Ritual Differences
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Summary
Special ritual treatment. Du Fu of the Tang, in “Eight Laments: Presented to Prince of Runan Commandery Jin”: “Coming and going alone at unusual times, by ritual distinction he stands out among the assembled ministers.” Kong Pingzhong of the Song, in Continued Tales of the World: Favored Rites: “Emperor Shunzong extended him special ritual distinction.”
Editor's review
Who it's for
A good fit for
- Scholars of ancient Chinese ritual and institutional history
- Readers interested in Tang poetic allusions and the institutions of names and objects
- Scholars of literature and history who need textual examples related to “礼异”
- General readers who enjoy approaching ancient culture through specific terms
Not a good fit for
- Readers expecting a systematic theoretical monograph on ritual studies
- Beginners with no interest in classical Chinese texts or ancient institutions
- Readers seeking practical guidance on modern etiquette
Reading tips
- Read the table of contents first to understand the compilation format, then proceed item by item in chronological order of the sources
- When encountering poetic examples, consult the surrounding context of the original poem to understand the specific situation of 礼异
- Read alongside works on Tang ritual history or Du Fu studies to deepen understanding of the institutional background
- Mark entries related to official posts and imperial favor for easy later reference and comparison
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 正文一
- 正文二
- 正文三
- 正文四
- 正文五
FAQ
What does the term “礼异” mainly refer to in this book?
Is this book a systematic monograph on ritual studies?
Can someone without a foundation in classical Chinese read this book?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.
