The Man Who Laughs cover

The Man Who Laughs

Rating 4.2
Word count
374K words
Chapters
121
ISBN
9787532762729

Tags

Summary

In *The Man Who Laughs*, the protagonist Gwynplaine is a nobleman's descendant who falls into the hands of child traffickers and is disfigured, leaving his face fixed in a perpetual grin. The kind-hearted traveling performer Ursus takes him in as his adopted son and also raises Dea, the blind girl Gwynplaine rescued from the snow. They wander from place to place, earning their living by performing. Later, through an accidental turn of events and the needs of British politics, Gwynplaine is restored to his title—but he rejects this sordid gift, preferring to return to his companions in hardship, by which time Dea has fallen gravely ill. After the blind girl dies, Gwynplaine is overcome with grief and drowns himself in the sea.

Editor's review

The Man Who Laughs is a novel by the French literary giant Victor Hugo, published in 1869 and an important work from the later years of his exile. Set in England between the late seventeenth and early eighteenth centuries, it uses the tragic fate of its protagonist Gwynplaine — disfigured and made a court jester — to expose the class conflicts, aristocratic corruption, and judicial darkness of English society. In his signature Romantic style, Hugo blends historical documentation with social criticism, creating in Gwynplaine a complex figure who is both victim and witness. His eternal smile stands in sharp contrast to his inner suffering, a device that is itself a brilliant metaphor for a society outwardly prosperous but inwardly cruel. Compared with Notre-Dame de Paris or Les Misérables, this book is more strongly colored by political allegory, with more direct analysis of the parliamentary system, royal power, and aristocratic privilege. In narrative, Hugo continues his habit of weaving narration with commentary, interspersing extensive historical background and social criticism; some modern readers may find this somewhat long-winded, but these passages carry the author's profound reflections. The book's literary value lies not only in its intricate plot and vivid characters but in its timeless inquiry into human nature, justice, and social institutions. For readers who want a fuller understanding of Hugo's oeuvre or who are interested in the evolution of European history and social thought, The Man Who Laughs is an indispensable masterpiece. The Shanghai Translation Publishing House edition offers an accurate, fluent translation that preserves the original's style and power.

Who it's for

A good fit for

  • Readers interested in nineteenth-century European literature and social thought
  • Literature lovers who wish to read Hugo's major works systematically
  • Deep readers who enjoy reflecting on social reality through historical fiction
  • Scholars and students of Romantic literature or socially critical literature

Not a good fit for

  • Readers of popular fiction seeking fast pacing and strong plot
  • Readers impatient with long digressions and historical detail

Reading tips

  1. While reading, pay attention to Hugo's commentary on English constitutional history and the contemporary references behind it
  2. Note the multiple symbolic meanings of the central image of the "laughing face"
  3. Consider Hugo's life, especially his exile, to understand the political concerns and humanistic care in the work

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 译本序
  3. 第一部 海和夜
  4. 开头的两章
  5. 第一章 于苏斯
  6. 第二章 儿童贩子
  7. 第一卷 人心比夜黑
  8. 第一章 波特兰南端
  9. 第二章 孤单
  10. 第三章 孤独
  11. 第四章 问题
  12. 第五章 人类发明的树
  13. 第六章 死亡和夜的搏斗
  14. 第七章 波特兰北端
  15. 第二卷 单桅船在海上
  16. 第一章 超人的法律
  17. 第二章 再补充一下前面的速写
  18. 第三章 不安之海上的不安的人
  19. 第四章 出现了一片怪云
  20. 第五章 阿尔卡诺纳
  21. 第六章 他们还以为风帮他们的忙呢
  22. 第七章 惊骇
  23. 第八章 NIX ET NOX
  24. 第九章 只好受怒海的摆布
  25. 第十章 风暴是个残忍的野人
  26. 第十一章 卡斯盖
  27. 第十二章 跟礁石搏斗
  28. 第十三章 面对着黑夜
  29. 第十四章 渥太赫
  30. 第十五章 PORTENTOSUM MARE
  31. 第十六章 谜样的平静
  32. 第十七章 最后的办法
  33. 第十八章 垂死的办法
  34. 第三卷 黑暗里的孩子
  35. 第一章 象棋墩
  36. 第二章 雪的破坏力
  37. 第三章 多了一个累赘,痛苦的道路就更难走了
  38. 第四章 另外一种荒野
  39. 第五章 厌世者也抚养孩子了
  40. 第六章 睡醒了
  41. 第二部 奉国王的命令
  42. 第一卷 过去永远存在,这几个人就是人类的一面镜子
  43. 第一章 克朗查理爵士
  44. 第二章 大卫·第利—摩埃爵士
  45. 第三章 约瑟安娜公爵小姐
  46. 第四章 MAGISTER ELEGANTIARUM
  47. 第五章 女王安妮
  48. 第六章 巴基尔费德罗
  49. 第七章 巴基尔费德罗钻通了地道
  50. 第八章 INFERI
  51. 第九章 恨和爱同样的厉害
  52. 第十章 人体如果透明就能看见里面的火焰
  53. 第十一章 在埋伏中的巴基尔费德罗
  54. 第十二章 苏格兰、爱尔兰和英格兰
  55. 第二卷 格温普兰和蒂
  56. 第一章 我们前面看见了这个人的行动,现在来看看他的面貌吧
  57. 第二章 蒂
  58. 第三章 OCULOS NON HABET ET VIDET
  59. 第四章 一对理想的情人
  60. 第五章 乌云里露出来的青天
  61. 第六章 启蒙师和监护人于苏斯
  62. 第七章 瞎子教我们怎样看
  63. 第八章 不但幸福,而且生意兴隆
  64. 第九章 不懂风趣的人把狂言乱语当做诗
  65. 第十章 局外人对书中人物和事件的看法
  66. 第十一章 格温普兰想的是正义,于苏斯说的是现实
  67. 第十二章 诗人于苏斯战胜了哲学家于苏斯
  68. 第三卷 裂痕开始
  69. 第一章 泰德克斯特客店
  70. 第二章 露天演讲
  71. 第三章 那个过路的人又来了
  72. 第四章 敌人在仇恨中结成了盟友
  73. 第五章 铁棒官
  74. 第六章 猫审老鼠
  75. 第七章 为什么一枚金币要纡尊降贵地结交铜元?
  76. 第八章 中毒现象
  77. 第九章 ABYSSUS ABYSSUM VOCAT
  78. 第四卷 上刑罚的地窖
  79. 第一章 圣格温普兰的诱惑
  80. 第二章 从欢乐到沉痛
  81. 第三章 LEX,REX,FEX
  82. 第四章 于苏斯侦察警察局
  83. 第五章 讨厌的地方
  84. 第六章 从前的几个戴假发的官僚
  85. 第七章 战栗
  86. 第八章 叹息
  87. 第五卷 海和命运随着同样的微风波动
  88. 第一章 易碎物的韧性
  89. 第二章 漂流物没有迷路
  90. 第三章 “无论什么人突然从西伯利亚到塞内加尔都会失去知觉。”——洪保德
  91. 第四章 神魂颠倒
  92. 第五章 自以为是记得,其实是忘了
  93. 第六卷 于苏斯的各种表现
  94. 第一章 厌世者的话
  95. 第二章 他的行动
  96. 第三章 纠纷
  97. 第四章 MŒNIBUS SURDIS CAMPANA MUTA
  98. 第五章 国家的利益注意大事,也注意小事
  99. 第七卷 泰坦女神
  100. 第一章 觉醒
  101. 第二章 宫殿好像树林
  102. 第三章 夏娃
  103. 第四章 撒旦
  104. 第五章 又相识,又不相识
  105. 第八卷 议会和它周围的事物
  106. 第一章 庄严的仪式的分析
  107. 第二章 公道
  108. 第三章 从前的西敏寺大厅
  109. 第四章 从前的上议院
  110. 第五章 爵士们的高论
  111. 第六章 贵与贱
  112. 第七章 人类的风暴比海洋的风暴更可怕
  113. 第八章 如果不是个好儿子,至少是个好哥哥
  114. 第九卷 没落
  115. 第一章 从极度的富贵到极度的贫贱
  116. 第二章 余烬
  117. 结局 海和夜
  118. 第一章 看家狗可以做守护神
  119. 第二章 巴基尔费德罗瞄准了鹰,打中了鸽子
  120. 第三章 又找到了人间天堂
  121. 第四章 不,在天上!

FAQ

How does The Man Who Laughs differ from Hugo's other works?
Written during Hugo's exile, it is his most direct and sharpest political critique; its historical setting is England rather than France, its theme focuses more on exposing social institutions and inhumanity, and artistically it applies the principle of contrast between beauty and ugliness to an extreme.
Is the historical background in the novel authentic?
Hugo did extensive historical research before writing; the social conditions, party struggles, and judicial system of England under Queen Anne after the Glorious Revolution are historically authentic, but the characters and core plot are artistic fiction serving his socially critical purpose.
Why choose the Shanghai Translation Publishing House edition?
This edition is translated by an experienced translator of French literature; the translation is rigorous and literary, and it usually includes a detailed introduction and annotations to help readers understand the work's historical and cultural background and literary value.

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About the author

Victor Hugo was one of the most important French writers of the nineteenth century, known for novels that offer vast social panoramas and express a strong humanitarian concern. The collection here includes four of his works, among them Notre-Dame de Paris, The Man Who Laughs and Ninety-Three. These works are often drawn from history or set against a historical background, with intricate plots and vivid characters, and they excel at revealing the suffering and dignity of ordinary people amid conflicts of fate. Hugo's narrative combines dramatic tension with lyricism, and he often uses his stories to reflect on justice, tolerance and the progress of civilization. Since being introduced to China, his novels have been widely translated, maintaining a lasting appeal for readers of foreign literature and world classics. Because public information is limited, this note outlines only the themes and style of the works held in this collection.

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