Wandering in Mind cover

Wandering in Mind

Rating 3.0
Word count
35K words
Chapters
148
ISBN
9787533979348

Tags

Summary

*Divine Journey* is a brand-new collection of modern poetry by the renowned poet Liang Xiaoming.

In this collection, Liang Xiaoming crosses the distance between past and present, travels to the Song Dynasty, and enters into dialogue with literary and artistic figures such as Liu Yong, Su Shi, Lu You, and Zhou Xingji, tracing the journeys of their lives, fathoming their distinctive artistic personalities, and re-examining their achievements through a modern lens while discerning their joys and sorrows.

The collection showcases the collision and fusion of classical sensibility and the modern spirit—a romantic journey of thought and literature.

Editor's review

Shenyou is the latest poetry collection by poet Liang Xiaoming, gathering over a hundred poems composed in recent years. As an important voice in contemporary Chinese poetry, Liang is known for his distinctive imagery and linguistic rhythm, and this collection continues his spirit of exploration, fusing everyday experience with transcendent reflection.

From a professional standpoint, the collection displays the linguistic control of the poet's mature period. Liang excels at uncovering poetry in ordinary things: in "Teacup," he elevates the everyday act of drinking tea into a meditation on time and existence; in "Notes on a Rainy Night," the sound of rain is woven into the warp and weft of memory. This deft union of the concrete and the abstract gives his poems both grounding and philosophical depth.

Notably, the collection unfolds the theme of "roaming" on multiple levels. Shenyou means not only spiritual wandering but also an exploration of the possibilities of the Chinese language. Liang bridges tradition and modernity, offering modern renderings of classical moods alongside poetic captures of urban experience. His language is spare yet charged with tension, often opening an unexpected semantic space within seemingly calm narration.

The value of reading this book lies in the cross-section it offers of contemporary Chinese poetry's development. Liang's practice demonstrates the art of balance between inheritance and innovation in Chinese-language poetry. For poetry lovers, these works offer aesthetic pleasure while prompting reflection on language itself. The pieces on time, memory, and existence especially reward repeated reading, revealing new layers with each encounter.

Who it's for

A good fit for

  • Readers interested in the development of contemporary Chinese poetry
  • Readers who delight in finding poetry in ordinary things
  • Urban dwellers seeking moments of quiet reflection
  • Literature enthusiasts curious about a poet's mature work

Not a good fit for

  • Readers expecting traditional rhyme and fixed meter
  • Fast readers looking for light entertainment

Reading tips

  1. Read in the collection's order to follow the natural arc of the poet's creative development
  2. Focus on the two sections "City Series" and "Book of Memory"
  3. Read favorite lines aloud to savor the musicality of the Chinese language

About the publisher

Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.

Contents

  1. 版权信息
  2. 自序
  3. 与陆游去驿外看梅 组诗十五首
  4. 驿外
  5. 断桥边
  6. 寂寞
  7. 开无主
  8. 黄昏
  9. 独自愁
  10. 风和雨
  11. 无意
  12. 苦争春
  13. 群芳妒
  14. 零落
  15. 成泥
  16. 碾作尘
  17. 香如故
  18. 跋:北宋皇陵
  19. 附记
  20. 与杨万里同行 组诗六首
  21. 诚斋体
  22. 小池
  23. 悯农
  24. 黄蝶
  25. 宿新市
  26. 荷花
  27. 在杭州,随柳永的字句走上两三里 组诗十六首
  28. 题记:雨霖铃
  29. 寒蝉
  30. 凄切
  31. 对长亭晚
  32. 骤雨
  33. 初歇
  34. 兰舟
  35. 凝噎
  36. 楚天阔
  37. 今宵酒醒
  38. 晓风
  39. 残月
  40. 虚设
  41. 与何人说
  42. 跋:柳永
  43. 再跋:西湖边遥寄柳永
  44. 读江南春与寇準同作小令十八阕
  45. 波渺渺
  46. 柳依依
  47. 孤村
  48. 芳草远
  49. 斜日
  50. 杏花
  51. 飞
  52. 江南
  53. 春尽
  54. 离肠
  55. 断
  56. 汀州
  57. 人
  58. 未归
  59. 天在上
  60. 与山齐
  61. 红日近
  62. 白云低
  63. 在黄昏,观李清照寻寻觅觅 组诗二十三首
  64. 寻觅
  65. 冷清
  66. 凄惨
  67. 乍暖
  68. 还寒
  69. 难将息
  70. 三杯两盏
  71. 淡酒
  72. 晚来
  73. 风急
  74. 雁过
  75. 伤心
  76. 旧相识
  77. 满地黄花
  78. 憔悴
  79. 如今有谁
  80. 窗
  81. 独自
  82. 梧桐
  83. 细雨
  84. 到黄昏
  85. 愁
  86. 叹李清照
  87. 邀苏轼与迪兰·托马斯同看大江 组诗二十八首
  88. 引子
  89. 大江
  90. 东去
  91. 浪淘尽
  92. 千古
  93. 风流人物
  94. 故垒
  95. 西边
  96. 三国
  97. 赤壁
  98. 乱石
  99. 穿空
  100. 惊涛
  101. 拍岸
  102. 千堆雪
  103. 江山
  104. 如画
  105. 豪杰
  106. 当年
  107. 初嫁
  108. 谈笑
  109. 灰飞烟灭
  110. 故国
  111. 神游
  112. 多情
  113. 华发
  114. 如梦
  115. 江月
  116. 读姜夔——残柳在风中起舞 组诗十一首
  117. 我围着她吹箫——姜夔过垂虹桥
  118. 残柳在冷风中跳舞——姜夔过吴松
  119. 春天不在家——姜夔过空城晓月
  120. 我竟然在河里种下了爱情——姜夔元夕有所梦
  121. 夜归的云彩无声地围着它——姜夔姑苏怀古
  122. 淮南的月亮把千山照得一片冰凉——姜夔金陵江上感梦
  123. 角招——姜夔为春瘦
  124. 夜晚的花朵记录我们欢乐的笑容——姜夔绿杨巷陌秋风起
  125. 太多思虑都挂在榆树垂累的果实上——姜夔自度曲
  126. 亭子已经废了——姜夔月上海云沉
  127. 所有心事都落在了台下——姜夔江左咏梅人
  128. 五支画笔 组诗五首
  129. 胸有成竹看文同
  130. 看李唐挥洒万壑松风
  131. 诗入马远
  132. 观刘松年画四景山水图
  133. 溪山清远走夏圭
  134. 走遍沧桑——浙东思想学派肖像录 组诗五首
  135. 行出自己
  136. 水心先生
  137. 永嘉先生八面锋
  138. 与陈亮对饮
  139. 文节陈傅良
  140. 南海一号 小诗剧
  141. 母亲
  142. 哥哥
  143. 阿琴
  144. 父亲
  145. 哥哥
  146. 爸爸
  147. 阿琴
  148. 后记

FAQ

Where does Liang Xiaoming stand in contemporary Chinese poetry?
Liang Xiaoming is one of the representative poets of the "Third Generation" poetry movement. He began writing in the 1980s, and his work, known for its distinctive imagery and linguistic experimentation, has had a significant influence on contemporary poetry.
How does this collection differ from the author's earlier work?
Shenyou reveals a more introspective and condensed style in the poet's recent work; while retaining linguistic experimentation, it places greater emphasis on the internal rhythm and intellectual depth of the poems.
Is the collection suitable for readers new to poetry?
Although some poems require some experience with reading poetry, Liang's imagery is relatively clear and his language not obscure; reading alongside the poet's reflections on his craft will deepen understanding.

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About the author

梁晓明 Author

Liang Xiaoming is an author about whom rather limited public information is available; neither his nationality, dates of birth and death, nor educational background are clearly recorded. Three of his works are currently known, touching respectively on modern poetry, classical poetry, and examination-related subjects. Among them, Memories of Chang'an: A Poetry Translation Collection of Tang Poems reinterprets Tang poetry in verse form, reflecting an attention to the classical poetic tradition and an attempt to translate it anew; Shenyou (Wandering in Spirit) is classified as modern poetry, showing that he has also practiced in new verse; and College Student Career Planning and Employment Guidance falls into the category of examinations and practical guidance. Judging from the wide range of these three works, Liang Xiaoming's writing combines literary and practical concerns, connecting at one end the modern transformation of classical poetry and at the other the real-world needs of education and employment. Because public materials are limited, his life experience and the full scope of his writing cannot yet be described in detail, and readers may gain a further understanding of his writing orientation through the works themselves.

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