The Qinhuai Family
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy Zhang Henshui's works and Republican-era urban-life subjects
- Readers interested in narratives of lower-class women's resistance and revenge
- Those curious about depictions of city life along the Qinhuai River
- Readers who can accept tragic turns and value the tension of characters' fates
Not a good fit for
- Readers distressed by scenes of kidnapping, violation, and other violent harm
- Those expecting a light, warm, or wholly happy reading experience
- Readers who prefer short, fast-paced works and have little patience for long narrative buildup
Reading tips
- Read along the chain of cause and effect: the rejected flirtation, the vicious scheme, the revenge, the renewed tyranny—trace how the wrongdoing escalates.
- Pay attention to the different circumstances and responses of Tang Dasao, Erchun, and Xiaochun, and compare their agency.
- When you reach the closing scene of the lower classes uniting, look back at earlier setup to appreciate the sense of justice the author invests in it.
Contents
- 版权信息
- 第一回 唐大嫂茶座说前因 徐二哥河厅作上客
- 第二回 还旧服姊妹表歉忱 赠新书良朋存厚道
- 第三回 见艺人传书有遗憾 怜神女冒雨表同情
- 第四回 登门送款穷汉施仁 远道索书青年露迹
- 第五回 惜浪费局外进忠言 具深心席前作娇态
- 第六回 押戒指妙计赚现金 留字条辣手演喜剧
- 第七回 唐二春独来慰知己 王大狗二次济苦人
- 第八回 重私恩偷儿争自首 忿家丑失主两饶人
- 第九回 难消重耻闭户撒娇 苦遇恶魔回家受训
- 第十回 赞少女骚客赋艳诗 接财东钱商摆盛宴
- 第十一回 恶作剧席上饮交杯 大不堪台前喝倒彩
- 第十二回 无法可想好汉低头 有命能拼贱人吐气
- 第十三回 中圈套送女上河船 欠思量驰车入虎穴
- 第十四回 困迷楼毒倒洁身女 谈屈膝气死热心人
- 第十五回 看得不平失言遭害 回来尴尬破费遮羞
- 第十六回 吃亏人把盏劝磕头 探风客登门遭毒手
- 第十七回 忍痛山头深更探险 救人虎口暗室遭围
- 第十八回 赠约指暗放有心人 作娇容痛骂无赖子
- 第十九回 情脉脉软语度难关 泪涟涟深心走绝路
- 第二十回 斗手法逐步破深谋 弄心机当筵递暗信
- 第二十一回 混长夜热酒留众客 劫武器灭灯捆醉人
- 第二十二回 烈烈轰轰高呼溅血 凄凄惨惨垂首离家
- 第二十三回 老邻妇端坐度难关 贱女人挺身挡恶棍
- 第二十四回 发语双关拒奸救友 引刀一快纵火除魔
FAQ
Where is the story set, and who are the main characters?
Is the plot very heavy?
Is the ending one of utter despair?
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About the author
Zhang Henshui (1895–1967), originally named Xinyuan, was a native of Anhui and a writer of serialized chapter fiction, recognized as a representative author of the Mandarin Ducks and Butterflies school. Over his lifetime he wrote more than a hundred novels, and this library holds as many as 436 of his works. His writing uses the traditional chapter form as its framework, with intricate plots and large casts of characters; he excels at portraying social manners and human feelings amid social change and romantic entanglements, in language that is accessible and fluent, earning him a broad readership. His representative works include Ti Xiao Yin Yuan (A Smile of Woe), Jin Fen Shi Jia (The Golden Family), Chun Ming Wai Shi, and Ba Shi Yi Meng (Eighty-One Dreams), among which the first two have circulated especially widely in many editions. His subjects center on social novels and modern romance, with some allegorical and satirical works, giving him an important place in the history of modern popular literature.