Stance cover

Stance

Rating 3.7
Word count
17K words
Chapters
146
ISBN
9787541146473

Tags

Summary

I need you to tell me something, but wait until after dark—you don't dare say it in daylight. It's meant for the night; say it by day and the day will never darken.

Editor's review

Stance unfolds through minimalist, dialogue-like short lines, centered on the image of "something to be said only after dark," because "say it by day and the day will never darken." In this near-allegorical way, Jimu Langge compresses the tension among expression, timing, and stance into a few lines. The work offers no elaborate exposition; instead it lets readers feel for themselves within the oppositions of day/night and speaking/silence: some words need a particular light and state of mind to be heard. The language is clean and full of white space, suited to readers who enjoy aphoristic writing, micro-texts, and speculative prose. Don't rush to find answers; treat the short lines as prompts to be chewed over, filling the silent parts with your own experience. If you expect long-form argument or clear conclusions, this work may seem too slight; but if you're willing to linger in the short lines, it offers a sustained reminder about the measure of expression.

Who it's for

A good fit for

  • Readers who enjoy aphoristic writing, micro-texts, and speculative short pieces.
  • Those interested in thinking about timing of expression, silence, and stance.
  • Readers who need short texts to savor repeatedly in fragments of time.
  • Writers can use it as a reference for verbal restraint and white space.

Not a good fit for

  • Readers expecting systematic discussion or a complete argument.
  • Readers who prefer story, character, and scene description.
  • Those who need substantial information or practical guides.

Reading tips

  1. Read through once to feel the rhythm, then pick out the lines that move you most and copy or read them aloud.
  2. After reading, respond in a few lines by recalling a time you wanted to speak but waited until dark.
  3. Keep it within reach for random dipping—read only a paragraph or two at a time, no need to finish in one sitting.
  4. Pick one line each with a friend and discuss your interpretations; no need to reach a single answer.

About the publisher

Sichuan Literature and Art Publishing House is a professional literary and art publishing institution. It mainly publishes books on contemporary and modern literature, foreign literature, poetry and prose, music and art, and literary theory. Judging from the books in the database, the house places considerable emphasis on classic works and foreign literature. Representative titles include Lu Xun's Call to Arms and Dawn Blossoms Plucked at Dusk, Lao She's Camel Xiangzi, Xiao Hong's The Story of Hulan River, J.R.R. Tolkien's The Hobbit, William Shakespeare's Hamlet, and Hermann Hesse's Siddhartha. Its translator resources include Deng Jiawan, Shi Zhongge, Du Yunci, and Zhu Shenghao. Common categories include social fiction, classic works, foreign literature, world classics, literary appreciation, and classical poetry, reflecting a publishing profile that balances Chinese and foreign literary classics with literary appreciation.

Contents

  1. 版权信息
  2. 一句话
  3. 还债
  4. 灯下写诗
  5. 雨之夜
  6. 河里的鱼
  7. 看见
  8. 偶然
  9. 几句诗
  10. 我们是语言的工具
  11. 姐妹花
  12. 天地间
  13. 游乐园
  14. 疑问
  15. 太阳
  16. 立场
  17. 亲爱的孤独
  18. 爽
  19. 对立
  20. 听我的话
  21. 致石光华
  22. 写一首陶渊明
  23. 了不起
  24. 折磨
  25. 诺贝尔奖
  26. 情怀
  27. 问自己
  28. 时光
  29. 望潮
  30. 一枚戒指
  31. 致歉
  32. 历史与传说
  33. 想
  34. 一片药
  35. 抒情和偷情
  36. 约定
  37. 两种人
  38. 小区,一周纪要
  39. 写于2016年美国总统大选之前
  40. 明天,我们去纽约
  41. 路上
  42. 自由的烟头
  43. 不一样的菊花
  44. 小约翰镇
  45. 我不知道她叫什么名字
  46. 笑
  47. 不懂英语等于不懂爱情
  48. 歌声
  49. 远方的鱼
  50. 比傻
  51. 地球的另一边
  52. 等
  53. 房子
  54. 火车
  55. 失眠
  56. 神话
  57. 行走
  58. 电话
  59. 菩萨保佑
  60. 绝对集体
  61. 一般来说
  62. 这一天
  63. 阿根廷蚂蚁
  64. 草原上有一条河
  65. 哪天去看小安
  66. 反省
  67. 运动一组
  68. 这个夏天
  69. 艰难的一天
  70. 看书的过程
  71. 自白
  72. 新人
  73. 门
  74. 金钱草
  75. 特别的诗
  76. 像歌词的诗
  77. 偏爱
  78. 偏爱的后果
  79. 走火入魔
  80. 信仰
  81. 表态
  82. 我发现我善于发现
  83. 我心中的小说
  84. 流浪者
  85. 情侣
  86. A和B
  87. 小女孩
  88. 生死歌
  89. 一棵树与一片森林
  90. 卖樱桃的人
  91. 一辆红色的轿车停在雨中
  92. 午夜写诗
  93. 八月的风
  94. 眼睛
  95. 我是一个忙碌的人
  96. 晾衣服
  97. 想一个人
  98. 想一件事
  99. 想一个地方
  100. 蝴蝶1
  101. 蝴蝶2
  102. 生活
  103. 三读一本书
  104. 小房子酒吧
  105. 去黄龙溪
  106. 朋友
  107. 没有诗歌哪来工作
  108. 杨黎和成都的太阳
  109. 点菜
  110. 现象
  111. 静夜思
  112. 习惯
  113. 隐秘的河
  114. 等待
  115. 天啊
  116. 张老师
  117. 最矮的同学
  118. 朦胧的初恋
  119. 三个诗人
  120. 一块布
  121. 周末快乐
  122. 女人
  123. 蔑视
  124. 下雨
  125. 童谣
  126. 见鬼
  127. 大气
  128. 开心的疯子
  129. 停电
  130. 有趣的来客
  131. 等到下一次
  132. 美好的事
  133. 送花
  134. 种在楼顶的树
  135. 夜晚
  136. 吃酒
  137. 进步
  138. 人民的梦
  139. 我的未来
  140. 混乱
  141. 故宫
  142. 感恩
  143. 照明
  144. 做客
  145. 我他妈挺崇高的
  146. 平原记

FAQ

What is this book mainly about?
The material shows it revolves around "something to be said only after dark," centering on the timing of expression, the opposition between day and night, and the stance implied in speaking. It is more a short-line speculative text than a systematic argument.
It's short—won't there be too little content?
Short doesn't mean little information. Its value lies in white space and repeated chewing—it's suited to treating the short lines as prompts and filling them with your own experience. Read fast and it may feel slight; read slowly and there's more to savor.
Is it suitable for copying or reading aloud?
Yes. The short lines have clear rhythm and concentrated imagery; copying helps you linger, and reading aloud lets you feel the measure in the tone. But don't treat every line as an aphorism—keeping your own questions matters more.

Comments

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About the author

吉木狼格 Author · China

Ji Mulangge is a Yi poet and one of the representative poets of the Feifei ("Non-Non") poetry school. His work consists mainly of modern poetry and holds a place in both contemporary Yi poetry written in Chinese and the broader avant-garde poetry scene. The only title by him in the collection is Standpoint. Publicly available information is limited, making it difficult to give a complete account of his life, education, or writing chronology; it is therefore more appropriate to approach him through his poetic style and influence. Ji Mulangge's poetry is generally cool and concise, with restrained language and spare imagery. It avoids elaboration and excessive lyricism, concentrating observation and reflection in short, taut lines. This style echoes the Feifei school's emphasis on linguistic self-awareness and its rejection of established lyrical modes, giving his work a distinctive presence in contemporary Chinese poetry. Reading Ji Mulangge thus means encountering a Yi poet's Chinese-language writing and experiencing a modern poetic voice known for restraint and composure.

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