Red Wine and Green
Tags
Summary
Editor's review
Who it's for
A good fit for
- Urban romance readers who enjoy slow-burn, finely detailed psychological writing
- Readers drawn to cool-toned characters and the secret-love-fulfilled trope
- Readers who can accept a long buildup and savor gradual emotional development
- Young readers who resonate with inner growth and relationship boundaries
Not a good fit for
- Readers seeking fast-paced, high-conflict, wish-fulfillment fiction
- Readers who prefer historical, fantasy, or other non-urban settings
- Readers impatient with long secret crushes and misunderstanding-driven plots
Reading tips
- Set aside uninterrupted reading time to follow the subtle shifts in the characters' psychology.
- Pay attention to the difference between Xia Deng's perspective and You Feng's to better understand the tension of the misunderstanding.
- At emotional turning points, revisit earlier details to appreciate the author's careful groundwork.
- If the early pace feels slow, read the You Feng-related passages first to feel the emotional intensity.
About the publisher
Jiangsu Phoenix Literature and Art Publishing House focuses on literary publishing while also covering the humanities, social sciences, and books on art and daily life. Its approximately 1,535 titles in the database span social novels, world history, design, science fiction, classic works, and film and television: they include modern Chinese literary classics by Lu Xun such as A Madman's Diary: The Complete Short Stories of Lu Xun, Call to Arms, Four Generations Under One Roof, and Teahouse, as well as foreign literary memoirs like Stefan Zweig's The World of Yesterday. In science fiction it offers Asimov's Galactic Empire series, while in architecture and art it publishes Liu Dunzhen's Classical Gardens of Suzhou and design titles from Phoenix Space. Its authors are concentrated among classic writers such as Lu Xun, Zweig, and Asimov, with translators including Liang Xijiang, Zhong Haonan, and Ye Lihua. Its overall character is built on classic works while embracing genre fiction and visual culture. Public information is limited, and this introduction is based on the titles in the database.
Contents
- 版权信息
- 第一章 银河里的潜水艇(1)
- 第二章 银河里的潜水艇(2)
- 第三章 银河里的潜水艇(3)
- 第四章 银河里的潜水艇(4)
- 第五章 银河里的潜水艇(5)
- 第六章 银河里的潜水艇(6)
- 第七章 银河里的潜水艇(7)
- 第八章 银河里的潜水艇(8)
- 第九章 银河里的潜水艇(9)
- 第十章 银河里的潜水艇(10)
- 第十一章 作业中的飞行器(1)
- 第十二章 作业中的飞行器(2)
- 第十三章 作业中的飞行器(3)
- 第十四章 作业中的飞行器(4)
- 第十五章 作业中的飞行器(5)
- 第十六章 作业中的飞行器(6)
- 第十七章 作业中的飞行器(7)
- 第十八章 作业中的飞行器(8)
- 第十九章 作业中的飞行器(9)
- 第二十章 作业中的飞行器(10)
- 第二十一章 海听见风的声音(1)
- 第二十二章 海听见风的声音(2)
- 第二十三章 海听见风的声音(3)
- 第二十四章 海听见风的声音(4)
- 第二十五章 海听见风的声音(5)
- 第二十六章 海听见风的声音(6)
- 第二十七章 海听见风的声音(7)
- 第二十八章 海听见风的声音(8)
- 第二十九章 海听见风的声音(9)
- 第三十章 海听见风的声音(10)
- 第三十一章 风驻进海的眼睛(1)
- 第三十二章 风驻进海的眼睛(2)
- 第三十三章 风驻进海的眼睛(3)
- 第三十四章 风驻进海的眼睛(4)
- 第三十五章 风驻进海的眼睛(5)
- 第三十六章 风驻进海的眼睛(6)
- 第三十七章 风驻进海的眼睛(7)
- 第三十八章 风驻进海的眼睛(8)
- 第三十九章 风驻进海的眼睛(9)
- 第四十章 风驻进海的眼睛(10)
- 第四十一章 船灯偏离了航线(1)
- 第四十二章 船灯偏离了航线(2)
- 第四十三章 船灯偏离了航线(3)
- 第四十四章 船灯偏离了航线(4)
- 第四十五章 船灯偏离了航线(5)
- 第四十六章 船灯偏离了航线(6)
- 第四十七章 船灯偏离了航线(7)
- 第四十八章 船灯偏离了航线(8)
- 第四十九章 船灯偏离了航线(9)
- 第五十章 船灯偏离了航线(10)
- 第五十一章 沿着发光体公转(1)
- 第五十二章 沿着发光体公转(2)
- 第五十三章 沿着发光体公转(3)
- 第五十四章 沿着发光体公转(4)
- 第五十五章 沿着发光体公转(5)
- 第五十六章 沿着发光体公转(6)
- 第五十七章 沿着发光体公转(7)
- 第五十八章 沿着发光体公转(8)
- 第五十九章 沿着发光体公转(9)
- 第六十章 沿着发光体公转(10)
- 番外一 潜水艇遇到飞行器
- 番外二 嘘
- 后记
FAQ
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About the author
Su Ta is a Chinese web novelist and an author on Jinjiang Literature City, born under the sign of Scorpio. Public information about her is limited, and details such as her dates of birth and death are not recorded; the thirteen works held in the collection are the currently verifiable body of her work. She is known for urban emotional fiction and literary coming-of-age romance, with a restrained and delicate style that makes frequent use of metaphor, lending a degree of literary texture to genre romance. Her representative works include Blind Lamp, To Wang Lun, Red Wine Green, I Come from the East, Calling for Rain and Far Away, as well as Burning Knife, The General, Leap Year, Xie Chunguang and Red Happy Event. Her works generally fall under contemporary romance and youth literature, often centering on the emotional entanglements and personal growth of urban men and women, and have drawn readers who favor finely wrought emotional writing.