Pan Geng, Part III
Tags
Summary
Editor's review
Who it's for
A good fit for
- Upper-level undergraduates and graduate students studying the Shang chapters of the Book of Documents
- Readers interested in rebuilding order and political pacification after a move of capital
- Students of classical learning who need the original text and annotations of the latter part of "Pan Geng"
- Learners of classical Chinese interested in the linguistic features of pre-Qin exhortations
Not a good fit for
- General readers expecting a coherent historical narrative or character-driven story
- Readers who rely entirely on vernacular translation and do not wish to engage with the original text
- Readers hoping to gain a full picture of Shang archaeology and institutions from this book
Reading tips
- Read "Pan Geng I" first, then this piece, noting how the tone of exhortation continues and changes before and after the move.
- Extract warnings such as "Do not be idle or slack; strive to establish the great mandate" and consider their governing intent.
- Sort out the sentences in which Pan Geng combines reassurance with warning, and analyze his strategy for steadying hearts.
- Use the annotations to understand expressions such as "lay bare my heart and innermost thoughts," and avoid taking them too literally.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 商书·盘庚下第十一
FAQ
What is the relationship between "Pan Geng III" and "Pan Geng I"?
What attitude does Pan Geng express toward the people in this piece?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.
