Vying in Beauty cover

Vying in Beauty

Rating 4.1
Word count
92K words
Chapters
24
ISBN
9787532775903

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Summary

"Kyōen is a celebrated novel by Nagai Kafū. The heroine is a geisha named Komayo. After her marriage she once retired from the profession, but following her husband's death she returns to the pleasure quarters after seven years. The work features vivid psychological portraiture and a wide cast of characters, written with a lively, seasoned touch that only Nagai Kafū could command. A heir to Edo literature, he transforms the "vulgar" into the "refined" with perfect control."

Editor's review

Nagai Kafū's Kyōen is a classic work steeped in decadent aesthetics and the sorrow of an era. This is no mere tale of romance and pleasure quarters: through the author's singular "Kafū aesthetic" and the ukiyo-e of the pleasure districts, it renders with depth the transformation and disappearance of Tokyo's urban culture from the late Meiji through the Taishō period. Kafū's prose combines the lingering charm of Edo popular fiction with the cool, detached observation of French naturalism; his touch is delicate and gorgeous, and through luxury and decadence emerge a profound, elegiac lament for the vanishing traditional world and a cold-eyed critique of modern civilization. Reading this book is like strolling through an exquisite literary museum: one not only savors the bewitching allure of Japan's "flowers of evil" but also, beneath the surface, feels the spiritual undertone of an age and the complex moods of intellectuals caught in the currents of history. Its literary value lies in this highly charged duality: it is both a feast for the senses and an intellectual journey.

Who it's for

A good fit for

  • Readers interested in modern Japanese literature, especially the aesthetic or naturalist schools
  • History and culture enthusiasts who enjoy glimpsing an era through a particular social milieu (such as the pleasure quarters)
  • Readers who appreciate finely crafted prose, strong atmosphere, and literature with a decadent aesthetic
  • Readers hoping to understand the conflict between traditional Japanese culture (such as geisha culture and Edo sensibilities) and modern civilization

Not a good fit for

  • Readers of popular fiction seeking tight plotting and strong dramatic conflict
  • Readers uncomfortable with the period customs and depictions found in the work

Reading tips

  1. The book is best read alongside Nagai Kafū's Sumidagawa and Danchōtei nichijō to gain a fuller understanding of his aesthetic system and intellectual trajectory.
  2. While reading, pay attention to how the author uses environmental description and dialogue to evoke the atmosphere of the era and the characters' fates, and appreciate his mastery of "writing feeling through scenery."
  3. It may help to consult introductory materials on the social history of Tokyo in the Meiji and Taishō periods, which will deepen your understanding of the work's cultural metaphors and its sorrow for the age.

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 前言
  3. 一 幕间
  4. 二 极品
  5. 三 鸭跖草
  6. 四 迎魂火
  7. 五 白日梦
  8. 六 结棉
  9. 七 晚霞
  10. 八 枕之咎
  11. 九 演出
  12. 十 观剧席一隅
  13. 十一 菊尾花
  14. 十二 半夜骤雨
  15. 十三 归途
  16. 十四 浅草
  17. 十五 宜春亭
  18. 十六 上演首日(上)
  19. 十七 上演首日(下)
  20. 十八 今昨两天
  21. 十九 保名
  22. 二十 晨浴
  23. 二十一 忙乱
  24. 二十二 如此这般

FAQ

What is Kyōen about?
Set in the Yoshiwara pleasure quarters of Tokyo, the book draws on the narrator's observations to depict the lives and fates of several geisha and courtesans, showing the rise and fall of this particular social class amid changing times, its human entanglements, and the gradual decline of traditional customs. It is a representative work of Nagai Kafū's "decadent aesthetic."
What are the characteristics of Nagai Kafū's writing style?
Nagai Kafū's style blends the classical charm of Edo popular fiction with the realist spirit of French naturalism. His prose is gorgeous and delicate, skilled at creating an atmosphere of nostalgia, melancholy, and decadence; within descriptions that seem absorbed in the pleasures of the floating world lies a sharp eye for civilizational critique and an intellectual's solitude.
What is the literary status of this book?
Kyōen is an important work of Japanese aesthetic literature and one of the masterpieces that established Nagai Kafū's standing in the literary world. It is not only a "customs novel" depicting a particular social milieu but also regarded as an important window onto the social and cultural transformation and the intellectual spirit of the late Meiji to Taishō period, possessing high literary and historical value.

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About the author

Nagai Kafū Author · Japanese · 1879–1959

Nagai Kafū (1879–1959), born Nagai Sōkichi, was a Japanese novelist, essayist, and translator, and a leading figure of aestheticist literature. He studied in the United States and France for five years; after returning home, he taught at Keio University and founded the journal Mita Bungaku. His work spans fiction, essays, and literary theory, with representative titles including Bokutō Kidan, Sumida River, Danchōtei Nichijō, and An Essay on Edo Art, as well as a seven-volume Chinese translation selection by Chen Dewen. Drawing on Edo customs, ordinary city dwellers, and urban life, his writing is delicate and tinged with melancholy, forming a distinctive style between aestheticism and realism and exerting a profound influence on modern Japanese literature. He received the Order of Culture in 1952.

Tan Jinghua Author · China · 1951

Tan Jinghua was born in Shanghai in June 1951. He holds a doctorate in literature and is a professor and doctoral supervisor at Shanghai International Studies University, where he formerly served as executive vice president. He has long been engaged in the study and translation of modern Japanese literature. His publications include a biography of Kawabata Yasunari and A History of Modern Japanese Literature, and he has translated more than 140 major works of Japanese literature. His representative translations include Kawabata Yasunari's Snow Country, The Izu Dancer, The Old Capital, Thousand Cranes, and The Sound of the Mountain, as well as the Selected Works of Kawabata Yasunari and the four-volume Abe Kobo series, and Natsume Soseki's Light and Darkness. He is a former president of the Chinese Association for Japanese Literature and of the Shanghai Translators Association. His works are generally classified under essays and miscellaneous writings and foreign literature, and he has had a broad influence in the translation and introduction of modern and contemporary Japanese literature.

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