, which together present a profile balancing Chinese and foreign literary classics with academic works in the humanities and social sciences.

Contents

  1. 版权信息
  2. 序言 触摸虚构中最真实的那片辽阔——陈群洲诗歌印象
  3. 第一辑 每片叶子里都有一条庞大的河流
  4. 紫鹊界梯田
  5. 蒙马特的局部
  6. 画水术
  7. 栗子
  8. 沙漠
  9. 古典的□
  10. 石头上的花朵
  11. 煮茶
  12. 衡州窑
  13. 福严寺
  14. 每片叶子里都有一条庞大的河流
  15. 星海湾大桥上的鸥
  16. 枣园
  17. 南岳山上的摇钱树
  18. 夜风徐徐吹过静穆的衡山
  19. 逍遥湖
  20. 出现在我面前的湄公河
  21. 祝融峰
  22. 海是有生命的翡翠
  23. 长进石头的树
  24. 平原石缸
  25. 今夜的月光
  26. 在漓江边捡石头
  27. 冈仁波齐
  28. 采桑子
  29. 雁峰
  30. 九月的早晨
  31. 玉麦
  32. 你们——写给母校的一排楠木
  33. 银杏
  34. 水帘洞瀑布
  35. 雁峰酒业
  36. 秦谷的生活
  37. 藏经殿
  38. 大河滩喷泉
  39. 南岳衡山,这些移动的群峰
  40. 天安门广场的黎明
  41. 北京的槐花雨
  42. 南岳夜雨
  43. 第二辑 时光里有一匹绸缎的马
  44. 今夜,一条时光的河流被打开
  45. 采糖的高棉汉子
  46. 秋菊
  47. 谒柳宗元
  48. 李不嫁
  49. 清明
  50. 人间,有个美丽的地方叫天湖
  51. 画师
  52. 群益
  53. 中央邮局
  54. 孙中山
  55. 那一张照片,在无数的夜晚发着磷光
  56. 1964年的除夕
  57. 小萝卜头
  58. 草原深处的那个夜晚
  59. 若兰
  60. 坐在铁轨上的人
  61. 谒屈子祠路上雨不停地下
  62. 沈崇
  63. 老西门,那些旧的时光
  64. 延安时期的爱情
  65. 林徽因
  66. 苟坝一夜
  67. 私人理发师
  68. 医生林志
  69. 潘玉良
  70. 记岳阳楼
  71. 长城石
  72. 神马
  73. 朝阳
  74. 第三辑 春天是一条环形跑道,所有终点都是起点
  75. 爱上鄂尔多斯的春天
  76. 竹子们终于在春天找到了自己的天空
  77. 初春的蒸水河边,我看到柔情的柳正在穿衣
  78. 春天里奔跑的雁峰
  79. 为什么万物总是从春天开始
  80. 等待一场雪的到来
  81. 雾凇,一次又一次虚拟过暮年的衡山
  82. 画一些小路通往春天
  83. 九月菊
  84. 今夜,你会不会来
  85. 春到衡阳
  86. 一群略施粉黛的女子在六月的莲湖湾跳舞
  87. 华北平原的春天
  88. 七月的阳光
  89. 平湖冬日
  90. 春风里的萱洲
  91. 又一次写到夏日的福严寺
  92. 赤水铺的油菜花
  93. 我们这个城市的延安路
  94. 春暖花开,你是最早的那一朵——致林典铱
  95. 赤水铺,正在成为春天的代名词
  96. 有些春天来得晚点
  97. 第四辑 我们的一生跟芦苇有多少相似之处
  98. 绣球花
  99. 情人节记
  100. 桃花落
  101. 亲爱的,我又开始想你了
  102. 母亲
  103. 那些睡去的亲人总被安放在山坡
  104. 生命的长度
  105. 美女的前世有可能是青菜
  106. 后来的我们
  107. 早晨,来得太早了一些
  108. 园艺专业的416宿舍
  109. 去和田捡石头的人
  110. 满山的柿子被啄得遍体鳞伤
  111. 开出租车的母亲
  112. 父亲写给孩子的遗书
  113. 我们的一生跟芦苇有诸多共同之处
  114. 荷的回忆录
  115. 在漓水人家打铁
  116. 母亲和我的这个下午
  117. 又一次见到遇难多年的兄弟
  118. 向日葵的挽歌
  119. 因为小小的爱,这样的下午突然柔软而辽阔
  120. 从大连至丹东,这个秋天的下午有世纪般漫长
  121. 在珍珠湾的海滩上等待日出
  122. 约等于虚构
  123. 在雪地里
  124. 来世,我要做一簇二王山的杜鹃
  125. 蓝莓的味道
  126. 在神农谷,对飞奔而来的瀑布说
  127. 无法逃避
  128. 耒,今夜你是所有人的故乡
  129. 河里站着废弃的桥墩
  130. 武庙钟声
  131. 仿佛梦里,一树枫叶突然红了
  132. 云
  133. 第五辑 被秋风扫走的落叶都是终究放下的袈裟
  134. 这一刻的祝融峰只适合跟神仙对话
  135. 香椿煎蛋
  136. 除了静,我再也找不到一个词来安置这个海边的早晨
  137. 扫墓
  138. 衡阳浴火记
  139. 在南天门看到清晰的人间
  140. 蝉鸣,从衡山的肺腑里传来
  141. 法华寺的春天
  142. 南岳一夜
  143. 烤鸭
  144. 命运
  145. 汗蒸房的秘密
  146. 有些笋子在远离春天的地方长出来
  147. 暮色
  148. 毗卢之境
  149. 福严寺的银杏
  150. 走江湖
  151. 生活书
  152. 在苏泊罕草原重新认识草
  153. 午后,我与阳光的游戏
  154. 他们
  155. 蓝鲸游戏
  156. 南普陀寺里的菩提
  157. 岐山芦荻
  158. 梨
  159. 晚秋
  160. 用沉默打铁的人——兼致建元兄弟
  161. 在毛洲岛
  162. 华航农庄的下午
  163. 十二月的村庄
  164. 后记

FAQ

Is this poetry collection suitable for people without a habit of reading poetry?
Fairly suitable. The book collects short poems in natural language that do not rely on stiff technique, mostly starting from daily life and inner feeling, so the threshold is not high. It is best to read a few poems at a time without chasing speed, first feeling the details and tone, then savoring the pain and Zen-like contemplation within, gradually building a reading rhythm.
What are the characteristics of Chen Qunzhou's poetic style?
According to the introduction, his works find poetry in life and elevate it, abandon stiff technique, and pursue a naturally arising poetic quality; they return more from external impressions to the inner world and rise from personal feeling to reveal the universal in life and human nature. The language has a southerner's warmth, with comforting details, the agility and Zen-like contemplation of the Xiang River, bright yet not lacking tenderness.
How many poems does this book collect, and how is it best to arrange one's reading?
It collects about 180 short poems selected by the poet as representative works. Short poems suit slow reading; three to five at a time is suggested, leaving pauses for aftertaste; one may also read through first and then flip through at random, comparing the temperaments of different poems. There is no need to finish it at once—keep it at hand and read it in fragments during quiet hours to match its rhythm.

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About the author

陈群洲 Author

Chen Qunzhou: publicly available information is limited. The library currently holds only one work by this author, Approximately Equal to Fiction (Yue dengyu xugou), commonly classified as modern poetry. This single clue is not enough to sketch a full picture of the author's writing, but the title and the categorization suggest that the work belongs to contemporary Chinese-language poetry and may explore the blurred boundary between fiction and reality, using poetic language to examine the relationship between experience, imagination, and expression. The phrase “approximately equal to fiction” itself carries a sense of uncertainty and self-reference, hinting at the author's awareness of how poetry speaks and possibly pointing to a reflective, language-conscious poetic approach. Because basic details such as biography, nationality, and dates of birth and death are unavailable, this entry makes no biographical claims and presents only this one facet of the author's poetic writing, pending further information.

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