The Low-Legged Building cover

The Low-Legged Building

Rating 3.0
Word count
108K words
Chapters
14
ISBN
9787550051188

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Summary

A collection of short stories, *Aijiao Lou* (The Low-Legged Building) gathers more than ten pieces the author wrote in recent years, most of which have already appeared in provincial and municipal literary journals. Set largely in the small Jiangnan towns the author knows well, the stories focus on ordinary people and ordinary affairs, drawing out the drama of everyday life. In "Guisu" (Homecoming), for instance, the narrator recounts the reburial of his grandparents in a shared grave; while portraying his grandfather, the story also depicts local customs, reveals human nature, and reflects the changing times. The title story, "Aijiao Lou," contrasts two families living in the same low-legged building to make the case that education changes one's fate. The stories are thought-provoking, told with wit and humor, and written in language rich in regional flavor.

Editor's review

A short story collection rooted in life in a small Jiangnan town, *Aijiao Lou* contains more than ten pieces, most of which have already appeared in provincial and municipal literary journals—a sign that their quality has passed a certain literary screening. Working from the small Jiangnan towns he knows well, Wang Caixing focuses on the ordinary affairs of ordinary people, from a family matter like reburying grandparents in a shared grave to a contrast between neighbors in the same building, mining drama from everyday minutiae. This approach gives the stories both lived-in texture and tension. Notably, while telling a story, the works also attend to local customs, human nature, and the changes of the times: "Guisu" brings out social development in the course of portraying the grandfather, while "Aijiao Lou" uses the contrast between two families to show that education changes one's fate—a clear theme that never turns preachy. The witty, humorous prose and language rich in regional flavor are what set this book apart from ordinary domestic narrative fiction; it reads vividly. It suits reading one piece at a time in spare moments, and also serves as a window onto the life and character of a small Jiangnan town and onto contemporary short story writing.

Who it's for

A good fit for

  • Literary readers who enjoy short stories and prefer everyday subject matter.
  • Readers interested in life in a small Jiangnan town and regional culture.
  • General readers who hope to sense the changes of the times through ordinary stories.
  • Middle school Chinese teachers and writing enthusiasts in need of short story material.

Not a good fit for

  • Readers who prefer plot-driven, suspense, or fantasy fiction.
  • Readers looking for grand narratives and major historical subjects.
  • Readers from elsewhere who are less comfortable with strongly dialect-flavored language.

Reading tips

  1. Read the pieces one by one, pausing briefly after each to savor the dramatic turns in the everyday narratives.
  2. Start with the two representative stories, "Guisu" and "Aijiao Lou," to grasp the book's subject matter and style before reading the rest.
  3. Pay attention to the local customs and dialect expressions; jot them down as clues to understanding the small Jiangnan town.
  4. After reading, try summing up each story's "ordinary affair" and "drama" in one or two sentences to check what you've gained.

About the publisher

Baihuazhou Literature and Art Publishing House is a professional literature and art publisher. Judging from the books in the database, its publishing focus is on foreign literature, world classics, prose and miscellaneous writings, and classic works, while also covering literary appreciation and cultural reading. Representative titles include The Painter of Modern Life, Jane Eyre, Six Chapters of a Floating Life, The Moon and Sixpence, Selected Prose of Ji Xianlin, A Sportsman's Sketches, and Collected Prose of Famous Masters, involving Chinese and foreign authors such as Charles Baudelaire, Charlotte Brontë, Shen Fu, and W. Somerset Maugham, as well as translators including Guo Hong'an, Chen Jinhui, Jing Xing, and Jiao Haili. Overall, the press emphasizes the introduction of classic texts and the compilation of prose works, presenting a publishing profile centered on literary reading and cultural accumulation. As public information is limited, other aspects are not elaborated here.

Contents

  1. 版权信息
  2. 笔下波澜 胸中意象——王才兴小说集《矮脚楼》序
  3. 长夜漫漫
  4. 归宿
  5. 矮脚楼
  6. 海员之妻
  7. “三仙”的孙女们
  8. 文曲星遭遇天狗星
  9. 栀子花
  10. 破鼻头
  11. 缺根筋
  12. 水老虫
  13. 街市之光
  14. 外公和他的女人

FAQ

Is this book a novel or a short story collection?
It is a personal short story collection, gathering more than ten pieces the author wrote in recent years, most of which have already appeared in provincial and municipal literary journals. Each piece stands alone and can be read separately; there is no need to read them in order.
Will readers without experience of life in Jiangnan find it hard to relate?
The language is rich in regional flavor, but the stories focus on ordinary people's daily lives and family ethics—reburying grandparents in a shared grave, getting along with neighbors, education changing one's fate—themes that are universal. The regional color mainly adds flavor and does not hinder understanding of the characters and plot.
What are the stories in the book mainly about?
Set largely in the small Jiangnan towns the author knows well, they focus on ordinary people and ordinary affairs, drawing out the drama of everyday life. For example, "Guisu" recounts the reburial of grandparents in a shared grave, attending to local customs as well as human nature; "Aijiao Lou" contrasts two families living in the same building to make the case that education changes one's fate.

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About the author

王才兴 Author

Wang Caixing, judging from the bibliographic information currently available, is a Chinese-language author whose works are classified under classic literature. Public information is limited: his nationality, dates of birth and death, educational background and writing career are not clearly recorded, and his English name is unknown. Two of his works are held in the collection, namely Aijiaolou and There Is a High Tower in the Northwest. Both titles carry distinct architectural imagery, and the word "high tower" in the two titles echoes each other, which may suggest that his writing attends to the connection between architectural space and human fate. On the basis of the material presently available, it is not yet possible to determine his overall creative trajectory or thematic preferences, nor to summarize his writing style. Readers who begin with these two works may appreciate the care with which the author handles setting and character relationships; a fuller assessment must await more works and further information.

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