Shilin's Ci Poems
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the Southern Song ci world and the development of the haofang style
- Those hoping to move beyond wanyue ci and broaden their aesthetic range in Song ci
- Classical poetry lovers who enjoy strong-boned, sincere works
- Teachers and students needing materials for teaching or research on Song ci
Not a good fit for
- Readers who prefer purely graceful, delicate styles and have limited interest in the haofang vein
- Beginners expecting plain-language interpretation or extensive annotation
- Those who only want to skim famous lines without reading whole poems
Reading tips
- First read through the table of contents and read by thematic groups, observing how "qi" manifests across different subjects.
- Read each poem twice: the first time to grasp the emotional tone, the second to notice where the language is spare and concentrated.
- Read alongside haofang poems of the same period to appreciate the pioneering features of ci style around the southward crossing.
- Keep brief notes recording lines that move you and your immediate impressions after reading.
Contents
- 版权信息
- 贺新郎
- 水调歌头
- 水调歌头
- 水调歌头
- 水调歌头
- 水调歌头
- 水调歌头
- 水调歌头
- 八声甘州
- 八声甘州
- 八声甘州
- 八声甘州
- 念奴娇
- 念奴娇
- 念奴娇
- 满庭芳
- 满庭芳
- 满庭芳
- 满江红
- 满江红
- 应天长
- 定风波
- 定风波
- 定风波
- 定风波
- 江城子
- 江城子
- 江城子
- 江城子
- 江城子
- 江城子
- 竹马儿
- 浣溪沙
- 浣溪沙
- 浣溪沙
- 浣溪沙
- 浣溪沙
- 浣溪沙
- 浣溪沙
- 浣溪沙
- 永遇乐
- 永遇乐
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 临江仙
- 虞美人
- 虞美人
- 虞美人
- 虞美人
- 虞美人
- 虞美人
- 虞美人
- 虞美人
- 减字木兰花
- 减字木兰花
- 减字木兰花
- 木兰花
- 点绛唇
- 点绛唇
- 点绛唇
- 鹧鸪天
- 鹧鸪天
- 鹧鸪天
- 鹧鸪天
- 鹧鸪天
- 鹧鸪天
- 鹧鸪天
- 水龙吟
- 水龙吟
- 千秋岁
- 千秋岁
- 蓦山溪
- 清平乐
- 雨中花慢
- 南乡子
- 南乡子
- 南乡子
- 卜算子
- 卜算子
- 菩萨蛮
- 蝶恋花
- 醉蓬莱
- 南歌子
- 采桑子
FAQ
Where does Ye Mengde stand in the history of Song ci?
*Shilin Ci* has only one hundred poems—is that a suitable amount to read?
Can I read this book if I'm not familiar with ci prosody?
Comments
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About the author
Ye Mengde was a literary figure of the Song dynasty. Public information about him is limited, and details such as his birth and death years, native place, and official career remain unverified. The library holds nine of his works, covering poetry, poetic criticism, notes, and essays, which shows the breadth of his writing. Representative works include Shilin Shihua (Remarks on Poetry from Shilin), Shilin Ci, Shilin Yanyu, Bishu Luhua, and the Jiankang Collection. Among them, Shilin Shihua comments on poetry in a leisurely manner, paying attention to phrasing and intention, and is one of the more influential works of Song poetic criticism. Shilin Ci is clear and graceful in style, often treating personal feelings and everyday scenery. Shilin Yanyu and Bishu Luhua are note-style works recording court and local observations, institutional lore, and reading reflections, possessing both historical and literary value. Overall, Ye Mengde's writing spans creative work and criticism, with varied subjects and a plain yet refined language, giving him a place in categories such as classical poetry, literary appreciation, and Eastern philosophy.