Poems of the Dragon Boat Festival
Tags
Summary
Editor's review
In content, the book's value lies in its systematic and thematic approach. It brings together Dragon Boat Festival works scattered across the poetry collections of successive dynasties, allowing readers to take in at one stop the festival's literary presence across history. These poems not only depict such festival scenes as dragon-boat racing, eating zongzi and hanging mugwort, but also carry the ancients' reflections on the turning of the seasons, their remembrance of Qu Yuan and other historical figures, and the deeply rooted attachment to home and country and cultural memory. Reading this book is like opening a window onto the spiritual core of traditional Chinese culture, where the festive bustle and the elegance of poetry blend perfectly.
For an editor, the selection reflects the rigorous scholarship long upheld by Shanghai Classics Publishing House. The chosen pieces likely balance the canonical and the representative, and the annotations strive for accuracy and concision, helping readers understand the historical allusions and linguistic difficulties behind the poems. It is more like a small themed literary reference library for browsing and savoring at any time; its reading value lies not only in aesthetic pleasure but in deepening cultural understanding. In an age of fast-food reading, such a quiet, focused anthology of traditional festival poetry offers a way to return to the text and savor cultural nuance.
Who it's for
A good fit for
- Readers with a strong interest in traditional Chinese festival culture, especially the customs and meaning of the Dragon Boat Festival.
- Lovers of classical poetry who wish to read deeply by theme and broaden their appreciation.
- Teachers, students or cultural researchers in need of themed literary reference material on the Dragon Boat Festival.
- Readers seeking a culturally rich printed book suited to quiet reading during the Dragon Boat Festival.
Not a good fit for
- Readers expecting original works on the Dragon Boat Festival with strong personal views or modern interpretations.
- Fast-paced readers looking for light entertainment or fictional narrative content.
Reading tips
- Read it alongside the actual atmosphere of the Dragon Boat Festival to feel the scenes and emotions in the poems more vividly.
- There is no need to finish it in one sitting; keep it as a desk book, savoring pieces as the seasons turn and comparing how poets of different dynasties wrote about the festival.
- While reading, consult Qu Yuan's life and related historical background to understand more deeply the sentiments and allusions in many of the poems.
About the publisher
Shanghai Classics Publishing House is a professional publisher centered on the collation of ancient texts and academic research works. Its publishing areas cover historical readings, classical poetry, folk literature, literary appreciation, canonical works, and Eastern philosophy. Its books include Chen Yinke's A Brief Discussion of the Origins of the Sui and Tang Institutions, Xin Qiji's Chronological Annotated Edition of Jiaxuan's Ci (Simplified Edition), Tang Xianzu's The Peony Pavilion, Liu Xie's The Literary Mind and the Carving of Dragons, as well as New Annotations to Three Hundred Tang Poems (Collector's Edition), Annotated Edition of Han Changli's Collected Works (Simplified Edition, 3 volumes), and Youyang Zazu. Its authors include Chen Yinke, Xin Qiji, Tang Xianzu, Liu Xie, Deng Guangming, Hengtang Tuishi, Han Yu, and Ma Qichang. In terms of publishing characteristics, the house emphasizes collation, annotation, and compilation of ancient texts alongside academic research works, and continues to issue simplified and collector's editions that balance scholarship and accessibility. Public information about the publisher's fuller publishing profile is limited.
Contents
- 版权信息
- 前 言
- 五 日
- 端 午
- 五日观妓[1]
- 官庄池观竞渡
- 端午日赐衣
- 竞 渡 曲
- 表夏十首[1](选一)
- 和万州杨使君四绝句·竞渡
- 端 午 日
- 同州端午
- 竞 渡 诗
- 竞渡时在湖外偶为成章
- 端 午
- 岳州端午日送人游郴连[1]
- 和李秀才端午日见寄
- 宫 词
- 端午日事
- 五月五日
- 五日登北山望竞渡
- 皇后阁五首(选一)
- 渔 家 傲
- 端 午
- 端午雨饮伯英池馆
- 浣 溪 沙
- 南 歌 子
- 南 乡 子
- 喜 迁 莺
- 和 端 午
- 重午王文辅送米食张云卿送新酒来因成绝句
- 端午绝句二首(选一)
- 端午即事
- 重午日晚眺
- 重 午
- 端午日次郁林州[1]
- 齐 天 乐
- 端午日无菖蒲
- 端 午
- 五月五日海上遇风雨作
- 夔州竹枝歌九首[1](选一)
- 如 梦 令
- 乙卯重五
- 重 午
- 归州重五[1]
- 端午后顿热
- 过弋阳观竞渡
- 端午独酌
- 一 斛 珠
- 贺 新 郎
- 扬州端午呈赵帅
- 午阴小饮
- 贺 新 郎
- 念 奴 娇
- 念 奴 娇
- 端午即事
- 菩 萨 蛮
- 端午日照道中
- 竞 渡
- 端 午 词
- 重午客中
- 端午日怀古
- 五月五日淮阴
- 端 午
- 端阳十咏·射柳
- 端阳十咏·斗草
- 端阳写怀
- 辛酉端阳日
- 端午赐扇
- 五 日
- 端午日小酌
- 午日处州禁竞渡[1]
- 端阳采菊
- 五月端午
- 浪 淘 沙
- 南唐宫词六首(选一)
- 端 午
- 台湾竹枝词·竞渡
- 梅雨经旬得遣怀绝句六首(选一)
- 连日竞渡再赋
- 南楼忆旧
- 甲子端阳日哭屈子[1]
- 五 毒 符
- 端五日送穷[1]
- 端五日于扇头朱书虎字
FAQ
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About the author
Benshe is a collective署名 author, and publicly available information about it is limited; no clear record of its identity or individual history has been found. Judging from the fourteen works in the collection, its editorial scope is quite broad: it includes technical materials for engineering practice, such as the Consolidated Compilation of Construction and Acceptance Specifications for Electrical Installations and the companion volume of clause explanations, as well as selections of classical poetry such as Dragon Boat Festival Poems and Mid-Autumn Festival Poems, and historical and festival-custom readers such as Speaking of Qingming and Pain and Dreams Around 1898: The Li-Li Talks During the Treaty of Shimonoseki. It also covers culinary titles such as 800 Irresistible Hunan Dishes and travel books such as Journey of Dreams: Finding the Most Romantic Places. Overall, Benshe appears to be an editorial body responsible for compilation and anthology work; its books emphasize practicality and popular knowledge, are plainly written, and serve readers with different needs, from engineering construction to traditional culture and daily life.